New in Nude Paintings

Acrylic paint on canvas Hand-signed lower right by the artist Unique work Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal ex...

Acrylic paint on canvas Hand-signed lower right by the artist Unique work Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal ex...

Acrylic paint on canvas Hand-signed lower right by the artist Unique work Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal ex...

Set of four delicious putto figures , oval shape oil on canvas . Fine tromple oeil painted frame . Very good original condition.

ARTIST: Stuart Denyer NEAC (1953-) British TITLE: "The Studio At The Royal Academy London" SIGNED: lower right and dated 1981 MEASURES: 120cm x 89cm inclusive of frame CONDITION...

A Mid-20th Century charming oil painting depicting a seated nude woman in a whimsical interior scene, Ducaire was known for her charming intimate figurative scenes portraying female ...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

There is a literary saying: "For Ukrainians, the heart is in children, the soul is in songs, and life is in gardens." The "Gardens of Resilience" series embodies the enduring will an...

'Reclining Nude' is a captivating 28" x 65" oil on wood creation by artist Kristy Chettle, embodying the abstract figurative realm with a masterful interplay of color and form. Throu...

"Banksia" Oil Painting 27" x 39" inch by Sasha Sokolova Life Still "I produced this series in 2020 while mostly in lockdown due to the Coronavirus. I a...

Ferenc Erdok Hotelscene with Ghost 240 x 185 cm Oil on canvas A unique work where a classical theme as a male nude and todays game world come together....

Pierre Cornu French, 1895-1996 Jeune Femme Alonge Oil / Canvas 14 by 18 in. W/frame 20 by 24 in. Signed lower right Pierre Cornu was born November 16, 1895 in Salon de Provence. Born into a prosperous family of merchants oils and soaps, Cornu knows a pampered childhood and happy during which his attraction to drawing and color manifests itself fairly quickly. He will have the opportunity, throughout his life to be able to concentrate on his passion of painting. His paintings are often honored in all the great Parisian salons. He exhibits regularly with René Auguste Chabaud and Seyssaud in Marseille. Financial troubles forced him to emigrate several years in Morocco where he begins a new life, never abandoning painting, perfecting his art (abundance of beautiful colors, resembling oriental tapestries...