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Pietro della Vecchia
Pietro Della Vecchia (1603-1678), Musical Company

Circa 1640

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  • Portrait Of Bartolomeo De Olevano Oil On Canvas Second Half '500
    Located in Milan, IT
    Oil on canvas. Lombard School. It is the portrait of a man in armour standing proud, almost in motion, his hand sitting on the hilt of his sword; there is a coat of arms top left, a painted title block bottom right with a long Latin inscription, that identifies the man. He is Bartolomeo III Olevano, who belongs to the powerful noble family of the Olevano, feudal lords of many towns in the Pavia and Lomellina areas (where their castle still exists), who was very involved in the history of Pavia and its countryside until the 18th century. Bartolomeo III, born in 1512, had dedicated himself to the art of war...
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  • Dipinto Ritratto di Prelato XIX secolo
    Located in Milan, IT
    Olio su tela. Scuola lombarda del XIX secolo. Il grande ritratto in primo piano del prelato, è caratterizzato dallo sfondo alle sue spalle, ove si vedono una chiesa e una struttura ...
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    19th Century Other Art Style Portrait Paintings

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  • Ritratto Femminile di Inizio '900
    Located in Milan, IT
    Olio su tela. Anni '30 ca. La donna raffigurata indossa un soprabito che per la foggia richiama gli indumenti militari del periodo fascista, a cui risale il dipinto. Anche la posa de...
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    1930s Other Art Style Portrait Paintings

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  • Dipinto Ritratto di Bambino XIX secolo
    Located in Milan, IT
    Olio su tela. Scuola nord-europea di fine '800. Firma non identificata in basso a destra. Il ritratto presenta un bambino in ambito marinaresco: è seduto sul masso di una spiaggia, ...
    Category

    19th Century Other Art Style Portrait Paintings

    Materials

    Oil

  • Dipinto Ritratto maschile con Veste a Fiori, XVIII secolo
    Located in Milan, IT
    Olio su tela. Scuola italiana del XVIII secolo. Nel ritratto di questo gentiluomo spicca in particolare la veste da camera realizzata in un elegante tessuto fiorato, nelle tonalità d...
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    18th Century Other Art Style Portrait Paintings

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    Oil

  • Dipinto Ritratto di Antico Filosofo 1875
    Located in Milan, IT
    Olio su tela. Lungo il margine destro è presente una dedica in portoghese "Ill'... Offerece Agradecide (con riconoscenza)", con la firma J.M. De Medeiros e la data 1875. Si può ri...
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    Early 1800s Other Art Style Portrait Paintings

    Materials

    Oil

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    ABOUT THE ARTWORK In “MY DEAR PRINCESS,” I delve into the realm of naive archetypal imagery, creating a sanctuary from the aggressive modern world. This piece offers an opportunity ...
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  • "Contretemps" French Abstract, Original Oil Painting, Signed and Dated
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    "Contretemps" French Abstract, Original Oil Painting, Signed and Dated By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower right hand corner Titled...
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  • Nabis School Early 1900s French Oil Painting Lady in Blue Scarf in Floral Garden
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  • French Modernist Signed Oil, Figures in Golden Green Landscape
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    Artist/ School: Jostne Gallet Title: ' La Promenade' Medium: signed oil painting on canvas, unframed and inscribed verso. canvas: 28.75 x 21.25 inches Provenance: private collec...
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  • Portrait of a Young Woman, 19th Century Pre-Raphaelite Oil on Canvas
    Located in London, GB
    Louisa Starr 1845 - 1909 Portrait of a Young Woman Oil on canvas, monogrammed Image size: 8 ½ x 6 ¼ inches (22 x 16 cm) Pre-Raphaelite style frame Provenance Family Estate Christies Private Estate This rare beautiful portrait is clearly influenced by the Pre-Raphaelites, who were friends of Louisa Starr. The Pre-Raphaelites often included symbolic elements in their work, and the background of ivy in this painting, symbolising everlasting life, is a reference to that. This is an early work by Starr as she uses her monogram of a letter L with a star, which can be seen bottom right. The photograph below shows the painting in her studio, top left. The Artist Louisa Starr was born in Liverpool of American descent. Starr attended Heatherley's Art School. During this period artistic training was dominated by the Royal Academy Schools, which gave students a rigorous grounding in life-drawing and painting, presided over by Frederick Leighton and staffed by some of the leading artists of the time. Competition to enter the RA schools was very great, and at sixteen Louisa Starr became the youngest student ever to attend, being one of two students selected out of thirty eight entrants. The fact that she was a woman is very significant. She signed her work 'L Starr' so that her gender was not apparent, and when her identity became known, she was told that it was not permitted by the constitution to admit female students. (Women had attended the RA Schools before but not in any great number and not for some time). When she asked to see the clause, it could not be found, and they ended up admitting six women students so that they could chaperone each other. She had an outstanding career as a student, winning a Silver medal for the best copy of Murillo's 'Beggars' in 1865 - which was the first medal ever awarded by the RA to a woman, and a Gold medal for the most successful historical painting in 1867. She met her future husband, Enrico Canziani, an Italian cousin, whilst visiting relatives in Italy. Her independent outlook and progressive thinking were somewhat at odds with traditional Italian village life, but Enrico understood and encouraged her work by setting up a studio space and helping to find local models for her to paint. He was a civil engineer, who had built a sugar refinery in Italy and established paper-mills and chemical product factories. They married in Dover in 1882, when Starr was thirty seven, and her attitude to life and work continued to be assertive and uncompromising. For example, she removed the 'obey' from the marriage service, and it was decided that she would continue to live and work in England, and Enrico would be the one to move. He settled in England, but as much of his business was in Italy he continued to visit at least three times a year. Their daughter Estella was born in 1887. She became a portrait and landscape painter, an interior decorator and a travel writer and folklorist. Estella reports that her mother dreamed of an ideal house and recognised it while driving in Kensington Gardens, seeing a board up advertising it to let. She telegraphed to her husband to come back from Paris and they secured the property just five minutes ahead of a gentleman who was also waiting for the office to open. Estella was born there two years later. The address was 3 Palace Green, Kensington. Louisa was good friends with many of the prominent artists of the day including Frederick Lord Leighton, Val Princep and his family who lived next door to Leighton as well as G F Watts...
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  • Flemish School of the 16th century - Ecce Homo - Oil on panel - 1530 c.
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