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Medium: Monoprint
Crying Woman / Fertility Figure
Located in New York, NY
Unique work made from handprinting and printed collage on paper.
Category

1980s Feminist Monoprint Paintings

Materials

Printer's Ink, Mixed Media, Handmade Paper, Pencil, Monoprint

White and Blue Abstract Nautical Cyanotype of Crashing Waters, Coastal Lifestyle
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Abstract Crashing Water" is an original cyanotype that detailed portraits the eruptions and shapes of salty water in move...
Category

2010s Abstract Monoprint Paintings

Materials

Emulsion, Photogram, Mixed Media, Watercolor, Photographic Paper, Monopr...

Acrylic painting or Monotype "Oak II" Pattern and Decoration Movement
Located in Surfside, FL
Brad Davis, pencil signed, titled and dated, Provenance Shearson Lehman Brothers collection, overall: 32.375''h x 39.375''w Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum...
Category

1980s Post-Modern Monoprint Paintings

Materials

Monoprint

Conceptual Pop Art Color Oil Monotype Painting Abstract Figure Robin Winters
Located in Surfside, FL
Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...
Category

1980s Pop Art Monoprint Paintings

Materials

Monoprint, Monotype

Conceptual Pop Art Color Oil Monotype Painting Abstract Figure Robin Winters
Located in Surfside, FL
Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...
Category

1980s Pop Art Monoprint Paintings

Materials

Monoprint, Monotype

Nighttime Fireworks Flaring, Nocturnal Skyline, Abstract Lights in White & Blue
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Nighttime Firework Flaring" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Nighttime ...
Category

2010s Abstract Expressionist Monoprint Paintings

Materials

Mixed Media, Photogram, Emulsion, Watercolor, Photographic Paper, Monopr...

Serene Cove Waters, Feng Shui Seascape, Blue and White Ripples, Horizontal Print
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Serene Cove Waters" is a handmade cyanotype print portraying fresh ripples movements in a Greek Islands cove...
Category

2010s Abstract Monoprint Paintings

Materials

Emulsion, Photogram, Mixed Media, Watercolor, Photographic Paper, Monopr...

Pacific Sunset Waves, Contemporary Cyanotype on Paper, Navy Blue, Beach House
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Pacific Sunset Waves" is an original cyanotype that abstractly shows the sunset reflections on the sea. Details: + Titl...
Category

2010s Realist Monoprint Paintings

Materials

Emulsion, Mixed Media, Watercolor, Photographic Paper, Lithograph, Monop...

Glowing Fireworks Lights, Electric Blue and White Abstract Shapes, Cyanotype
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Glowing Fireworks Lights" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Glowing Fire...
Category

2010s Abstract Monoprint Paintings

Materials

Emulsion, Photogram, Mixed Media, Watercolor, Photographic Paper, Lithog...

Dexter's Choice, State II
Located in New York, NY
Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...
Category

1990s Color-Field Monoprint Paintings

Materials

Crayon, Oil, Watercolor, Monoprint, Mixed Media, Graphite

Alfred Ortega Bold Figurative Abstract Expressionist Oil Monoprint Painting
Located in Surfside, FL
Alfred Ortega (American, 20th C.) Abstract Monoprint with wash Ghost of Champs-Élysées (Paris, France) Born in Philadelphia, Alfred Ortega studied painting and sculpture at the Pennsylvania Academy of the Fine Arts. Ortega’s work is currently represented by the Atlantic Gallery, Nantucket; the Ligne Roset Gallery, New York; Millésimé, Philadelphia; and CSM Art, New Jersey. Ortega has exhibited at the Woodmere Museum and Knapp Gallery in Philadelphia. The artist’s work is represented in the permanent collection of the Pennsylvania State Museum and in private collections. Noted for his bold use of color, Ortega’s paintings and oil prints emanate primal energy. His prominent, Abstract Expressionism, large canvases reveal a dynamic world populated with vibrant forms and figures barely contained within their frames. A master monoprint maker, Ortega’s vivid oil prints of abstracts...
Category

20th Century Monoprint Paintings

Materials

Oil, Monoprint

Ribbit, Monoprint on Paper, 2017
Located in Jersey City, NJ
Monoprint on paper, green scale. Unique. Biomorphic abstraction. Hand-signed by artist Framing available This work includes a certificate of authentici...
Category

