Screen Paintings

Vintage 20th century mid-century modern style abstract in red and white, "White Line - Red (Variation 2)" by Chicago artist, Margo Hoff (1910-2008). Serigraph, estate stamped verso. ...

Just Out Of Reach by Carne Griffiths is a Limited Edition Print on 330 gsm Somerset Paper with hand torn edges and is signed and editioned by the artist. Edition of 50. Print Medium:...

This Blue Dog work consists of 3 different outlined portraits of dogs. One frame is 1 dog on a red background, another is 2 dogs on a dark blue background with a moon and the 3rd is ...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Summer I. 1972, cardboard, mixed media, silk screen printing, 80x100 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in L...

This large, mixed media work by artist XVALA depicts the infamous actor Tom Cruise. The background features primarily painted gold and white tones with a variety of images of Tom Cruise enhanced by the artist with oil stick. The painting is layered with images of the actor and masks created by the artist. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

From the Pandemic Collection: Series #5 "During the COVID-19 pandemic, the Supreme Leader of North Korea, Kim Jong Un, suddenly disappeared from public vie...

Screenprint, on Stonehenge paper, with full margins. Unsigned. Warhol Foundation stamp on verso. Sheet size 30.25 x 22 inches. Image size 22.5 x 18.125 inches. Custom framed as p...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

As if COVID-19 were not enough, 2020 also brought the explosion of the Karens, a modern day militia motivated by mundane things. They wanted to speak to your manager, they would have...

I Know I'm Paranoid by The Connor Brothers

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titl...

Yellow Painting, Pop Art Portrait, Pop Art-Are You Still There? in Yellow A B O U T T H I S P I E C E : "Are You Still There? in Yellow (Hannah-A1)" began as a portrait photograph s...

Artist: Peter Mayer Title: Jocelyn Wildenstein (Purple/Blue) Year: 1998 Medium: Acrylic and Silkscreen on Canvas, signed and dated verso Size: 11 i...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Modern Art, Color Changing Art, Street Art-Staring into the Blue A B O U T T H I S P I E C E : "Staring Into the Blue (Bethyie- A9)" is custom Mixed Media, Modern Pop Art, color-cha...

Unique hand painted with mixed media on serigraph print. Hand signed, dated, titled and numbered by the artist. Edition 1/1. Artwork is in excellent condition. Certificate of authen...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Maybe It's Not About A Happy Ending by The Connor Brothers Giclée, Screen Print, Acrylic, Oil and Hand Applied Varnish on Paper

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Champagne City, Aqua Blue Thames Clare Halifax very limited edition of 10 prints featuring hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print wi...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

An original silkscreen on canvas by Russell Young, created in 2011. Russell Young is a British Pop artist known for his large-scale silkscreen paintings of cultural icons. He is heav...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold III Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: ...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold I Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 11...

Artist: Jim Ceravolo, American (1953 - ) Title: Marilyn Monroe Year: circa 1980 Medium: Acrylic and Silkscreen on Canvas, Signed l.r. Size: 38 x 32 inches

Chris Levine Cross Print 7 Silkscreen Print X JEALOUS with Hand Applied Swarovski Crystals Print Size: H 50cm x W 50cm x 0.2cm Framed Size: H 59.5cm x W 59.5cm x D 4.5cm Unique Print...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold II Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 1...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All ...

Orange Portrait Painting, Mixed Media, Pop Art-Face Break, in Color A B O U T T H I S P I E C E : "Face Break, in Color (Cortney-A2-1)" is Fine Co...

Original acrylic and silkscreen painting on canvas. Hand signed on front by the artist. Studio stamp on verso. Canvas size 13.5 x 16.5 in. Framed size approx 23 x 26 in. Artwork ...

We are pleased to offer this Ceravolo's classic "New York Model in Zebra with Yellow Stripes" a strong minimalist portrait, with great presence and po...

Doring incorporates archival imagery to create painted and silkscreen canvas works that take the viewer back to a by gone era of iconic film stars. T...

Hand signed and dated by the artist. Unique hand embellished with acrylic paint on serigraph. Framed. Artwork is in excellent condition. Certificate of authenticity included. All...

Artist: Darryl Hughto, American (1943 - ) Title: Oh, Susanna Year: 1981 Medium: Silkscreen with Acrylic Painting, signed l.r. Image Size: 39 x 22 inches Size: 42 x 30 in. (106.68 x 7...

Hand signed, numbered, and dated by the artist. Hand embellished. Limited edition of 150. Each embellished print is unique. Artwork is in excellent condition. Certificate of authenti...

Original acrylic paint and silkscreen on flag. Framed. Hand signed, titled, and dated by the artist. Artwork is in excellent condition. Certificate of authenticity included. All r...

Artist: Francesco Scavullo Title: Lena Horne Year: 1984 Medium: Screenprint and Enamel on Canvas, Signed Verso Size: 34.75 x 32.25 in. (88.27 x 81.92 cm)

Artist: Francesco Scavullo, American (1921 - 2004) Title: Elizabeth Taylor Year: 1983 Medium: Photo-Silkscreen and Enamel on Canvas, signed verso ...

Frozen 3, 2016 Printmaking on plexiglass 46,5 x 37 cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA, 1991) and Central Saint Martins ...

Matthew the Fervid, 2017 Printmaking and mixed media on paper and re-board 165x121x68cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA...

Pierre Carrilero Fucked by the System, 2015 Screenprint on fabric in situ with steel bar construction 140 x 260 cm

Russell Young Sophia Supreme Diptych, Smoke Blue, 2023 Signed by artist Hand pulled screen print on linen with oil based ink, acrylic, and diamond dust 62 x 92 inches This piece is ...

Russell Young Sophia Supreme, Il Pelicanno Pink, 2023 Signed by artist Hand pulled screen print on linen with oil based ink, acrylic, and diamond dust 62 x 48 inches This piece is c...

Wildwood by Chris Keegan [2022] This is a hand-pulled limited edition screen print in three colours including Green tinted metallic ink. The inspiration for this print comes from w...

Mr. Brainwash is the moniker of filmmaker and Street Pop artist Thierry Guetta. Born and raised in France and based in Los Angeles, Mr. Brainwash has been pushing pop...

Russell Young Elvis Burning Love, Violet, 2020 Signed by artist Hand pulled screen print on linen with oil based ink, acrylic, and diamond dust, framed 27.5 x 20.5 inches This piece...

Russell Young Elvis Burning Love, Graceland Deep Maroon, 2020 Signed by artist Hand pulled screen print on linen with oil based ink, acrylic, and diamond dust, framed 27.5 x 20.5 inc...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...