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Fletcher Martin
Portrait of a Black Woman, Maxine

Circa 1940's

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  • Portrait of a Black Woman, Maxine - Mid-Century WPA
    By Fletcher Martin
    Located in Miami, FL
    A charming portrait of a Black woman with stylized hairstyle of the period - Midtown Galleries label on verso, Unframed Signed and date...
    Category

    1940s Art Deco Portrait Paintings

    Materials

    Oil, Canvas

  • Portrait of Thomas Glass, seated half-length, in a brown three-piece suit
    By Sir William Orpen
    Located in Miami, FL
    Signed 'ORPEN' (upper left) Sitter is bathed in warm window light that creates subtle patter of light and shadow in the background. Artists depicts Mr. Glass in a beige and brown ...
    Category

    1920s Art Deco Portrait Paintings

    Materials

    Oil

  • Hispanic woman with jewels Latin female Art Deco
    By Federico Beltran Masses
    Located in Miami, FL
    Long-necked , elegant slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...
    Category

    1930s Art Deco Portrait Paintings

    Materials

    Oil

  • Hispanic woman with jewels Latin female Art Deco
    By Federico Beltran Masses
    Located in Miami, FL
    Long-necked , elegant slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...
    Category

    1930s Art Deco Portrait Paintings

    Materials

    Oil

  • Embracing Couple on Sailboat , Art Deco Style Romantic
    By John Philip Falter
    Located in Miami, FL
    Love at sea. A nautical romance is captured as a handsome couple embrace. The big splash of water at the peak moment of drama symbolizes passion and defines Falter's creativity in communicating a romantic narrative. This is a companion piece to a romance story. Most likely done on assignment for a major newsstand magazine. Hand-signed by artist, sticker label, Magazine Illustration circa 1940 Oil on board Signed lower right h: 28.5 x w: 30 in / h: 72.4 x w: 76.2 cm Morris Weiss collection...
    Category

    1940s Art Deco Figurative Paintings

    Materials

    Oil

  • Writer Fannie Hurst in a Floral Pattern Dress Bathed in Warm Light
    By Edna Crompton
    Located in Miami, FL
    This portrait of Fannie Hurst may have graced the cover of another major newsstand magazine. Most likely, it was a non-published alternate cover for Redbook. One of the most widely-read female authors was painted by one of the most widely-viewed female illustrators. Edna Crompton was an in-demand and prolific for-hire female illustrator/artist for some of the most prestigious newsstand magazines of the day. She regularly did covers for the Saturday Evening Post, Redbook, Colliers and Judge to name a few. Crompton presents Fannie Hurst - the nation’s highest-paid short story writer and advocates for suffrage and race relations - as a confidently attractive young woman bathed...
    Category

    1920s Art Deco Portrait Paintings

    Materials

    Canvas, Oil

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  • The Sophisticate
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  • A Chinese Company playing Droughts
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    ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...
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