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Jean-Gabriel Domergue
Smilling Model - Original handsigned oil painting

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  • Nude with Zip Code - Original painting on panel - Handsigned
    By Hassan Ertugrul Kahraman
    Located in Paris, FR
    Hassan Ertugrul Kahraman (1952-) Nude with Zip Code Mix media on panel : Acrylic paint, sculpture and collage Signed bottom right and signed again on the back Dated 1990 Size : 50 x...
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  • Peru : Quiet Square - Original oil on canvas painting - Signed
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    Louis Toffoli (1907-1999) Peru : Quiet Square Original oil painting Signed bottom right On canvas 65 x 92 cm (c. 26 x 36 inch) Presented in a golden wood frame 84 x 110 cm (c. 33 x ...
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  • Two Women with Traditional Brittany Dress - Original Oil on Canvas, Signed
    By Claude Weisbuch
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    Claude WEISBUCH Two Women with Traditional Brittany Dress Original Oil on canvas Signed upper right Signed and Dated (19)54 on the back On canvas 46 x 55 cm at view (c. 18 x 22 in) ...
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  • The Doll - Original Oil on Canvas - Signed
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    Micao KONO The Doll, c. 1930 Original Oil on Canvas Signed upper right and authenticated with the red seal of the artist On canvas 61 x 50 cm (c. 24 x 20 in...
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  • Seascape : Animated Beach in Normandy - Oil On Canvas Hansigned
    By Jean Jacques Rene
    Located in Paris, FR
    Jean-Jacques RENÉ Seascape : Animated Beach in Normandy Original oil painting on canvas Hansigned 54 x 65 cm (c. 21 x 26 inch) Excellent condition
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  • In Front of Seine River - Oil On Canvas, Hansigned
    By Jean Jacques Rene
    Located in Paris, FR
    Jean-Jacques RENÉ In Front of Seine River Oil painting on canvas Hansigned 46 x 55 cm (c. 18.1 x 21.7 inch) Excellent condition
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  • Nu Debout by HUGUES PISSARRO - Nude Painting, Human Figure, Oil on Canvas, Art
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  • Rare Modernist Oil Painting Line Drawing Nude Man Louis Stettner
    By Louis Stettner
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    Signed and Dated Modern Line Drawing Oil Painting of Nude Man. Louis Stettner (November 7, 1922 – October 13, 2016) was an American photographer of the 20th century whose work included streetscapes, portraits and architectural images of New York and Paris. His work has been highly regarded because of its humanity and capturing the life and reality of the people and streets. Starting in 1947, Stettner photographed the changes in the people, culture, and architecture of both cities. Stettner also spent significant time sculpting and painting, as well as mixing his work and “painting” on some of his photographic images. He continued to photograph New York and Paris up until his death. Louis Stettner was born in Brooklyn, New York, to Austrian immigrant parents where he was one of four children. His father was a cabinet maker, and Louis learned the trade when young, using the money he earned to support his growing love of photography. He decides to be a photographer after seeing photographs by Alfred Stieglitz and Weegee. He was given a box camera as a child, and his love affair with photography began. His family went on trips to Manhattan and visited museums, including the Metropolitan Museum of Art, where his love of art began. At 18, in 1940, Stettner enlisted in the United States army and became a combat photographer in Europe for the Signal Corps. After a brief stint in Europe he was sent to New Guinea, the Philippines, and Japan. Back from the war he joined the Photo League in New York. Through the Photo League’s exhibits, Stettner was further exposed to the work of Weegee, Edward Weston, and Lewis Hine. Stettner visited Paris in 1946 and in 1947 moved there. From 1947 to 1949 he studied at the "Institut des Hautes Études Cinématographiques" in Paris and received a Bachelor of Arts in Photography & Cinema. He went back and forth between New York and Paris for almost two decades and finally settled permanently in Saint-Ouen, near Paris, in 1990. Stettner still frequently returned to New York. Stettner's professional work in Paris began with capturing life in the post-war recovery. He captured the everyday lives of his subjects. In the tradition of the Photo League, he wanted to investigate the bonds that connect people to one another. In 1947 he was asked by the same Photo League to organize an exhibition of French photographers in New York. He gathered the works of some of the greatest photographers of the era, including Robert Doisneau, Brassaï, Edouard Boubat, Izis Bidermanas, and Willy Ronis. The show was a big success and was largely reviewed in the annual issue of U.S. Camera. Stettner had begun a series of regular meetings with Brassaï who was a great mentor and had significant influence on his work. In 1949, Stettner had his first exhibition at the "Salon des Indépendants" at the Bibliothèque Nationale, Paris. In 1951 his work was included in the famous Subjektive Fotografie exhibition in Germany. During the 1950s he free-lanced for Time magazine, Life, Fortune, and Du (Germany). While in Paris he reconnected with Paul Strand, who had also left New York because of the political intolerance of the McCarthy era—Strand had been a founder of the Photo League that would be blacklisted and then banned during those years. In the 1970s Stettner spent more time in New York City, where he taught at Brooklyn College, Queens College, and Cooper Union. In his own social realist work, Stettner focused on documenting the lives of the working class in both Paris and New York. He felt that the cities belong to the people who live there, not to tourists or visitors. His upbringing caused him to take great care in capturing the simple human dignity of the working class. He also captured noteworthy architectural images of both cities, including bridges, buildings, and monuments. Stettner produced well-known silver gelatin prints in fine images, including: Aubervilliers, Brooklyn Promenade...
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