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Georges Jeannin
Roses - 19th Century Oil, Still Life of Flowers in Interior by Georges Jeannin

1912

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  • Pivoines - Impressionist Still Life Oil of Flowers by Marie Duhem
    By Marie Duhem
    Located in Marlow, Buckinghamshire
    Signed still life oil on canvas circa 1910 by French impressionist painter Marie Duhem. This stunning piece depicts delicate pink and yellow peonies in a vase placed on an ornate marble-topped table with a fan resting beside them and a mirror behind. Signature Signed lower left Dimensions: Unframed: 29"x20" This painting is not currently framed but a suitable frame can be sourced if required Provenance: The collection of the artist's family Marie Duhem's parents operated a lace factory, so she became familiar with the work of designers and models from an early age. She began her art studies with Adrien Demont...
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    1910s Impressionist Still-life Paintings

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  • Flowers & Fan - Impressionist Oil, Still Life of Roses by Georges Jeannin
    By Georges Jeannin
    Located in Marlow, Buckinghamshire
    Signed and dated impressionist still life oil on original canvas by French painter Georges Jeannin. The work depicts a bouquet of pink, white and red roses with a paper fan placed in...
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    1890s Impressionist Still-life Paintings

    Materials

    Canvas, Oil

  • Bouquet de tulipes et de pivoines - Impressionist Still Life Oil by Leon Detroy
    By Leon Detroy
    Located in Marlow, Buckinghamshire
    Signed still life oil on canvas circa 1930 by French impressionist painter Leon Detroy. The work depicts a bronze vase filled with tulips in an array of autumnal colours, and peonies...
    Category

    1930s Impressionist Still-life Paintings

    Materials

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  • Fleurs au pot de gres rose - Fauvist Still Life Oil Painting by Charles Camoin
    By Charles Camoin
    Located in Marlow, Buckinghamshire
    Signed still life oil on canvas by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in reds, yellows, blues and pinks in a stoneware vase. Signature: Signed lower right Dimensions: Framed: 36"x28" Unframed: 29"x21" Provenance: Galerie Marcel Bernheim Exhibitied: Paris, Galerie Druet, March 1929, n°23 This work is included in the Archives Camoin and a certificate from Madame Grammont-Camoin is available on request Charles Camoin was the son of a paint manufacturer in Marseilles who died when Charles was six years old. His mother travelled extensively, absenting herself for long periods at a time, and Camoin's studies suffered accordingly. At 16, he enrolled at a commercial college in Marseilles, but also attended courses at the École des Beaux-Arts, where he was awarded a first prize for drawing and composition. In 1896, at the age of 17 (or in 1898 according to other, possibly more reliable sources), Camoin moved to Paris where he was admitted to Gustave Moreau's class at the École des Beaux-Arts, shortly before the latter's death. He soon left on his travels in the company of Albert Marquet - no doubt following Moreau's advice to 'go and paint buses', his recommendation to the two artists to search out their subject matter on the streets and in the cabarets of Paris. During his short time in Moreau's class Camoin made a number of lasting friendships, notably with artists who would go on to pioneer Fauvism: Henry Manguin, Georges Roualt and, in particular, Jean Puy and Henri Matisse, with whom he exchanged letters on a regular basis.In 1900, Camoin did his military service, first in Arles, where he painted compositions inspired by Van Gogh motifs, then in 1902 in Aix, where he frequently met with Cézanne, with whom Camoin maintained a life-long correspondence and whose advice and counsel he cited repeatedly. In 1903, Camoin exhibited for the first time - at the Salon des Artistes Indépendants in Paris. The following year (1905), he met Claude Monet (at Cézanne's instigation and, appropriately perhaps, underneath Giverny's Nympheas); he then held his first solo exhibition at the Berthe Weill Gallery in Paris. In 1905, Camoin exhibited alongside the 'Animals' at that year's Salon d'Automne, although it must be said that he did not share the graphic and chromatic violence of a Matisse or a Derain...
    Category

    1920s Impressionist Still-life Paintings

    Materials

    Canvas, Oil

  • Fleurs a l'eventail - Impressionist Still Life Oil of Flowers by Marie Duhem
    By Marie Duhem
    Located in Marlow, Buckinghamshire
    Signed and titled still life oil on canvas circa 1900 by French impressionist painter Marie Duhem. This stunning piece depicts pink and yellow roses in a white ceramic vase with a fan resting beside it. A truly beautiful painting. Signature Signed lower left and titled on original label verso Dimensions: Framed: 25"x29" Unframed: 18"x22" Provenance: The collection of the artist's family Marie Duhem's parents operated a lace factory, so she became familiar with the work of designers and models from an early age. She began her art studies with Adrien Demont...
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    Early 1900s Impressionist Still-life Paintings

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    Canvas, Oil

  • Vase de Fleurs - Impressionist Still Life Flowers Oil Painting by Edouard Cortes
    By Édouard Leon Cortès
    Located in Marlow, Buckinghamshire
    Signed impressionist oil on panel still life circa 1920 by French painter Edouard Cortes. The work depicts a vase of autumnal coloured flowers placed on a wooden ledge in front of a ...
    Category

    1920s Impressionist Still-life Paintings

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    Panel, Oil

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