Fletcher Martin

Portrait of a Black Woman, Maxine - Mid-Century WPA

Circa 1940's

This portrait of Fannie Hurst may have graced the cover of another major newsstand magazine. Most likely, it was a non-published alternate cover for Redbook. One of the most widely-read female authors was painted by one of the most widely-viewed female illustrators. Edna Crompton was an in-demand and prolific for-hire female illustrator/artist for some of the most prestigious newsstand magazines of the day. She regularly did covers for the Saturday Evening Post, Redbook, Colliers and Judge to name a few. Crompton presents Fannie Hurst - the nation’s highest-paid short story writer and advocates for suffrage and race relations - as a confidently attractive young woman bathed...

Signed 'ORPEN' (upper left) Sitter is bathed in warm window light that creates subtle patter of light and shadow in the background. Artists depicts Mr. Glass in a beige and brown ...

Long-necked , elegant slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...

Fact: There is no one alive today who can paint and draw as good as Dean Cornwell. Why? It takes a lifetime of training, work and commitment to be a great academic artist. Unfortunat...

Love at sea. A nautical romance is captured as a handsome couple embrace. The big splash of water at the peak moment of drama symbolizes passion and defines Falter's creativity in communicating a romantic narrative. This is a companion piece to a romance story. Most likely done on assignment for a major newsstand magazine. Hand-signed by artist, sticker label, Magazine Illustration circa 1940 Oil on board Signed lower right h: 28.5 x w: 30 in / h: 72.4 x w: 76.2 cm Morris Weiss collection...

Long-necked , elegant slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...

Presenting an original oil on canvas by Belgian artist Karel VonBelle. "Fleurs", is an original oil on canvas, signed, dated 1935, beautifully framed.

Jirayr Hamparzoom Zorthian was born April 14, 1911 in Kutahya, Turkey, of Armenian parents. At the age of three, he showed considerable talent in drawing and painting. Zorthian went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academies on the west coast including both the Chouinard Art Institute and the Otis Art Institute. The Old Gentleman...

Presenting an original oil on canvas by American artist Alexander Rosenfeld. Rosenfeld was classically trained in Poland before settling in Los An...

ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...

Portrait of a Woman in Purple - Parisian Art Deco Female Figurative Colorful and quirky art deco style figure painting of a seated Parisian woman dressed in light purple with decora...

French Art Deco, oil on canvas, society female portrait by Dembinkski (probably Anton J.) Signed, dated and located (Paris) bottom left. In later wood and gilt frame. A charming and...