21st Century and Contemporary Contemporary Monoprint Paintings

Materials

Monoprint, Paper

"Prairie Night", abstract, triptych, window, rainbow, black, acrylic, monoprint
Located in Boston, MA
Tatiana Flis’ “Prairie Night” is a 48 x 84 inch abstract acrylic triptych painting on birch wood panels. Using multiple monoprinting methods, two distinct sets of window...
Category

2010s Contemporary Monoprint Paintings

Materials

Acrylic, Wood Panel, Monoprint

"Observer Effect", abstract, black, white, blue, rainbow, acrylic, monoprint
Located in Boston, MA
Tatiana Flis’ “Observer Effect” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. A black and white grid of rectangles for...
Category

2010s Abstract Monoprint Paintings

Materials

Acrylic, Wood Panel, Monoprint

Carole Seborovski Large Abstract Diptych Monoprint Monotype Garner Tullis Studio
Located in Surfside, FL
Hand signed and dated. Untitled minimalist abstract composition, diptych monotype. Dimensions: 22" X 30" each sheet; 31.5" X 70" with the frame. Carole Seborovski was born in San Diego, California. She received her BFA from the California College of the Arts in 1982. She continued her studies at the New York Studio School and received her MFA in painting from Hunter College in 1987. Her work has been widely exhibited in galleries and museums both nationally and internationally since 1984. She has had solo shows at Galerie Karsten Greve, Paris, Cologne, and Milan. Haines Gallery, San Francisco, Mitchell-Innes & Nash, NYC, Locks Gallery, Philadelphia, and John Berggruen Gallery, San Francisco among others. Her work has received favorable reviews in publications such as Art in America, Hyperallergic, Art News, Art Net, The New York Times, The Los Angeles Times, Kölner Stadt-Anzeiger and the Frankfurter Allgemeine. Carole Seberovski has received grants and awards from the National Endowment for the Arts, the American Academy of Arts and Letters, the Art Development Committee Grant, and the Jackson Pollock- Lee Krasner Foundation. Seborovski’s work is represented in numerous museum collections including the Museum of Modern Art, NY, Metropolitan Museum, Whitney Museum, Brooklyn Museum, San Francisco Museum of Art, National Gallery of Art, Washington D.C., and the Museo Cantonale d’Arte, Lugano, Switzerland among others. This was printed at Garner Tullis...
Category

1980s Contemporary Monoprint Paintings

Materials

Monoprint, Monotype

"Radio Silence", abstract, graphic, blue, purple, red, green, acrylic, monoprint
Located in Boston, MA
Tatiana Flis’ “Radio Silence” is a 48 x 36 inch abstract acrylic painting created with a monoprinting process on a birch wood panel. Pastel rainbow tones of blue, purple, red, green,...
Category

2010s Abstract Monoprint Paintings

Materials

Acrylic, Wood Panel, Monoprint

O. Phalenopsis - Peach and Purple Orchid Flower Hand-painted Print
By Mark Brueggeman
Located in Morgan Hill, CA
"O. Phalenopsis 2" is a contemporary hand-painted intaglio print by Wisconsin artist Mark Brueggeman. Printed with black ink onto white paper, the pri...
Category

2010s Contemporary Monoprint Paintings

Materials

Watercolor, Etching, Monoprint

Abstract Expressionist American Modernist Oil Monotype Monoprint Painting
Located in Surfside, FL
Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...
Category

1980s Abstract Expressionist Monoprint Paintings

Materials

Monoprint, Monotype

Untitled, Laughing Couple, Series Stand - Photography - Painting Object
Located in Salzburg, AT
Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...
Category

2010s Contemporary Monoprint Paintings

Materials

Textile, Mixed Media, Acrylic, Monoprint, Other Medium

No. 4: Small Abstract Expressionist Monotype in Navy Blue, Soft Yellow & Green
Located in Hudson, NY
Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...
Category

2010s Abstract Monoprint Paintings

Materials

Oil, Archival Paper, Monoprint

Untitled, White Sneakers, Series Stand - Photography - Painting Object
Located in Salzburg, AT
Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...
Category

