Fernando Botero

Reclining Nude with Books and Pencils on Lawn

1982

Blessing John Hardy, American (1923–2014) Date: 1997 Oil on Wood, signed Size: 24 x 18 in. (60.96 x 45.72 cm)

Edge John Hardy, American (1923–2014) Date: 1997 Oil on Wood, signed Size: 24 x 18 in. (60.96 x 45.72 cm)

Zengeist (Mask) John Hardy, American (1923–2014) Date: 1998 Oil on Wood, signed Size: 48 x 32 in. (121.92 x 81.28 cm) Reference: Bool 405

Disconnect John Hardy, American (1923–2014) Date: 1998 Oil on Wood, signed Size: 24 x 18 in. (60.96 x 45.72 cm)

Artist: Roberto Carbone Title: Modigliani Pin-ups Year: 1994 Medium: Oil on Canvas, signed Size: 48 x 60 inches

Artist: Dobroslav Halata, Czech (1943 - ) Title: Two Nude Seated Figures Year: 1983 Medium: Oil on Canvas, signed Size: 45.5 x 59 in. (115.57 x 149.86 cm) Frame Size: 46.5 x 60 inches

This study takes inspiration from historical “reclining nude” paintings, most of which were painted through the perspective of the male gaze. The artist wanted to change the narrative and make the woman feel more empowered and dominant in her situation, aware of the power she holds. Samantha Van Heest...

«Ta meg i mot» oil on canvas by Anastína Eyjólfsdóttir. A toppless woman equipped with blue boxing gloves poses by the shore. Behind her, the sky and small strip of sea create a bl...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, includi...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Inspired by scenes from iconic American landscapes, ranging from arid deserts to lush forests, Jacobsen delves into humanity’s connection to nature and the technology that often mediates that experience. Embedded in the works is the recognition of nature’s immense power in contrast to its quickening fragility. Increasingly, under threat from the continuing rollback of regulations and protections in favor of exploitation for commercial gain, the double-edged sword of technology and the legacy of Westward expansion continue into the present day. For Jacobsen, American parks act as a foil to European colonization and resource extraction. While the creation of National Parks may be one of America’s greatest innovations, in preserving these beautiful and once wild places, they are in practice reduced to roadside attractions. Jacobsen states, “By elevating these picturesque landscapes we also diminish our own place in them. No longer are we participants in the divine dance but instead menacing spectators observing from stadium...