Unknown

'Spring Flowers in a Blue Planter', French School Impressionist Still Life Oil

Circa 1920

Painted collaboratively in 2022 by father and son artists Anthony and Michael McNaught and signed, verso, Anthony McNaught (American, born 1952) and Michael McNaught (American, born ...

Signed lower right, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1963. Exhibited: 'Copenhagen Art Association Exhibition, 1964', from exhibition stamp, verso, on stretcher bar. A substantial and vibrant Post-Impressionist still-life showing a profusion of fresh-cut daffodils informally arranged in a jade-green vase and set on a table in a sitting-room. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they founded the avante-garde group of artists named The Corner, which first introduced the principles of European Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and, most importantly, to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. As Rorup continued to paint in the south of France, his palette grew brighter and the earlier, more defined, contours of his forms became subsumed into scintillating nuances of light. We are pleased to offer this elegant and dazzling still-life from the artist's late period. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...

Signed, verso, 'di Gesu' for Victor Di Gesu (American, 1914-1988) and created circa 1980. A lyrical, post-impressionist oil still-life flowers, shown loosely arranged in a shallow b...

Signed lower right, 'R. Bothwell' (American, 20th century) and painted circa 1975. Framed dimensions: 37 x 1.5 x 49 inches. A substantial, American Impressionist oil landscape sho...

Signed upper right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. A vibrant Post-Impressionist still-life showing golden marigolds and white daisies i...

Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...

Giovanni Müller (Swiss, * 25.4.1890 Krinau, † 11.1.1970 Zürich) Still Life of Fruit in a Bowl • C. 1930 • Oil on canvas, ca. 39 x 51 cm • Frame, ca. ...

Literature: Bazetoux, Henri Lebasque Catalogue Raisonne (Neuilly, 2008), vol. 1, p. 223 (no. 820) (illus)

Post-impressionist still-life painting by Albert Andre. A similar picture is in the collection of The Phillips Collection, Washington, D.C.

A beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.

Painted in Saint-Tropez, this painting stands out for the exceptional subtlety of its colouring. These paintings stand out for the exceptional vibrancy of its colouring. Selmersheim-...

'Sunflowers' post impressionism is in the Scottish Colourist tradition and art movement influenced by Cezanne in the early to mid 20th century. The artist, John Maclauchlan Milne...