2010s Contemporary Monoprint Paintings

Materials

Textile, Mixed Media, Acrylic, Monoprint, Other Medium

Untitled, Family, Series Stand - Contemporary Photography - Painting Object
Located in Salzburg, AT
Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...
Category

2010s Contemporary Monoprint Paintings

Materials

Textile, Mixed Media, Acrylic, Monoprint, Other Medium

Untitled, Block, Series Stand - Contemporary Photography - Painting Object
Located in Salzburg, AT
Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...
Category

2010s Contemporary Monoprint Paintings

Materials

Textile, Mixed Media, Acrylic, Monoprint, Other Medium

Autumn Equinox II: abstract monotype print & painting on paper in orange & red
Located in Bryn Mawr, PA
"Autumn Equinox II" is collaborative work created by Deirdre Murphy (painter) & Agathe Bouton (printmaker). It is a mixed media original monotype print ...
Category

2010s Abstract Monoprint Paintings

Materials

Acrylic, Archival Paper, Monoprint, Monotype

Autumn Equinox III: abstract monotype print & painting on paper in orange & red
Located in Bryn Mawr, PA
"Autumn Equinox III" is collaborative work created by Deirdre Murphy (painter) & Agathe Bouton (printmaker). It is a mixed media original monotype print...
Category

2010s Abstract Monoprint Paintings

Materials

Acrylic, Archival Paper, Monoprint, Monotype

Abstract Expressionist American Modernist Oil Monotype Monoprint Painting
Located in Surfside, FL
Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...
Category

1980s Abstract Expressionist Monoprint Paintings

Materials

Monoprint, Monotype

Sarah du Feu, Swaledale 2, Unique Monoprint, Contemporary Landscape Art
Located in Deddington, GB
Sarah du Feu Swaledale 2 Original Monoprint Image size 40 x 65 cm Mounted size 51 x 77 cm Framed in solid oak wood frame Printed on acid free Somerset Velvet 280gsm paper This monop...
Category

21st Century and Contemporary Contemporary Monoprint Paintings

Materials

Paper, Monoprint

Portraits of Androids, Double Sophia
Located in New York, NY
Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Currently on view as part of Sentient Electroics at Wallplay Seaport Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...
Category

2010s Contemporary Monoprint Paintings

Materials

Video, Canvas, Acrylic, Graphite, Monoprint

Sarah du Feu, Cornwall Seascape 1, Original Monoprint, Bright Art, Statement Art
Located in Deddington, GB
Sarah du Feu Cornwall Seascape 1 Original Monoprint Image size 40 x 50 cm Mounted size 55 x 63 cm Unframed Printed on acid free Somerset Velvet 280gsm paper Please note that insitu i...
Category

21st Century and Contemporary Minimalist Monoprint Paintings

Materials

Paper, Monoprint

Maggie LaPorte Banks, Reflexions, Abstract Art, Contemporary Art, Affordable Art
Located in Deddington, GB
Maggie LaPorte Banks Reflexions [2020] Original Abstract Acrylic and monoprint on canvas art board. Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x ...
Category

21st Century and Contemporary Contemporary Monoprint Paintings

Materials

Canvas, Acrylic, Monoprint

Abstract Expressionist Orange and Blue Toned Monotype Print
Located in Houston, TX
Blue and orange abstract monotype print in an expressionist style. The work is framed in a black wooden frame with a white matte. The artist signed the work in the bottom left corner. Dimensions without Frame: H 40 in x W 32 in. Artist Biography: Scott Swezy...
Category

21st Century and Contemporary Abstract Expressionist Monoprint Paintings

Materials

Monoprint

Portraits of Androids, Erica `1
Located in New York, NY
Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...
Category

2010s Contemporary Monoprint Paintings

Materials

Acrylic, Canvas, Pencil, Monoprint

Psychi 9 - The Soul, oil paint on paper, orange contemporary whimsical butterfly
Located in Dallas, TX
This is a beautiful whimsical original butterfly painting on watercolor paper, currently floated on a matboard, ready to be frame. Painting does not include frame. One of the Owls fr...
Category

