“Spring Bouquet”

View Similar Items

Giovanni Müller - Giovanni Müller 1890-1970 Impressionist Still Life Oil Painting Switzerland 1930

Henri Lebasque - Vase de Chrysanthèmes

Albert Andre - Fruits sur une table, compotier et plateau

Louis Valtat - Bouquet de dahlias

Jeanne Selmersheim-Desgrange - Le Petit Déjeuner devant une Fenêtre

John Maclauchlan Milne - Sunflowers

Henri Malançon - Still Life with Peaches

Narcisse HENOCQUE - Nature morte aux prunes

Jean-Pierre Dubord - Les vieux Gréements dans le port de Dieppe

Unknown - French impressionist school, Still life with flowers

Armand Seguin - Armand Félix Abel Seguin, Still life

Magdalena Spasowicz - Still life - XXI century, Oil painting, Figurative, Grey tones

Want more images or videos?

Request additional images or videos from the seller

1 of 9

George Loftus Noyes
“Spring Bouquet”
Circa 1930

About the Item

Oil on canvas still life painting of a springtime flower bouquet by the American artist, George Luftus Noyes. Signed lower left. No restoration. Condition is good. The painting is housed in a contemporary custom gold leaf gallery frame 28 by 26.25 inches. George Loftus Noyes (1864–1954) was a Canadian born artist who gained fame in the early 20th century as an American Impressionist. Noyes was born in Bothwell, Ontario and died in Peterborough, New Hampshire. Noyes' parents were both American citizens. He was a prominent member of the Boston School of American Impressionism. He studied at the Massachusetts Normal School with George Bartlett in the early 1880s and in France at the Académie Colarossi in Paris between 1890-93. Jean Andre Rixens influenced him to a huge degree. Rixen particularly influenced the artist's still life painting. He was a highly respected landscape and still life painter in Boston in the early 1900s. His prominence faded after his death, but the quality of his work has recently been gaining increasing recognition. Noyes exhibited at the Pennsylvania Academy of Fine Arts, the Art Institute of Chicago and the Corcoran Gallery in Washington, D.C.. He was a member of several Art associations, including the North Shore Art Association, the Boston Art Society, and the Guild of Boston Artists. In 1901, Noyes taught during the summer in Annisquam, Massachusetts, and became an early teacher to Newell Convers Wyeth, father of Andrew Wyeth and grandfather to Jamie Wyeth. N.C Wyeth also studied with Noyes in 1921, saying "His color knowledge is superb and I think he will give me much help at this juncture". He primarily worked and painted at the Fenway Studios on 30 Ipswich Street in Boston. Other prominent Boston artists working at the Fenway Studios in that period include Marion B. Allen, Lilla Cabot Perry, Joseph Decamp, Philip Hale, Lillian Wescot Hale, Charles Hopkinson, György Kepes, William Kaula, Lee Lufkin Kaula, Lillian and Leslie Prince Thompson, William McGregor Paxton, Marion L. Pooke, Edmund Charles Tarbell, and Mary Bradish Titcomb.[1] A barn fire in 1939 was to destroy literally hundreds of his works, plunging Noyes into a deep depression at the age of 75.

Creator:
George Loftus Noyes (1864-1954, American)
Creation Year:
Circa 1930
Dimensions:
Height: 22 in (55.88 cm)Width: 20 in (50.8 cm)Depth: 1 in (2.54 cm)
Medium:
Canvas,Oil
Movement & Style:
Post-Impressionist
Period:
1930-1939
Condition:
Very slight stretcher bar wear top stretcher bar.
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1412620363