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Style: Color-Field
Period: 20th Century
View of Bridgnorth, Shropshire with river, tower, hills & buildings oil painting
Located in ludlow, GB
"Looking down towards Ludlow Castle" and "View of Bridgnorth"
Oils on Canvas laid on board 9 by 12 inches, Signed and Framed (Framed in handmade gold leaf frames 14 by 17 inches) £28...
Category
Early 20th Century Color-Field Paintings
Materials
Oil
Ludlow Castle, Shropshire with Clee Hills beyond - bright landscape in Oils
Located in ludlow, GB
"Looking down towards Ludlow Castle" and "View of Bridgnorth"
Oils on Canvas, laid on board 9 by 12 inches, Signed and Framed (Framed in handmade gold leaf frames 14 by 17 inches) £2...
Category
Early 20th Century Color-Field Paintings
Materials
Oil
Danish Mid-Century Colourfield Oil on Board of Houses and People in a Landscape.
Located in Cotignac, FR
Danish oil on board painting of couples making their way in a landscape, by Poul Møller. Though not signed the painting has a dated artist's label to the side of the frame. Presented...
Category
Mid-20th Century Color-Field Paintings
Materials
Oil, Board
Danish Mid-Century Colourfield Oil on Board of Houses in a Coastal Scene.
Located in Cotignac, FR
Danish oil on board covered in a coarse canvas. A painting of houses in a coastal landscape by Poul Møller. The painting is signed PM and dated 76 to the bottom right and to the reve...
Category
Mid-20th Century Color-Field Paintings
Materials
Board, Oil
Untitled
Located in Lawrence, NY
Provenance: Fischbach Gallery, New York Collection of A. Aladar Marberger
Ray Parker, a New York School Abstract Expressionist, was a colorist influenced by Cubism in his early wor...
Category
1970s Color-Field Paintings
Materials
Acrylic, Canvas
Danish Mid-Century Colourfield Oil on Board of People and Houses by the Coast.
Located in Cotignac, FR
Danish oil on board painting of two women making their way home in a coastal landscape, by Poul Møller. The painting is signed PM and dated 76 to the bottom right corner. To the reve...
Category
Mid-20th Century Color-Field Paintings
Materials
Oil, Board
Malinke
Located in Lawrence, NY
Among America’s leading abstract artists, Dan Christensen (1942-2007) was devoted over the course of forty years to exploring the limits, range, and possibilities of paint and pictor...
Category
1970s Color-Field Paintings
Materials
Canvas, Acrylic
Mid Century Danish Colourfield Buildings in a Landscape
Located in Cotignac, FR
Danish oil on board painting of buildings in a landscape by Poul Møller. Though not signed the painting has a dated artists label to the back of the frame. Presented in a plain gold ...
Category
Mid-20th Century Color-Field Paintings
Materials
Oil, Board
"Burnt Orange Seams" Gerome Kamrowski, Color Field, Abstract Expressionism
Located in New York, NY
Gerome Kamrowski
Burnt Orange Seams, 1979
Acrylic on canvas
30 x 24 inches
Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul...
Category
1970s Color-Field Paintings
Materials
Foam, Mixed Media, Acrylic, Board
Brattleboro Seen as a Flugstadt (unique work acquired from Brattleboro Museum)
By Wolf Kahn
Located in New York, NY
Wolf Kahn
Brattleboro Seen as a "Flugstadt" (European river town), 1980
Pastel on paper painting. Framed with handwritten label by the artist and Grace Borgenicht label
Hand-signed by artist, hand signed front; bears the artist's handwritten label as well as label from Grace Borgenicht verso and a sticker from original collector
Frame included
This work was acquired from the Brattleboro Museum in Vermont, which sold it to raise funds for their ongoing programming. As its title notes, it depicts the "Brattleboro Seen as a Flugstadt (European River Town)" - which has important autobiographical images. Wolf Kahn was born in Germany but he and his wife spent summers in Brattleboro Vermont...
Category
1980s Color-Field Paintings
Materials
Pastel
Provincelands
Located in Lawrence, NY
As a student of Hans Hofmann (one biographer says she was one of his star pupils), Rothschild’s works reflect a woman who was immersed in the vanguard of abstraction in America at a...
Category
1960s Color-Field Paintings
Materials
Oil, Canvas
Orange Edge
Located in Austin, TX
Oil on canvas. Signed, titled, and dated verso.
40.25 x 34 in.
41.5 x 35.5 in. (framed)
Custom framed in a solid maple floater, with a matte white finish.
