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Early 1900s Nude Paintings

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Period: Early 1900s
Beautiful Large Oil On Canvas Impressionist Nude Signed V Regnart
Located in Gavere, BE
"Beautiful And Large Oil On Canvas Impressionist Nude Signed V Regnart" Victor Regnart is a Belgian painter and engraver born January 26, 1886 in Élouges and died November 9, 1964 in...
Category

Impressionist Early 1900s Nude Paintings

Materials

Gold Leaf

Woman Bathing at Moonlight, Original Oil on Canvas, French Romantic School
Located in PARIS, FR
*Dimensions include the frame This enigmatic French painting, likely from the early 20th century, exhibits a mysterious and evocative atmosphere characteristic of the Romantic movem...
Category

Romantic Early 1900s Nude Paintings

Materials

Canvas, Oil

Pre-Raphaelite Beauty - Victorian art nude oil portrait - British female artist
By Sara Wells Page
Located in London, GB
Painted by Sara Wells Page this is a large stunning half-length Pre-Raphaelite portrait oil painting of a semi clad young woman. It was painted circa 1900 by Page who worked and exhi...
Category

Victorian Early 1900s Nude Paintings

Materials

Oil

Large American Impressionist Signed Women Bathers Nude Portrait Oil Painting
Located in Buffalo, NY
Antique American impressionist painting of two nude bathers in a landscape. Oil on canvas, circa 1900. Signed lower right. ...
Category

Impressionist Early 1900s Nude Paintings

Materials

Canvas, Oil

19th Century French Academic Study of a Hand
Located in SANTA FE, NM
French Academic Study of a Hand Circa 1900 Oil on Cardboard 13 3/8 x 8 3/8 (19 1/8 x 14 1/8 frame) inches Signed lower left "M. Granet" A very finely...
Category

Realist Early 1900s Nude Paintings

Materials

Oil, Cardboard

Edmond Suau (1871-1929) Une Académie, Standing man, signed oil on canvas
Located in Paris, FR
Edmond Suau (1871-1929) Une Académie, Standing man, oil on canvas signed lower left 88 x 70 cm In quite good condition, some damages - small lacks of painting - in the lower part, ...
Category

Realist Early 1900s Nude Paintings

Materials

Oil

Nude oil painting by Ludovic Rodo Pissarro titled 'La Brune au Tableau de Nu'
Located in London, GB
'La Brune au Tableau de Nu' by Ludovic Rodo Pissarro Oil on canvas 60 x 81.5 cm (23 ⅝ x 32 ⅛ inches) Signed lower left, Ludovic Rodo Executed circa 1910 This work will be accompani...
Category

Post-Impressionist Early 1900s Nude Paintings

Materials

Canvas, Oil

Allegory of Summer
Located in Los Angeles, CA
This is a monumental Art Nouveau painting, one of a series he did on commission. Valère-Bernard, François Marius Valère-Bernard French , He was born on 1 August 1860, in Marseilles, France. He died 8...
Category

Art Nouveau Early 1900s Nude Paintings

Materials

Oil, Canvas

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Vintage Paris School Nude Female Bathers Double Sided Impressionist Oil Painting
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Materials

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Previously Available Items
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Antique American School Signed Nude Woman Interior Portrait Framed Oil Painting
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Antique American Signed Large Impressionist Spectacular Nude Bather Oil Painting
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Seated Female Nude in Art Class - British Victorian art portrait oil painting
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Located in London, GB
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Apres le bain - French Academic Oil, Nude in Interior by Tony Robert-Fleury
Located in Marlow, Buckinghamshire
A beautiful oil on original canvas circa 1903 by French academic painter Tony Robert-Fleury depicting a nude drying herself with a white towel beside a copper bath. The light from the window behind the painter illuminates the wall opposite. Signature: Signed lower left Dimensions: Framed: 28"x19" Unframed: 20"x11" Provenance: Exposición Internacional del Centenario - Buenos Aires, Argentina - 1910 (original labels verso) Tony Robert-Fleury was the son of Joseph-Nicolas Robert-Fleury, and a pupil of Paul Delaroche and Léon Cogniet. He first exhibited in Paris at the Salon in 1864, receiving medals in 1866 and 1867 and a medal of honour in 1870. He was made a Chevalier of the Légion d'Honneur in 1873 and received a medal of honour in 1878 for the Exposition Universelle. He continued to exhibit at the Salon, known by then as Salon des Artistes Français, of which he became a member in 1882. In 1884, he was made an Officier de la Légion d'Honneur. He won a gold medal at the Exposition Universelle in 1889 and in 1900 became a jury member and was declared hors-concours, able to show his work without jury approval, at the Exposition Universelle. In 1907 he was made Commandeur de la Légion d'Honneur. For many years he taught at the Académie Julian in Paris, where he had a great many pupils. His considerable official career brought him honours, purchases and commissions. He painted mural compositions in the Palais du Luxembourg, and the Hôtel de Ville in Paris. Museum and Gallery Holdings: Arras: Leda Bayonne (Mus. Bonnat): Young Roman Girl; Charlotte Corday...
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Etude de nu assis - Nabis Oil, Seated Nude in Interior by Edouard Vuillard
Located in Marlow, Buckinghamshire
A beautiful oil on canvas by French Nabis painter Edouard Vuillard depicting a nude woman resting in a chair in an interior. An absolutely stunning piece. Signature: Signed lower right Dimensions: Framed: 20"x15" Unframed: 14"x19" Provenance: The atelier of the painter Galerie Girard, Paris Collection of Georges & Jacqueline Herbin Bibliography: Vuillard, The Inexhaustible Glance by Antoine Salomon & Guy Cogeval, Catalogue Raisonne - Skira/Seuil - Wildenstein Institute, 2003, described and reproduced in Volume II, page 664 with the number VII-248. Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...
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Impressionist Early 1900s Nude Paintings

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Woodland Nymph - Impressionist Oil, Portrait of a Nude by Leon Printemps
Located in Marlow, Buckinghamshire
A beautiful oil on panel by French portrait painter Leon Printemps depicting the head and shoulders portrait of a nude nymph in a forest. Her long brune...
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Leda & The Swan - Orientalist Oil, Greek Mythology by Adolphe Ernest Gumery
Located in Marlow, Buckinghamshire
A stunning oil on canvas by French orientalist painter Adolphe Ernest Gumery depicting the story of Leda and the Swan. The subject comes from a story in Greek mythology in which the ...
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Impressionist Early 1900s Nude Paintings

Materials

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Eugene Galien-Laloue Original Barbizon Nude painting
By Fausto Giusto
Located in Soquel, CA
Fontainebleau forest and Nude in Spring by Eugene Galien-Laloue (France, 1854 - 1941). Oil on canvas signed F. Giusto for Fausto Giusto (Translation: just right). Image size: 22.75"...
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Impressionist Early 1900s Nude Paintings

Materials

Oil, Linen

"Nu" Poetzsch C.19th French Impressionist Elegant Nude Figure in Interior
Located in Marlow, Buckinghamshire
Oil on canvas. Signed 7 and dated 1907 lower right. This painting is not currently framed but a suitable frame can be source if required. Poetzsch was born in Neuchâtel, Switzerland...
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Impressionist Early 1900s Nude Paintings

Materials

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Les Baigneuses - Clair De Lune
By Adrien-Henri Tanoux
Located in Marlow, Buckinghamshire
Oil on canvas. Signed lower right and dated 1904. This painting is not currently framed but a suitable frame can be sourced if required. Adrien Tanoux studied under Leon Bonnat at t...
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Impressionist Early 1900s Nude Paintings

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