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George Patten
PORTRAIT of Vice Admiral Sir John Chambers White (c.1770-1845), Dated 1840

1840

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  • Signed Portrait of a Young Lady in a White Dress 1840’s, Oil Painting on canvas
    Located in London, GB
    Titan Fine Art are pleased to present this exquisite portrait. As much attention is paid to the woman's luxurious apparel as her facial features. The ...
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  • Portrait of a Young Gentleman, Pieter Van Der Dvssen; by Jan van Haensbergen
    By Jan Van Haensbergen
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    Portrait of a Young Gentleman, Pieter Van Der Dvssen c.1664 Jan van Haensbergen (1642–1705) This charming portrait is an excellent example of late 17th century child portraiture and is from one of the most prolific periods in art history – the Dutch Golden Age. A vast number of artists produced work to fulfil the demands and tastes of a broad Dutch society, and many cities in the Netherlands developed into distinct artistic centres, characterised by style and specialities of subject. The quality of our portrait is similar to the works of the highly specialised ‘fijnschilders’, who were working in Leiden at the time; these artists executed meticulous small-scale paintings. As with the artist’s other works of children, Haensbergen painstakingly recorded many details including a fine depiction of the face, and the surface effects of the materials and the pearl clasps. The young sitter is Walther Bernt Pieter Van der Dussen. He was born into a wealthy noble Catholic family in Delft in 1654. In this portrait he would be around ten years of age, dating the work to circa 1664, which is also the year before the artist’s marriage to Johanna van Heusden. The Van der Dussen family were great patrons of the arts and commissioned a number of major works from eminent artists in Delft & Amsterdam. Van der Dussen died in 1716. The wooded setting, the lamb, and the “picturesque” or “Roman” dress...
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  • Portrait of an Elegant Lady in a Red Silk Dress, Beautiful Antique Frame c.1720
    By Jonathan Richardson the Elder
    Located in London, GB
    This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady against a plain background wearing a simple red silk dress and transparent headdress hanging down the back. The sitter is not shown with jewellery or any other elements to distract the viewer’s attached, thus highlighting the beauty of the young sitter. This restrained manner achieves a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...
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  • Portrait of Lady Anne Tipping née Cheke c.1705, English Aristocratic Collection
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    Titan Fine Art present this exquisite portrait, that formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Reg...
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  • Portrait of a Lady in a Blue Gown Holding a Sheer Scarf c.1675-85, Oil on canvas
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  • Portrait of a Gentleman in Scarlet Robe Holding Flowers c.1675, Oil on canvas
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    Titan Fine Art present this striking portrait, which was painted by one of the most talented artists working in England during the last half of the 17th century, John Greenhill. Gre...
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