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18th Century and Earlier Art

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Period: 18th Century and Earlier
Le Pekan - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Pekan is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Skeleton - Etching by Louis Legrand - 1711
Located in Roma, IT
Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Le Naguer - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Naguer is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pi...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Le Balbuzard - Etching by G. Michel - 1771
Located in Roma, IT
Le Balbuzard is an etching realized in 1771 by G. Michel. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cab...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Le Putois - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Putois is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pi...
Category

Modern 18th Century and Earlier Art

Materials

Etching

La Mangouste - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
La Mangouste is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Le Hamster - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Hamster is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pi...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Interior of Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Interior of Animals is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ave...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Animal's Skeleton - Etching by Louis Legrand - 1711
Located in Roma, IT
Animal's Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec ...
Category

Modern 18th Century and Earlier Art

Materials

Etching

La Gelinote - Etching by Louis Legrand - 1771
Located in Roma, IT
La Gelinote is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la des...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Animals' Respiratory System - Etching by Louis Legrand - 1771
Located in Roma, IT
Animals' Respiratory System is an etching realized in 1771 by Louis Legrand. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Painting with Female Bust with Flower Garland, late 17th, early 18th century
Located in Milan, IT
Oil on Canvas. Central-Italian school of the late 17th-early 18th century. The composition proposes a female bust in the center, portrayed as if it were a sculptural effigy, because ...
Category

Other Art Style 18th Century and Earlier Art

Materials

Oil

L'Autour - Etching by Carl Guttenberg - 1771
Located in Roma, IT
L'Autour is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Interior of Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Interior of Animals is an etching realized in 1771 by Louis Legrand. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Animal's Skeleton - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Animal's Skeleton is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Galatea Nymph Albani Paint Oil on canvas Old master 17th Century Italy Art
Located in Riva del Garda, IT
Francesco Albani (Bologna 1578 - 1660) Circle of The Triumph of the Galatea Nymph (or Allegory of Water) from Ovid, Metamorphoses, book XIII Oil on canvas (53 x 72 cm. - in frame 62 x 82 cm.) The proposed beautiful painting depicting The Triumph of the Nymph Galatea can be attributed to a master adhering to the stylistic and compositional models of the Bolognese Francesco Albani (Bologna 1578 - 1660), presumably active within his close circle. A disciple of Annibale Carracci, Albani is considered, together with Domenichino and Guido Reni, to be one of the leading exponents of Bolognese classicism, in great demand by the cultured patrons of the time. Thanks to a style characterised by compositions of an idyllic nature and therefore pleasing to the most intimate taste of the patrons, the greatest output of Albani's workshop is to be found in mythological paintings rather than those with a religious theme. The composition under examination draws inspiration, albeit with variants, from the Allegory of Fire/Allegory of Water, preserved in the Galleria Sabauda in Turin, part of a cycle of four tondi inspired by the Elements and executed by Francesco Albani between 1625 and 1628 for the superb collection of Cardinal Maurizio of Savoy (brother of Duke Victor Amadeus I), who had been fascinated by the Stories of Venus and Diana painted by Albani for Scipione Borghese before 1622. These compositions enjoyed enormous critical acclaim and were extraordinarily praised by European collectors for their aesthetic and decorative value, in which myth and nature find full landscape ideality. The painting shows, in particular, the Apotheosis of the nymph Galatea, an episode taken from ancient Latin...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Le Mico - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Mico is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Le Saki - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Saki is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
Category

Modern 18th Century and Earlier Art

Materials

Etching

Skeleton of a Monkey - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Skeleton of a Monkey is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...
Category

Modern 18th Century and Earlier Art

Materials

Etching

L'automne, by Franz Edmond Weirotter, after van Goyen
Located in Middletown, NY
Etching and engraving on cream laid paper, 11 3/4 x 8 1/8 inches (297 x 205 mm), margins trimmed. Scattered light surface soiling, minor loose handling creases, rubbed edges, and sma...
Category