Provenance
The Betty Par...
Category
1960s Color-Field Paintings
Materials
Canvas, Oil
1960s Paul Feeley School Color Field Painting
Located in Larchmont, NY
School of Paul Feeley
Untitled, c. 1960s
Oil on canvas
20 x 59 5/8 in.
Signed lower right
Primarily a painter, Paul Feeley (American, 1910 - 1966) favored canvases with simple geome...
Category
1970s Color-Field Paintings
Materials
Canvas, Oil
Captain Cook
By Cleve Gray
Located in Austin, TX
Acrylic on canvas. Signed and dated lower right, titled verso.
69 x 68.25 in.
70.5 x 70 in. (framed)
Custom framed in a solid maple floater.
Provenance
Private Collection, Hilton ...
Category
1970s Color-Field Paintings
Materials
Canvas, Acrylic
Spanish Ghost
By Kikuo Saito
Located in Austin, TX
Acrylic on canvas. Signed, dated, and titled verso.
52.25 x 52.75 in.
54 x 54.25 in. (framed)
Custom framed in a maple hardwood floater.
Provenance
Salander O’Reilly Galleries, Ne...
Category
1980s Color-Field Paintings
Materials
Canvas, Acrylic
Rope Dancer #2
By Jack Roth
Located in Boca Raton, FL
Color Field / AbEx
Category
20th Century Color-Field Paintings
Materials
Acrylic
Midget Racer (unique Mid Century Modern Color Field Abstract Geometric drawing)
By Larry Poons
Located in New York, NY
Larry Poons
Midget Racer, 1963
Colored Pencil on Graph Paper
Signed, titled, and dated by the artist on the lower right front
Original frame with gallery label included
This work has...
Category
1960s Color-Field Paintings
Materials
Color Pencil, Mixed Media
Untitled Target hand signed work on paper, unique Color Feld Abstract Geometric
Located in New York, NY
Kenneth Noland
Untitled Target, 2001
Acrylic paint on offset lithograph
Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01
Framed
This original acrylic target painting on offset lithograph paper was gifted by the artist to the influential publishers, authors, and film producers Howard and Susan Kaminsky, and it bears a warm personal inscription followed by the artist's signature.
Measurements:
Framed:
22 x 21.75 x 1.25 inches
Unframed:
19 1/2 x 19 inches
Provenance:
Gifted by Kenneth Noland to the distinguished publishers, authors, and film producers Howard and Susan Kaminsky. (Howard also became a member of the Council on Foreign Relations...
Category
1990s Color-Field Paintings
Materials
Acrylic, Lithograph, Offset, Permanent Marker
Landscape for Picabia
Located in Lawrence, NY
Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...
Category
1980s Color-Field Paintings
Materials
Oil
The Red Beard
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - 2008)
Title: The Red Beard
Medium: Oil on Canvas, signed
Size: 20.25 x 12 inches
Frame Size: 30 x 22 inches
Category
1960s Color-Field Paintings
Materials
Oil
Hummock
Located in Lawrence, NY
Ex collection Carolyn Dunlap Millet
Exhibited: Knoedler and Co, NY; Tibor de Nagy, Houston; Berry Campbell, NY
Walter Darby Bannard was a leading prop...
Category
1970s Color-Field Paintings
Materials
Acrylic
Arapahoe XII
Located in Austin, TX
Oil on canvas. Signed, titled, dated verso.
40 x 44 in.
41.5 x 45.5 in. (framed)
Custom framed in a natural cherry floater.
Provenance
Knoedler Contemporary, New York
Ludwig Sand...
Category
1970s Color-Field Paintings
Materials
Canvas, Oil
Resurrection
Located in Lawrence, NY
Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...
Category
1970s Color-Field Paintings
Materials
Oil
"Eleven Thirteen, (Dancing Line Series), " Elliott Thompson, Color Field Abstract
Located in New York, NY
Elliott Thompson
Eleven Thirteen, (Dancing Line Series), 1972
Signed, Elliott Thompson, dated, 2/72, and inscribed, Eleven Thirteen, on verso and agai...
Category
1970s Color-Field Paintings
Materials
Canvas, Tape, Acrylic
Tria
Located in Lawrence, NY
Exhibited: Tibor de Nagy
Poulis is a color field painter associated with the abstract expressionist school.
One critic describes his work thusly: "These paintings are about mark-...
Category
1970s Color-Field Paintings
Materials
Acrylic
Southwest Landscape
Located in Lawrence, NY
Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...
