Portrait Paintings

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

"Liusana" Oil Painting 59" x 47" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a gl...

Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR

All life is one continuous night. And just as hints of dawn appear, the night becomes even darker. So we walk through that night together. Where to? Why?... For texture on the primed...

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady against a plain background wearing a simple red silk dress and transparent headdress hanging down the back. The sitter is not shown with jewellery or any other elements to distract the viewer’s attached, thus highlighting the beauty of the young sitter. This restrained manner achieves a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

Fauvist-style, Modigliani inspired, abstract portrait of a man in a dark brown antique wood frame with linen inlay "Portrait III" by Hudson Valley based artist, David Dew Bruner 20 ...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

A charming silhouette of a group of children ambling along. So much character is expressed through the minimal monochrome depiction. English or American School, 19th Century A silhouette...

Oil painting of a study of "Blue Boy" standing with his hat in his left hand by Mary Welch (American, 1875-1967). Circa 1918. Signed "M. Welch" lower left and gifted circa "1955" on verso. Image: 6"L x 9"H. Mary Welch, born 10 years after the end of the Civil War, was a woman ahead of her time. She signed her paintings M. Welch, hoping that potential buyers wouldn't discover she was a woman. More often than not, when they learned her sex, art dealers lost interest. The Hutchinson artist never married, never had children. But when she died in 1967, she left an impressive body of paintings, many of them familiar Kansas landscapes...

Bartolomeo Passerotti ( Bologna 1529 – 3 giugno 1592) Ritratto di Gentiluomo con cane Olio su tavola, Sec. XVI, cm 84x69; con cornice 101x87 // Bartolomeo Passerotti (Bologna 1529...

Ademola Ajayi's evocative artwork, "For Tomorrow's Festival," captures a poignant moment of intergenerational connection and tradition. In this heartwarm...

In this touching composition a young woman has been depicted wearing a dark coloured dress, draped at the bodice with a gauzy silk scarf and with pearls and large diamonds, over a wh...

"Sleeping Nude" by Michael Alford is a compelling original figurative nude painting that delicately captures the grace and serenity of a reclining figure. Executed with meticulous br...

Pair of two vintage portraits of Native American figures, one older and one younger, in profile with braids and headdresses by Victor S. ...

Edition 5 A bust in Street art style JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine Br...

Artist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 ...

Masked nº 1, 2015 by Ramonn Vieitez Oil on cotton canvas Size: 23.6 H x 19.7 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught Brazilian artist who...

Jeremy Abbott, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 15.7 H x 11.8 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught Brazi...

The terrifying night of the first transformation, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 19.7 H x 15.7 W in. Signed on the back by the artist Unframed ___ Ra...

Circle of Paul van Somer (Antwerp c. 1577-1621 London) Portrait of a gentleman, traditionally identified as Thomas Carey (1597-1634), youngest son of Thomas, 1st Earl of Monmouth Oil...

This stunning Italian Baroque Old Master portrait oil painting is attributed to the circle of Guercino, Giovanni Francesco Barbieri (1591 - 1666) and it is ascribed verso. The paint...

'Untitled Cubist Figure', oil on board, by STM (circa 1970s). A vibrant modern painting inspired by Picasso and Braque, the artist uses angles, lines and...

Stately portrait circa 1900 of a woman in dark clothing with a green collar which is a copy of a similar portrait by Frank Duveneck 1875-1879. The woman i...

This exquisite portrait, presented by Titan Fine Art, was painted in the era of London’s Great Fire - a young woman has been depicted wearing the most luxurious attire and a fortune ...

This striking British Edwardian religious oil painting is by noted artist Francis 'Frank' Owen Salisbury or Frank O'Salisbury as he is largely known. Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the 'Christian Soldiers' from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O'Salisbury's work. painted in oil and illuminated in gold leaf. Signed and dated with monogram lower right 1911. Provenance. From Castle of Park, Aberdeenshire. A version of this painting was exhibited at the Royal Academy London in 1911 entitled the Passing of War. Condition. Oil on canvas, 36 inches by 24 inches unframed and in good condition. Frame. Housed a complementary frame, 44 inches by 32 inches framed and in good condition. Francis ("Frank") Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a "plumber, decorator and ironmonger" (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much. In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children. It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase. A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits. Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint HM Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919. He painted Winston Churchill on more occasions than any other artist; the two iconic images of Churchill – The Siren Suit and Blood, Sweat and Tears are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder (of Ryder Cup fame) as Mayor of St Albans being the most famous of his civic images. Other significant portraits include those of Richard Burton, Andrew Carnegie (posthumous), Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori...