Old Masters 18th Century and Earlier Art

Materials

Etching, Handmade Paper, Laid Paper, Engraving

A portrait of a lady and her daughter with an exotic bird
Located in Bath, Somerset
A portrait of a lady three-quarter length, seated in an interior, wearing a red silk gown draped in a pink silk sash with an exotic bird perched on her hand and one arm resting on a stone plinth, her young daughter wearing a green silk gown standing at her side. Oil on canvas, housed in a period 'Lely' giltwood frame. This double portrait was painted at the height of Dahl's career in circa 1715 when Dahl had become firmly established as one of the leading portrait painters in Britain. Although the identities of the sitters are currently unknown, it is a sensitive depiction of a close and affectionate bond between a mother and daughter, with the young girl's hand resting affectionately on her mothers lap. The tamed exotic bird adds a charming decorative element which also serves to convey the high social status of the lady, given only the very wealthy would be able to own such a rare and expensive pet and the lively colouring of the bird's feathers is reflected in the colours of the sitters' silk gowns. Provenance: Private collection, London Michael Dahl (Stockholm 1659-1743 London) was born in Stockholm in Sweden and studied under Martin Hannibal (d 1741) and later with David Klöcker Ehrenstrahl. In 1682 he travelled to London, where he became acquainted with Godfrey Kneller and Henry Tilson, and in 1685 he left for Europe with Tilson, working briefly in Paris before continuing to Venice and Rome, where they stayed for about two years. In Rome Dahl converted to Roman Catholicism and gravitated towards the circle of Christina, former Queen of Sweden, who sat for him (Grimsthorpe Castle, Lincs). He returned to England with Tilson via Frankfurt and arrived in London in 1689, staying in England for the remainder of his career. During Dahl's absence, Kneller had consolidated his supremacy in London as the most fashionable portrait painter, but Dahl rapidly became Kneller’s closest competitor. His patrons probably had roots in the Swedish diplomatic circles, but it expanded as a result of his ability and his agreeable personality. His prices were lower than those of Kneller and he favoured softer, more diffused, colour tones and could respond to his sitters with sincerity and humanity. Politically, Kneller supported the ascendant Whigs while Dahl was a Tory, but they frequently painted the same sitters from both parties, and in spite of fundamental differences in technique and temperament, their work was sometimes similar in appearance. Dahl was prolific but rarely signed his work, and comparatively few of his portraits were engraved in mezzotint, the method used by Kneller to widen his reputation. By 1690 he had painted the aged Duke of Schomberg (engraved by William Faithorne) and Prince George of Denmark (London, Kensington Palace). He was ignored by William III but received commissions from Princess Anne, including one for a portrait of herself (Oakly Park, Ludlow, Salop). He also painted the future Duke and Duchess of Marlborough, and his informal portrait of the Duchess (Althorp House, Northants), formerly attributed to Kneller, is perhaps the most intimate of all images of her. During the 1690s he secured the patronage of Charles Seymour, the ‘Proud’ 6th Duke of Somerset, who ordered a series of seven full-length portraits of notable contemporary beauties from Dahl (1690s; Petworth House, W. Sussex, NT). This was originally a scheme similar to Kneller’s more famous ‘Hampton Court Beauties’, but the portraits were subsequently reduced to three-quarter-length formats. The features of the sitters are not individualized, but they possess a decorative, languorous glamour that recalls Lely rather than Kneller. Somerset gave Dahl further employment over the next 25 years. In 1698, following the death of Klöcker Ehrenstrahl, Dahl was offered the post of court painter at Stockholm, which he apparently refused, preferring to remain in London at his studio in Leicester Fields, near the Swedish legation. In about 1700 he was joined by a young compatriot, Hans Hysing, who worked with him for many years. Dahl seems not to have married until after 1708, He had a son Michael (d. 1741), also a painter, of whose work nothing is known, and two daughters. After the accession of Queen Anne in 1701, she and Prince George sat for a number of official portraits. His royal patronage ceased with Queen Anne’s death, and when Dahl refused to paint the infant Duke of Cumberland in 1722. He was suspected of Jacobite sympathies, and relations had cooled between him and the Swedish legation. However, his practice continued to prosper, and he acquired another important patron in Edward Harley, 2nd Earl of Oxford, who shared his political views and whose circle included the architect James Gibbs and the poets Matthew Prior and Alexander Pope, all of whom Dahl painted. Oxford commissioned several portraits of himself. In the earliest (1719; Welbeck Abbey...
Category

