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Adolfo Muller-Ury
'Portrait of a Young Man', Munich Royal Academy, National Museum of American Art

1925

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  • 'A Young Parisienne', Royal Academy of Arts, Academie Colarossi, Jeu-de-Paume
    Located in Santa Cruz, CA
    Signed center left, 'Christine Sundberg' (Swedish, 1837-1892) and dated 1888. Displayed in a period golden maple frame; Framed dimensions: 25.5 x 1...
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    1880s Realist Portrait Paintings

    Materials

    Canvas, Oil

  • 'Young Lady Playing a Guitar', St. Louis Socialite, Early Cincinnati Photography
    Located in Santa Cruz, CA
    Signed lower left, 'J. Reid' (American, 19th century) and dated 1869. Additionally inscribed, lower right, 'J. A. Scholten, Pho.' for John A. Scholten (American, 1829-1886) A period and substantial oil portrait by J. Reid from a John Scholten photograph showing an elegantly-dressed young woman playing a classical guitar and gazing directly and with confidence towards the viewer. Viewed through a window across a stone balustrade, a Neoclassical landscape, with broad river and distant riverbank, rests beneath sunset clouds. J. Reid was a portrait painter active from the 1820's through the 1860's. John A. Scholten maintained photography studios in both St Louis and Cincinnati and was a much sought-after society portraitist and photographer of bridal parties...
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    1860s Realist Portrait Paintings

    Materials

    Oil, Canvas

  • 'Portrait of a Gentleman Seated and Reading', Regency, Early Victorian Dandy
    By George Richmond
    Located in Santa Cruz, CA
    Signed lower right, 'Richmond' for George Richmond, RA (British, 1809 – 1896) and painted circa 1845. Displayed in a period, carved and giltwood frame. (Framed dimensions: 22.75 x 21.5 x 1.0) This English painter and portraitist was a founding member of The Ancients, a group of followers of William Blake. Later in life, he established himself as a successful society portrait painter of the British gentry, nobility and royalty. George Richmond was the son of Thomas Richmond the miniature-painter and, also, the father of the painter William Blake Richmond. For a short time, he attended a day school in Soho, before became a student at London's Royal Academy. Here he was much impressed by Henry Fuseli, his professor of painting, and formed a lifelong friendship with Samuel Palmer, and had as fellow-students and companions Edward Calvert...
    Category

    1840s Realist Portrait Paintings

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  • 'She Loves Me, She Loves Me Not', Girl in a Gingham Dress, 1940's, Folk Art
    Located in Santa Cruz, CA
    A sensitively painted portrait of the artist's daughter, Nancy, aged two and a half, shown wearing a floral-striped, jade green gingham dress. Signed lower right, 'Martha Tracy Frey' (American, 1915-2010) and painted 1944; additionally inscribed verso 'Picture of Nancy Jane Frey from life-sized photograph when about 2 1/2. Painted by her mother in 1944.' This Kern County...
    Category

    1940s Realist Figurative Paintings

    Materials

    Oil, Board

  • 'Skagen', Paris, Académie des Beaux-Arts, Salon des Artistes Français, Munich
    Located in Santa Cruz, CA
    Signed lower left, 'Clement' for Gad Frederick Clement (Danish, 1867-1933) and painted circa 1920. Titled, verso, on old exhibition label, 'Fra Haven' (From the Garden). Additionally signed, verso, on stretcher bar and titled, 'Vesterby, Skagen' Exhibited: Skagen Museum, circa 1920, from label, verso. 'Helsinki Art Gallery, 1928', from label, verso. 'Danish Art Convention Forum, 1929', from label, verso. Gad Clement created this luminous painting in the garden of the Vesterby beach house where he and his wife, the artist Martha 'Tupsy' Clement, summered from 1908-1920. A substantial and well-exhibited work, it shows Tupsy at her easel beside their daughters, Bitten (b.1912) and Lillemor (b.1909). Fusing the ideal with the intensely personal, the artist has lyrically captured both the bonds of maternity and the dreamland of childhood. Gad Frederick Clement first studied at Copenhagen's Technical School (1883–1885) before attending the Académie des Beaux-Arts in Paris (1885-1888). Returning to Denmark, he continued his studies under Laurits Tuxen...
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    1910s Impressionist Portrait Paintings

    Materials

    Oil, Canvas

  • 'Study of a Moor', Post-Impressionist Figural Oil, Othello, Moroccan, Tunisian
    Located in Santa Cruz, CA
    American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...
    Category

    1980s Post-Impressionist Portrait Paintings

    Materials

    Canvas, Oil, Masonite

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