Category
1990s Color-Field Paintings
Materials
Oil
Sundance
Located in Lawrence, NY
Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...
Category
1990s Color-Field Paintings
Materials
Oil
Dexter's Choice, State II
By Larry Zox
Located in New York, NY
Larry Zox
Dexter's Choice, State II, ca. 1990
Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges
...
Category
1990s Color-Field Paintings
Materials
Crayon, Oil, Watercolor, Monoprint, Mixed Media, Graphite
Untitled
Located in Columbia, MO
Acrylic on canvas
Category
1980s Color-Field Paintings
Materials
Acrylic
Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer
By Peter Witwer
Located in Soquel, CA
Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer
A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane.
Unsigned. From a collection of the artist's works.
Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork.
Linen size: 26"H x 22"W.
Framed size: 27"H x 23"W x 1.2"D
Unsigned, but was acquired with a collection of the artist's work.
Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle.
Born George Peter...
Category
1960s Color-Field Paintings
Materials
Linen, Mixed Media, Oil
“Untitled.” Gabriele Evertz, Geometric Color Field, Bright Rainbow
Located in New York, NY
Gabriele Evertz
Untitled, 1993
Acrylic on canvas
48 x 48 inches
Provenance:
The artist
Private Collection, Long island (acquired from the above)
G...
Category
1990s Color-Field Paintings
Materials
Canvas, Acrylic
Navigator
Located in Lawrence, NY
Stewart Waltzer was Kenneth Noland's studio assistant in the 1970s and 1980s, an acclaimed artist in his own right and a noted curator and art critic. His work appears rarely
Category
1970s Color-Field Paintings
Materials
Acrylic
Black and Grey Abstract Color Field Modern Painting, In Style of Mark Rothko
By (after) Mark Rothko
Located in Houston, TX
Reminiscent of the color field canvases of Mark Rothko, this black and grey abstract painting explores the subtlety of a limited color palette. The swirls and splatter of the upper g...
Category
20th Century Color-Field Paintings
Materials
Acrylic, Canvas
Colour Check
By Kenneth Lochhead
Located in Toronto, Ontario
Kenneth Lochhead (1926-2006) was a prolific Canadian painter (and educator) who made an important contribution to abstraction both nationally and beyond.
After studying at the Penn...
Category
1970s Color-Field Paintings
Materials
Enamel
Abstract Composition
Located in Lawrence, NY
Provenance: Southampton, NY collector; Peter Marcelle Gallery, Southampton
Raymond Parker (1922-1990) was an Abstract expressionist painter who also is associated with Color Field ...
Category
1980s Color-Field Paintings
Materials
Acrylic
Racing Cars in Bright Red, Sports Illustrated Illustration - Sports Car - Pink
By Bob Peak
Located in Miami, FL
Punchy reds and zestful hot pinks convey a sense of intense motion and engine heat. The art is as much as color-field painting as a narrative work. It was a commissioned illustration for Sports Illustrated...
Category
1970s Color-Field Paintings
Materials
Laid Paper, Canvas, Acrylic
Untitled, from the Earth and Sky Series
Located in Lawrence, NY
David Einstein's gestural abstraction has a semiotic quality to it. It is a study of how meaning is created, not what is. Indeed, the artist calls himself "a mark maker," as much as ...
Category
1970s Color-Field Paintings
Materials
Acrylic
Summer Window - large, bright, colourful, yellow, abstract, acrylic on canvas
Located in Bloomfield, ON
Washes of sun yellow are edged in dashes of bright colors - mauve, cerise, lime and rust -- in this monumental color-field canvas by Milly Ristvedt. "Summer Window" from 1973 was cr...
Category
1970s Color-Field Paintings
Materials
Canvas, Acrylic
Blue and Green Abstract
Located in Salt Lake City, UT
"Blue and Green Abstract" by Claudia Sisemore, acylic on canvas, 43.5 x 46 inches, $4,800.
"I have a vague idea of what I am going to paint. I...
Category
1970s Color-Field Paintings
Materials
Canvas, Acrylic
Houses of town. 1972, watercolor on paper, 55x75, 5 cm
Located in Riga, LV
Houses of town. 1972, watercolor on paper, 55x75,5 cm
Olgerts Jaunarajs (1907-2003)
He was so-called legend of abstract expressionism in the Latvia...
Category
1970s Color-Field Paintings
Materials
Paper, Watercolor
"Nineteen" Thomas Downing, Purple Washington Color School Design, Shaped Canvas
Located in New York, NY
Thomas Victor Downing (1928 - 1985)
Nineteen, 1968
Acrylic on canvas
35 1/2 x 16 1/2 inches
Signed on the reverse
Provenance:
Estate of the artist
Henri Gallery, Washington, D.C.