Old Masters 18th Century and Earlier Art

Materials

Canvas, Oil

View of the Posillipo coastline near Naples by William Marlow (1740 - 1813)
By William Marlow
Located in PARIS, FR
In this drawing, inspired by his stay in Naples in 1765, William Marlow presents us with a view of Cape Posillipo, to the west of Naples, an essential stage during the Grand Tour. Th...
Category

Old Masters 18th Century and Earlier Art

Materials

Ink

Old Master Painting of Christ 17th/18th Century Italian School
Located in Rochester, NY
The crucifixion of Crist Italian school 17th or 18th century. Beautiful detail in the face and hands. The lighting makes the figure of Crist seem to glow. In a good quality later frame. Presented by Joseph Dasta Antiques...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil, Canvas, Fabric

San Michael
Located in MADRID, ES
Wood sculpture. Italian 18 century
Category

18th Century and Earlier Art

Materials

Wood

William Lord Russell
By Mary Beale
Located in East Grinstead, GB
William Lord Russell MP 1639-1683 was executed under the instructions of King Charles II, Lord Russell was later exonerated under William III.
Category

18th Century and Earlier Art

Materials

Oil

Wave Of Distress Shepard Fairey Print Obey Giant World Water Day Sephia Gold Pop
Located in Draper, UT
"World Water Day is Monday and is a fitting day to precede the release of these Wave of Distress prints. World Water Day not only focuses attention on the water crisis and drinking w...
Category

Pop Art 18th Century and Earlier Art

Materials

Gold

17th French Portrait of Louis XIV & his brother, c. 1645, attributed to Beaubrun
Located in PARIS, FR
Rare double portrait depicting Louis XIV and his brother Philippe de France as children. 17th century French School, circa 1645, attributed to Charles and Henri Beaubrun. Oil on canvas, dimensions: h. 48.03, w. 35.43 in. Important 17th century carved and giltwood frame Framed dimensions: h. 60.23, w. 48.42 in. This rare portrait is part of a series of works illustrating the childhood of the two princes, mainly commissioned by Anne of Austria, the mother and regent, after the death of Louis XIII. Expressing her fierce desire to preserve her son's crown, she uses visual communication as a channel of sovereign expression. The portraits serve to strengthen the royal power weakened by the minority of the young Louis...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil, Canvas

A Boar Hound with a Joint of Meat Near an Enraged Cat
Located in New York, NY
signed in the upper right Gio Batta Weenix oil on canvas 45 x 51 inches (114.5 x 129.5 cm.) PROVENANCE (possibly) Giovanni Baptista Weenix estate sale, Huis ter Mey, De Haar, Apr...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Ghisolfi Paint Oil on canvas Old master 17th Century Architectural Capriccio Art
By Giovanni Ghisolfi (Milan 1623 - 1683)
Located in Riva del Garda, IT
Giovanni Ghisolfi (Milan 1623 - 1683) Architectural capriccio with ruins of an Ionic temple Oil painting on canvas 73 x 87 cm., within a gilded wooden frame 87 x 100 cm. This quali...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category

Old Masters 18th Century and Earlier Art

Materials

Etching

Huge 18th Century Italian Oil Painting Shipping in Merchant Port Many Figures
Located in Cirencester, Gloucestershire
The Merchants Port Italian School, 18th century oil painting on canvas, framed framed: 37 x 58 inches canvas: 32 x 52 inches provenance: private collection, UK condition: very good a...
Category

Old Masters 18th Century and Earlier Art

Materials

Canvas, Oil

Pair Of Tang Dynasty Horses
Located in New Orleans, LA
This pair of rare earthenware horses hails from the powerful Tang Dynasty of China. The dynasty reigned for nearly 300 years between the 7th and 10th centuries CE, and oversaw a cult...
Category

