Valton Tyler

Fire

1992

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined pa...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on canvas. About the Artwork: Wings of Fascism is a perfect example of Faurism, a styl...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on canvas. About the Artwork: Wings of Fascism is a perfect example of Faurism, a styl...

This 2019 painting is from Patrick Faure’s Agnoiaphobia series. The painting is unframed, oil on canvas. About the Artwork: “For ever and ever” is part of the doxology that falls...

'Characters in a Surrealist Landscape', oil on canvas, by Lucien Coutaud (1931). A couple entwine with the male character seemingly in grief, the female not returning with a comforting embrace. In the distant landscape a sole character meanders. This painting seems to be a creation of the artist's dreams, perhaps reflecting events in his personal life. It seems there is a relationship problem. In the world of Surrealists, there is a focus on the unconscious mind through Freudian methods of free association, trance-like states or dreams. Some Surrealists practiced psychic 'automatism' which was automatic writing or drawing, turning off the conscious mind and producing streams of words or images directly from the unconscious. In unlocking the unconscious in this way, Surrealism was individually expressed (Ref. 'The Short Story of Art...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...