Private Collection, Washington, D.C.
Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington.
In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings.
Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity.
Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC.
In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985.
Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...
Category
1960s Color-Field Paintings
Materials
Canvas, Acrylic
Untitled
Located in Lawrence, NY
We are pleased to offer this work by second generation AbEx painter Robert Natkin and painted in delicious colors of yellow, tangerine, blue, red and purple. It fits well within a variety of decor settings.
Described as the "author of a dappled infinite," Natkin created some of the most innovative color abstractions of the late 20th century. Populated by stripes, dots, grids, and an array of free-floating forms, his light- filled canvases are sensuous, playful, and visually complex.
While attending the school of the Art Institute of Chicago from 1948 to 1952, Natkin was afforded the opportunity to study the museum's world-class collection of French post-impressionist art and decided to turn his attention to painting instead. During these formative years, Natkin was inspired by the examples of Pierre Bonnard and Henri Matisse, who used decorative patterning and arbitrary color to evoke mood. Most importantly, he also discovered the work of Paul Klee, the Swiss-German artist whose whimsical, semi-abstract paintings reflected his belief that "art does not reproduce the visible but makes visible"--a credo that nurtured Natkin's burgeoning interest in emotional content.
In 1952, he lived briefly in New York, where he saw and was influenced by the bold canvases of Willem de Kooning. In 1959, aware of the limited patronage for abstract art in Chicago, Natkin and Dolnick moved to New York, where Natkin joined the stable of artists associated with the Poindexter Gallery, known for its support of emerging painters and sculptors. Immersed in the dynamism of the New York art world, where Abstract Expressionism and Color-Field painting were the dominant styles of the day, Natkin's aesthetic approach continued to evolve. In 1961, he adopted a serial approach to painting, a practice he would adhere to throughout his career.
Natkin began to develop a more intricate style (indebted to Klee), depicting diamonds, polygons, ovals, squiggles and other shapes against textured, delicately toned backgrounds interspersed with seemingly randomly placed dots and daubs of pigment and areas of crosshatching. This new style is evident in the "Intimate Lighting" series works.
In 1970 Natkin put aside his brushes and began to use sponges...
Category
1970s Color-Field Paintings
Materials
Acrylic
Blue Collar Gritty Truck Driver with Tiger - Color field meets Social Realism
Located in Miami, FL
Gritty working class truck driver with tiger painting on truck door, is rendered in a flat and quick style with rapid brushstrokes defining the trucker. The tiger is painted in a t...
Category
1950s Color-Field Paintings
Materials
Canvas, Oil
Twelfth Night Blue, Contemporary Color Field painting
By Carl Holty
Located in Greenwich, CT
Conceived of as one half of a diptych, together with Twelfth Night Red, the title of this painting suggest a reference to William Shakespeare’s play Twel...
Category
Late 20th Century Color-Field Paintings
Materials
Canvas, Oil
Untitled, 1974
Located in Salt Lake City, UT
"Untitled, 1974" by Claudia Sisemore, acylic on canvas, 58 x 56 inches, $7,200. Unframed.
"I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore
--
Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...
Category
1970s Color-Field Paintings
Materials
Canvas, Acrylic
Willem de Looper
Located in Washington, DC
Watercolor by Willem De Looper (1932-2009). Painting is signed "de Looper" and dated 76' lower right. Painting measures 20" x 8".
Willem De Looper was a Washington D.C. abstract...
Category
1970s Color-Field Paintings
Materials
Paper, Watercolor
"Colorfield #410", American Modernist, Gradient Color Field Abstraction, 1980's
Located in Doylestown, PA
Colorfield #410 is a wonderful example of American modernist Leonard Nelson's color field compositions and expression. The unframed, abstract oil on canvas measures 52" x 60" and is ...
Category
1980s Color-Field Paintings
Materials
Canvas, Oil
Conference of the birds no 28 (Abstract Painting)
Located in London, GB
Conference of the birds no 28 (Abstract Painting)
Oil on panel.
Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...
Category
1990s Color-Field Paintings
Materials
Oil, Panel
Untitled, 1975
Located in Salt Lake City, UT
"Untitled, 1975" by Claudia Sisemore, acylic on canvas, 41.5 x 50 inches, $4,800.
"I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore
--
Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...
