Aaron Bohrod

Maid in Japan

Circa 1975- 1985

Oil on board Signed lower left Provenance: Everett Oehlschlaeger Galleries, Chicago, IL Exhibited: Everett Oehlschlaeger Galleries, Chicago, IL Ten portraits of plastic toys attach...

This powerful and graphically composed image of a black man with white angel wings was painted in a realist style by African American artist Thomas Blackshear...

This powerful and graphically composed image of a black man with white angel wings was painted in a realist style by African American artist ...

Prolific Saturday Evening Post Cover Illustrator Pearl L. Hill Worthington paints a stunning portrait of a Ballerina in a tutu with underlighting. She sits on a decorative Chinese ...

There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. ...

Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...

A small square oil painting of a pink peony on a white background. Framed in a modern natural wood floating frame.

'Dutch Masters, 2021' a highly collectable 40 x 60 inch oil on canvas painting featuring the Dutch Masters logo from the side of a metal walled panel truck by Internationally acclaimed American Realist James Torlakson...

'Car Wash' a highly collectable 48 x 48 inch oil on canvas painting by Internationally acclaimed American Realist James Torlakson, framed in a contempo...

An oil painting of an antique tool, a Garden Dibble, which is a long stick-like tool used to make holes for seeds, to make sure they are sufficiently buried in the soil without damage. This particular object that Morfis chose to paint has a wooden handle, and a metal point. The dibber rests atop a nail, against a gray wall. Bright studio-light casts a sharp shadow directly beneath the tool. Painted in the academic realist style of "trompe-l'oeil" which is French for "trickery of the eye". BIOGRAPHY John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...

"Pansies and Spilled Dirt" is an oil painting of purple and white pansies in a rustic brown pot. Dirt spilled onto the clean white surface below. Painting dimensions: 16 x 12 inches Framed dimensions: 18.5 x 14.5 inches Matthew Weigle...

A beautifully executed, super-sized, trompe l'oeil oil painting of a gala apple with several levels of irony. A plump, bright, fresh apple, painted hyper realistically. The vibrant ...