Omari Booker

REDSKIN - contemporary political painting, pink, red razor wire, native chief

2019

A cello is held up between the legs of its accompanying musician in a snowy landscape. Snow has collected on the protruding bits of Cello and on the tops of the musician's knees. Though we can't see the face of the musician, we see their bare arms, folding upwards, as if they have buried their face in their hands. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...

"Nanette (Back with Fence)" is a textural, contemporary figure painting by Knoxville based artist Eleanor Aldrich. Refusing engagement, the figure is turned away from the viewer. Further distance is created by a rugged representation of a chain link fence and layers of paint, enamel, and silicone. The only clue to the figure's gender is in the title, and the collision of industrial materials with a female representation provides a poignant conflict. Flashes of found paper provide hints of a t-shirt or other type of graphic clothing...

Dustin Hedrick was born in Amory, MS in 1986 and received his BFA from Mississippi State University. Hedrick lives and works in Chattanooga, TN. As a visual artist and the founder of Channel To Channel...

"Girl with Seagull Tattoo" uses caulking to create the texture of lace as the prominent physicality of the clothing is juxtaposed against a background of browns and pastels. The figu...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

In the painting "Femme 3," the artist delves into techniques reminiscent of early abstraction to depict the figure of a woman. Through the masterful use of blues, whites, and reds, applied with bold and gestural brushstrokes, the artwork pulsates with a dynamic sense of movement. "Femme III" is combination of expressionist collage techniques and figurative imagination. This piece is 60 inches sqaure, mixed media, and full of life and color. It is wired and ready to hang. It is signed by the artist on the back. The red, white, and blue come together in harmony to create a unique visualization of Haleh Mashian...

In "Femme 11," Haleh Mashian combines various materials, like shattered ceramic, to create a striking portrayal of a confident woman. Her direct gaze challenges viewers, while her po...

ABOUT THE PAINTING In this painting, a powerful symbol of resilience and transformation comes to life. The artwork portrays a woman at the center, made by torn canvases that seem to...

Claudio Dicochea de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress), 2010 acrylic, graphite, charcoal, transfer, wood 2 @ 48" x 36" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

Aster Da Fonseca Forget-Me-Not with Waterfall Collage on Wood Panel Year: 2023 Size: 12x12in Signed and inscribed by hand COA provided Ref.: 924802-1689 Tags: Acrylic paint on tape ...