Category
1970s Color-Field Paintings
Materials
Canvas, Acrylic
Conference of the birds no 28 (Abstract Painting)
Located in London, GB
Conference of the birds no 28 (Abstract Painting)
Oil on panel.
Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...
Category
1990s Color-Field Paintings
Materials
Oil, Panel
Zen Garden Series 25B
By Cleve Gray
Located in Lawrence, NY
Cleve Gray (1918-2004) was admired for his large-scale, vividly colorful and lyrically gestural abstract compositions and achieved his greatest critical recognition in the late 1960's and 70's after working for many years in a comparatively conservative late-Cubist style. Inspired in the 1960's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Gray began to produce large paintings using...
Category
1980s Color-Field Paintings
Materials
Acrylic
Contemporary Gestural Abstraction "Boat Moon" Color Field Painting Woman Artist
Located in Surfside, FL
Boat Moon, in vivid blues a range of blue tones on Arches Paper. not framed. Signed, titled and dated verso.
Francine Tint is a New York-based American abstract expressionist painter and costume designer.
Tint studied at the Pratt Institute and the Brooklyn Museum College.
Tint began showing her work in various galleries in the 1970s. Her early paintings are gestural and lyrical, with many circlings, loopings, and expressionistic brushstrokes. In her later work, the color takes on more of a force, more taut and with more surface tension. Her work has been exhibited in nearly thirty solo shows and nearly fifty group shows in the United States and Europe. Tint is also in the permanent collection of numerous museums including the Clement Greenberg collection at the Portland Art Museum as well as the Krannert Art Museum in Champaign, Illinois. Her work is in many private and corporate collections She has represented by ACA galleries, Denise Bibro Fine Art, Inc. in Chelsea, NY and Gallery Sam in Berkeley, CA. Tint lists painters Antoni Tàpies, Larry Poons, Hans Hofmann, Jules Olitski, and Helen Frankenthaler as her primary influences.
Tine also worked for many years as a television and film costume...
Category
1990s Color-Field Paintings
Materials
Acrylic, Archival Paper
Naples and Violets
By Agnes Hart
Located in Lawrence, NY
Like many of her compatriots, Agnes Hart first began to paint in a social realist, or WPA, style. Later in her
career, after WWII, she moved to abstraction and created vibrant, impactful works culminating in a series of
oil and sand paintings...
Category
1960s Color-Field Paintings
Materials
Oil
Near Taos
By Stan Brodsky
Located in Lawrence, NY
Brodsky was a "romantic" painter, although he painted abstractly, and a master colorist. His abstract works are not "action paintings" in the sense of De Kooning or Pollock, but expl...
Category
1970s Color-Field Paintings
Materials
Oil
La Ligne Tremblante
By Jack Roth
Located in Lawrence, NY
If ever the art world could be said to have a Renaissance Man (excluding Da Vinci!) it would be Jack Roth, abstract expressionist painter, poet, photographer and mathematician. He received degrees in chemistry and fine art, did graduate work in mathematics, and would teach mathematics and art throughout his career.
Roth is a second-generation Abstract Expressionist painter, known for his Colorfield work. Though he was fully two decades younger than some of the elder statesmen...
Category
1980s Color-Field Paintings
Materials
Acrylic
Glide - large, purple, pink, hues, striped, abstract, acrylic on shaped canvas
Located in Bloomfield, ON
Gradient bands of washed violet turn to dust rose in this shaped canvas from 1968 by Milly Ristvedt. From the first part of her career, this powerful painting is rooted in the tenets...
Category
1960s Color-Field Paintings
Materials
Canvas, Acrylic
Composition 7. 1996, oil on board, 81x65 cm
Located in Riga, LV
Composition 7. 1996, oil on board, 81x65 cm
Abstract composition with orange blue fields and black circle
Olgerts Jaunarajs (1907-2003)
He was so-c...
Category
1990s Color-Field Paintings
Materials
Board, Oil
Christian Gardair Monumental Painting
Located in Washington, DC
Exceptional and very large painting by French artist Christian Gardair (French, b.1938). Painting is acrylic on polyester paper. Signed and titled...
Category
1980s Color-Field Paintings
Materials
Acrylic, Synthetic Paper
Color-field paintings for sale on 1stDibs.
Find a wide variety of authentic Color-Field paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Mala Breuer, Friedel Dzubas, Kikuo Saito, and Wolf Kahn. Frequently made by artists working with Paint, and Fabric and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Color-Field paintings, so small editions measuring 5.5 inches across are also available. Prices for paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $295,000, while the average work sells for $5,000.
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