2010s Contemporary Monoprint Paintings

Materials

Acrylic, Archival Paper, Monoprint, Oil

Sarah du Feu, Langdale Pikes in the Distance 2 Bright Contemporary Landscape Art
Located in Deddington, GB
Sarah du Feu Langdale Pikes in the Distance 2 Original monoprint Image size 40 x 65cm Mounted size 51 x 77cm Unframed Printed on acid free Somerset tub sized 410gsm paper This monoprint was inspired by the beautiful Langdale Pikes in the Lake District. As a child Sarah visited this area of Cumbria on frequent occasions as she had an aunt and uncle who owned a hotel in the area. Climbing up Dungeon...
Category

21st Century and Contemporary Minimalist Monoprint Paintings

Materials

Paper, Monoprint

Maggie Laporte Banks, It takes allsorts, Original Art, Abstract Art, Art Online
Located in Deddington, GB
Maggie Laporte Banks. It takes allsorts. Acrylic, collage, graffiti spray paint, carborundum, monoprint. H. 50 cm x W. 50 cm. x D 2 cm , unframed. Insitu images are purely an indicat...
Category

21st Century and Contemporary Abstract Monoprint Paintings

Materials

Canvas, Mixed Media, Spray Paint, Acrylic, Monoprint

Large Bold Colorful Monoprint Painting Floral in Vase February Amaryllis Flowers
Located in Surfside, FL
Image is 48 X 36 inches. Still life of flowers in a vase. In bold red, orange green and yellow color. Born and educated in Cleveland, Gary Bukovnik has lived in San Francisco for m...
Category

1990s American Modern Monoprint Paintings

Materials

Monoprint

Sarah du Feu, Kentmere Horseshoe, Original Monoprint, Bright Art, Affordable Art
Located in Deddington, GB
Sarah du Feu Kentmere Horseshoe Original monoprint Image size 40 x 50cm Mounted size 53 x 65cm Unframed Printed on acid free Somerset Velvet 280gsm paper This monoprint was inspired...
Category

21st Century and Contemporary Contemporary Monoprint Paintings

Materials

Paper, Monoprint

Untitled (blue and gold): Hand embellished monoprint
Located in Hudson, NY
8.5 x 7 inches sold with white 8 ply matte board that is 21.5 x 19 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This w...
Category

2010s Contemporary Monoprint Paintings

Materials

Oil, Archival Paper, Monoprint

Maggie LaPorte Banks, Changing Blues to Greys, Abstract Art, Affordable Art
Located in Deddington, GB
Maggie LaPorte Banks. Changing blues to greys. Acrylic, Monoprint, Collage, Carborundum on Canvas. Canvas Size: H 65cm x W 65cm x D 5 cm Sold in a White Wood Frame. Please note that ...
Category

21st Century and Contemporary Abstract Monoprint Paintings

Materials

Canvas, Mixed Media, Acrylic, Monoprint

Drizzly Day in Haweswater BY SARAH DU FEU, Original Landscape Monoprint
Located in Deddington, GB
Sarah du Feu Drizzly Day in Haweswater Original Screen print Image size 90 x 90 cm Paper size 103 x 103 cm Unframed Printed on acid free Somerset tub sized 410gsm paper Please note t...
Category

21st Century and Contemporary Modern Monoprint Paintings

Materials

Paper, Monoprint

Sarah du Feu, From Harlyn 3, Original Monoprint, Contemporary Bright Landscape
Located in Deddington, GB
Sarah du Feu From Harlyn 3 Original Monoprint Image size 30 x 64 cm Framed size 48 x 80 cm Framed in a solid oak wood frame Printed on acid free Somerset Velvet 280gsm paper Please n...
Category

21st Century and Contemporary Abstract Monoprint Paintings

Materials

Paper, Monoprint

Heralds of Spring - floral snowdrop hyacinth original oil based ink monoprint
Located in London, GB
Ann’s journals and original prints are based on direct observation and daily sketch book studies. Her subject matter includes recent travels to Asia, collections of objects and selected moments from everyday activities. Themes for her artwork include textiles, stories and childhood memories. From 1995 – 1999 Ann studied at Yale College and Glyndwr University obtaining a First Class Honours in Design. She specialised in illustration through drawing and printmaking. Ann now works from her studio in Kent. She is a member of the Royal Cambrian Academy and is represented in North Wales by Ffin y Parc Gallery, Llanwrst. Ann has also worked as an Artist in Residence for two years at Chester Zoo, making works based on the Aquarium, the Twilight Zone...
Category