This impressive late 19th century portrait oil painting is by British artist James Edward Barclay. The sitter is a Major in the Royal Marines, William Wynch George Back Willis who wa...

Portrait of a British Hong Kong Diplomat, circa 1890 Chinese School - one of a pair we are selling 19th Century Chinese Provincial School portrait ...

This superb vibrant Oriental Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted circa 1925 when Pryse first visited Morocco. He was so en...

Mark Schwartz's "M.Y. 3" is an original, handmade oil painting that depicts a portrait of a female model gazing downward as her black hair blends into the darkness of the background.

This Beautiful British 18th century British Old Master portrait oil painting is by noted artist Joseph Highmore. Painted circa 1740 it is a half length portrait of a young woman, Eli...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted in 1929 it is a half length standing portrait of a young woman in a blue dress with a white lace sh...

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

Provenance The Sitter (Probably commissioned for the marriage of Samuel Edwin and Lady Catherine Montagu in 1697), Thence by descent, Charles Edwin (c. 1670 - 1716), Llanmihangel Pl...

Considered by many the greatest living Welsh painter, Shani Rhys James has developed over a long and distinguished career a unique and highly personal style of intense psychological ...

This stunning British American Impressionist portrait oil on canvas painting is by Sir James Jebusa Shannon circa 1905. The painting is of the artist and his wife Florence and daught...

Hermann Armin Kern Hungarian (1839-1912) Siesta Oil on panel, signed, with wax seal to reverse Image size: 18.25 inches x 12.25 inches Size including frame: 23.75 inches x 17.75 inc...

James Fellowes Flourished 1719 - 1750 Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian Oil on canvas, signed & dated 1747 Image size: 29 1/2 x 24 1/2 inches (75 x 62 cm) Original gilt wood frame William Henry Kerr was born a member of the Scottish peerage to William, third Marquess of Lothian, and his first wife Margaret, daughter of Sir Thomas Nicholson of Kemnay, first Baronet. William was styled Master Jedburgh until 1722, when his father was elevated to a Marquessate, after which he was referred to as Lord Jedburgh until 1735. Following his father’s military footsteps, on 20 June 1735 Ancram was commissioned as a cornet to the regiment (11th Dragoons) of his grand-uncle, Lord Mark Kerr. Ancram married Lady Caroline...

Emanuel Oberhauser (Austrian 1854 - 1919) “Mermaids, Neptune and Sea Water Nymphs” An Exceptional Oil on Canvas Painting painted circa 1885. Mas...

A fine, imposing 18th century portrait of an unknown aristocrat,housed in a gilt frame The artist is also unidentified but certainly a talented hand, in the circle of one of the fine old masters of the period The size overall is 148 x 121 cm whilst the painting is 128 x 101 cm In overall good condition the frame at the bottom has bowed slightly The painting has been checked whilst being cleaned and has not been affected in any way . SHIPPING Free delivery to mainland uk ,worldwide shipping available please email for quote Delivery usually within 14 working days, insured please provide telephone/email details for courier. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

This beautiful late 19th century portrait oil painting is attributed to circle of Walter Langley. It has the hallmarks of the Newlyn School of artists such as the subject matter, com...

Follower of Enoch Seeman the Younger German, (1694-1744) Portrait of Gilbert Sympkin Oil on canvas Image size: 29.25 inches x 24.5 inches Size including frame: 38 inches x 33.25 inches A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger. Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice. Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

The Penitent Magdalene French School, 18th century oil painting on canvas, framed canvas: 30.5 x 25 inches framed: 39 x 33 inches condition: exc...

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady in a simple blue silk dress and without jewelry or a background, thus allowing the viewer to concentrate solely on the beauty of the sitter. The effect of this restrained manner creates a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

FREE SHIPPING AT CHECKOUT Joan Amid Narcissus is a new painting by artist Honora Jacob. Also included in the images are two other paintings that were recently completed. Here is an ...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Antique Dog Painting of "Mignonne" dated 1876 Louis Eugène Bourgeois (French 1831-1878) Pastel on cardboard Signed lower left "E. Bourgeois" Inscribed upper right "Mignonne." Rever...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

She is the Moon Oil Painting on Canvas Portrait Surreel In Stock Caroline Westerhout (Weert, 1970) studied Reproduction Drawing at the Graphic Lyceum in Eindhoven. After her studies ...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Large scale colourful figurative portrait of a fashionable lady in a blue hat by French artist Jean-Louis Dubuc. The painting is signed bottom right and titled to the rear cross stre...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Series: Abstract Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that ...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...