18th Century and Earlier Art

Materials

Earthenware

1700’s Flemish Old Master Oil Shepherds & Animals Sunset Landscape View
Located in Cirencester, Gloucestershire
Marc Baets (Flemish 1720 - 1785), follower of Pastoral Scene oil painting on canvas, framed framed: 23 x 29 inches canvas : 17 x 23 inches provenance: private collection, England c...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

John Inigo Richards RA (Attributed), Landscape With Country Track & Figures
Located in Cheltenham, GB
This late 18th-century gouache by British artist John Inigo Richards RA (1731-1810) depicts a picturesque landscape with track, figures and distant cottages. Immersed in the raucous drama of London’s 18th-century theatre scene, Inigo Richards sought solace in the British countryside. As the principal scene painter at Covent Garden Theatre, his bucolic backdrops brought colour and context to numerous plays featuring leading actors. For inspiration, he’d escape to the delights of rural England...
Category

Romantic 18th Century and Earlier Art

Materials

Gouache, Paper

Pietro Rotari Mary Magdalene Meditating On The Crown Of Thorns Oil Painting 18th
Located in Roma, IT
PIETRO ROTARI (Verona 1707-1762 Saint Petersburg), The Mary Magdalene Meditating On The Crown Of Thorns Oil Painting ,oil on canvas 65x50cm (78x62 cm fra...
Category

Baroque 18th Century and Earlier Art

Materials

Oil

French school rococo late 18th century oil on canvas The vestales
Located in PARIS, FR
French school of the late 18th century Jerome PREUDHOMME (Attributed to) Arras, v1735 - Paris, 1810 Oil on canvas 47.5 x 55 cm (59 x 67 cm with the frame)  Beautiful old carved woode...
Category

Baroque 18th Century and Earlier Art

Materials

Oil

PAIR OF FLORENTINE ANTIQUE PIETRA DURA PLAQUES WITH BRONZE FRAME, 18th Century
Located in Milan, IT
PAIR OF PIETRA DURA PLAQUES WITH LANDSCAPES Italy, Florence, 18th Century pietre dure in gilt bronze frame 28.5 x 39 cm (11 1/4 x 15 1/4 in) with frame 23 x 33 cm (9 x 13 in) withou...
Category

18th Century and Earlier Art

Materials

Marble

Virgin with child
By Peter Paul Rubens
Located in MADRID, ES
Oil on panel 17 century
Category

18th Century and Earlier Art

Materials

Panel, Wood Panel

Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century Europe
Located in Blackwater, GB
Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century European School 17th Century European School portrait of Czech Theologian Jan Hus, oil on panel. Excellent...
Category

18th Century and Earlier Art

Materials

Canvas, Oil

Flemish Old Master, Study of Donkey Carriage, 17th Century, Sanguine Drawing
Located in Greven, DE
This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...
Category

Baroque 18th Century and Earlier Art

Materials

Chalk, Handmade Paper

Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighti
Located in Middletown, NY
Bruyn, Abraham de (after). Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighting. 1577. Engraving on hand made laid paper, 10 5/8 x 6 7/8 inches (268 x 1...
Category

Old Masters 18th Century and Earlier Art

Materials

Handmade Paper, Laid Paper, Engraving

Trinity College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Cambridge (1690) Engraving 80 x 50 cm Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category

Realist 18th Century and Earlier Art

Materials

Engraving

The Organ Grinder
Located in Middletown, NY
Etching on cream laid paper with a large heraldic watermark which is partially trimmed, 4 3/16 x 3 5/8 inches (105 x 84 mm), margins trimmed but preserving the signature in the lower...
Category

Old Masters 18th Century and Earlier Art

Materials

Etching

The Agony in the Garden
Located in Middletown, NY
Etching on cream laid paper, 4 3/8 x 3 3/8 inches (110 x 90 mm), thread margins. Several scattered light spots of yellow discoloration, and multiple areas of minor skinning and adhes...
Category