2010s Contemporary Monoprint Paintings

Materials

Color, Monoprint

Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)
Located in Hudson, NY
Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...
Category

Early 2000s Abstract Monoprint Paintings

Materials

Photographic Paper, Monoprint

Portraits of Androids, Double Sophia
Located in New York, NY
Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Currently on view as part of Sentient Electroics...
Category

2010s Contemporary Monoprint Paintings

Materials

Monoprint, Canvas, Video, Acrylic, Graphite

Portraits of Androids, Erica `1
Located in New York, NY
Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...
Category

2010s Contemporary Monoprint Paintings

Materials

Pencil, Monoprint, Canvas, Acrylic

Portraits of Androids, Blond Sophia
Located in New York, NY
Portraits of Androids, Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...
Category

2010s Contemporary Monoprint Paintings

Materials

Canvas, Acrylic, Graphite, Monoprint

Grid. No 5 (Contemporary Framed Abstract Grid in Black & Coffee)
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...
Category

2010s Abstract Monoprint Paintings

Materials

Photographic Paper, Monoprint

Portraits of Androids, Erica with Pearls
Located in New York, NY
Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...
Category

2010s Contemporary Monoprint Paintings

Materials

Canvas, Carbon Pencil, Monoprint, Acrylic

Robot Dog 4th Generation Aibo
Located in New York, NY
Aibo 4th Generation, 2018 Hand embellished monoprint on canvas 21 7/10 × 29 1/2 in 55 × 75 cm Sophia’s Safehouse in an Uncanny Valley examines the rece...
Category

2010s Contemporary Monoprint Paintings

Materials

Monoprint

Double Sophia
Located in New York, NY
Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...
Category

2010s Contemporary Monoprint Paintings

Materials

Monoprint, Canvas, Video, Acrylic, Graphite

Blond Sophia #1
Located in New York, NY
Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid A...
Category

2010s Contemporary Monoprint Paintings

Materials

Monoprint, Canvas, Acrylic, Graphite

Philip K Dick
Located in New York, NY
Phillip K. Dick, 2018 Hand embellished monoprint on canvas 21 7/10 × 17 7/10 in 55 × 45 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...
Category

2010s Contemporary Monoprint Paintings

Materials

Monoprint

Grid. No 11 (Contemporary Framed Abstract Grid in Black & Coffee)
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...
Category

2010s Abstract Monoprint Paintings

Materials

Photographic Paper, Monoprint

Erica #`1
Located in New York, NY
Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a ...
Category

2010s Contemporary Monoprint Paintings

Materials

Monoprint

Untitled (blue and white): Hand embellished monoprint
Located in Hudson, NY
10 x 8 inches sold with white 8 ply matte board that is 24 x 17 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This work...
Category

2010s Contemporary Monoprint Paintings

Materials

Archival Paper, Monoprint, Oil

Erica with Pearls
Located in New York, NY
Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent c...
Category

2010s Contemporary Monoprint Paintings

Materials

Monoprint, Canvas, Carbon Pencil

"Alphabet Marilyn" Violet/Shocking Pink, 38x31",
Located in Southampton, NY
We are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 deca...
Category

2010s Pop Art Monoprint Paintings

Materials

Archival Ink, Rag Paper, Monoprint, Archival Pigment

"Alphabet Sophia Aqua", 42x36",
Located in Southampton, NY
We are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 decades, and rose to fame when he was commissioned to create 5 large-scale portraits for the lobby of the Palladium Theatre in New York City of Linda Ronstadt, Jackson Browne, Neil Young, Frank Zappa and Hall and Oates. In addition to those portraits, his paintings are in the private collections of Sir Elton John, Rod Stewart, Hugh M. Hefner, and Prince Jefri of Brunei to name only a few. With his new Alphabet series, Ceravolo combines an image of his stylized black and white portrait painting, combined with letters of the alphabet and adds color to the negative space formed by the letters. As a result, you see the portrait of...
Category

2010s Pop Art Monoprint Paintings

Materials

Monoprint, Archival Ink, Rag Paper

Monoprint paintings for sale on 1stDibs.

Find a wide variety of authentic Monoprint paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Pierre Obando, Lee Wells, Kory Twaddle, and Tatiana Flis. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Monoprint paintings, so small editions measuring 0.1 inches across are also available

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