Old Masters 18th Century and Earlier Art

Materials

Handmade Paper, Laid Paper, Etching

Florence Drawing Love Marriage Figurative Scene Watercolors paper 18th
Located in Florence, IT
Watercolors and ink on paper by Giuseppe Piattoli (Florence 1748 – 1834). It’s the preparatory drawing of one of the 40 plates printed by Carlo Lasinio (Treviso, 1759 – Pisa 1838) f...
Category

Rococo 18th Century and Earlier Art

Materials

Paper, Watercolor

Tête de Diane à la colombe
Located in PARIS, FR
Gilles DEMARTEAU Liège 1722 † Paris 1776. Tête de Diane à la Colombe. C.1774. Gravure à la manière de trois crayons : sanguine, noir et blanc, impression au repérage d’après François...
Category

18th Century and Earlier Art

Materials

Engraving

The Lamentation
Located in Gent, BE
oil on panel. Provenance: National Art Gallery of Sydney, n. 4083. ‍ We'd like to thank dr. Max Martens for his help.
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Artemis Goddess - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Artemis Goddess from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions with some folding. ...
Category

Old Masters 18th Century and Earlier Art

Materials

Etching

Dutch school 18th century RUYSDAEL oil on wood Landscape Bull river monogram
Located in PARIS, FR
Dutch school of the 18th century Oil on wood panel 33 x 22 cm (39 x 28 cm with the frame) Signed lower center with the monogram "JR" Good condition (some thinness on the left of the picture) There is a composition engraved by Jean Jacques de Boissieu in 1772 and given to Jacob van Ruisdael...
Category

Dutch School 18th Century and Earlier Art

Materials

Oil

Ancient Greek Terracotta Comic Actor Figurine
Located in Milan, IT
TERRACOTTA FIGURINE OF A COMIC ACTOR , Greece, c. 350 B.C. Labeled to the reverse, 'LAWRENCE COLL./LOT 426. SOTHEBY./APR. 1892. P. 816.'; Terracotta height 15.2 cm height 6 in Prove...
Category

18th Century and Earlier Art

Materials

Terracotta, ABS

Figures resting by a fire with a wagon in a wooded landscape
Located in Stoke, Hampshire
Benjamin Barker of Bath (Pontypool 1776-1838) Figures resting by a fire with a wagon in a wooded landscape Oil on canvas 28 x 35 7/8 in 71.1 x 91.2 cm Benjamin Barker, the younger ...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

Old Master Eglomise Painting of Saint John the Baptist 18th Century
Located in Rochester, NY
18th century continental eglomise painting of St John the Baptist preaching. Eglomise is a method of reverse painting on glass. In a go...
Category

Old Masters 18th Century and Earlier Art

Materials

Glass, Paint

LESUEUR Neo-classical Classical Landscape with a faune French 19th Oil on panel
Located in PARIS, FR
Pierre Etienne LESUEUR (Active between 1791 and 1810) Oil on panel 27 x 38.5 cm (42 x 53 cm with the frame) Signed and dated lower right "E. LESUEUR / 1790" Very beautiful early 19th...
Category

French School 18th Century and Earlier Art

Materials

Oil

Artemis, Ancient Roman Statue - Etching on Paper - 18th Century
Located in Roma, IT
Artemis, Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Ludovico Boily in the 18th century. Signed on the plate, on ...
Category

Contemporary 18th Century and Earlier Art

Materials

Paper, Etching

Sea Landscape Valckenborch Paint Oil on canvas Old master 17th Century Flemish
Located in Riva del Garda, IT
A fantasy Mediterranean seascape with harbour, moored ships and figures along the coast, and villages in the distance. Marten van Valckenborch (Belgium 1535 - Frankfurt 1612) circle...
Category

Old Masters 18th Century and Earlier Art

Materials

Oil

18th c. French, circa 1725, by François de Troy, portrait of a Lady as Ceres
Located in PARIS, FR
18th century French School François de Troy (1645 – 1730), Paris, circa 1725 Portrait of a Woman as the Goddess Ceres Oil on canvas: h. 39 in, w. 31.3 in Regen...
Category

Old Masters 18th Century and Earlier Art

Materials

Canvas, Oil

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