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William Jack Laycox
'Morning at Nervi', SWA, Italian Coast

Circa 1965

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  • 'Laguna Hills Sunset', Post-Impressionist California Landscape, Cypress Trees
    By Juan Guzman-Maldonado
    Located in Santa Cruz, CA
    Signed lower right 'Guzman' (Juan Guzman-Maldonado, born 1948) further signed on canvas verso and titled 'Laguna Hills' on attached label. An oil landsca...
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    Early 2000s Post-Impressionist Landscape Paintings

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  • 'Pacific Surf', California Plein Air Woman Artist, Santa Cruz, Carmel
    By Jane McCullough
    Located in Santa Cruz, CA
    Signed lower left, 'McCullough' for Jane McCullough (American, 20th century) and painted circa 1985. Jane McCullough was an avid California plein air painter, exhibiting and took ar...
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  • 'Mediterranean Orange Grove', Paris Modernist, Royal Danish Academy of Fine Arts
    By Viggo Rorup
    Located in Santa Cruz, CA
    Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1967. A substantial, Post-Impressionist oil landscape showing a view of the Mediterranean with an orange tree and blossoming apple trees in the foreground, framing a view across cultivated fields towards the azure ocean beneath a clouded lilac and ivory sky. A charming and robust work that exemplifies the artist's characteristically lyrical and painterly brushwork, elegantly expressing it here in a gentle palette of moss, teal, lavender and soft pastels. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. His palette grew brighter, and his earlier defined contours were subsumed into the nuances of light. We are pleased to offer a dazzling work from the artist's late period, that exemplifies these later qualities of his mature work, harmoniously capturing the warmth and color of a southern summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...
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    1950s Post-Impressionist Landscape Paintings

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    Canvas, Oil

  • 'The Basque Harbor at Bermeo, Spain', Munich Art Academy, Karl Caspar
    By August Philipp Henneberger
    Located in Santa Cruz, CA
    Signed lower right 'A. P. Henneberger' for August Philip Henneberger (German, 1902-1980) and dated 1951. Framed in a period, gilt-gesso and carved wood, Louis XVI style frame. A pan...
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    1950s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • 'Northern California, Rolling Hills', San Francisco Bay Area Oil Landscape
    Located in Santa Cruz, CA
    Signed lower left, 'Sheri Lenz' (American, 20th century) and painted circa 2000. A substantial oil on canvas landscape showing a lyrical view of hills floo...
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    1990s Post-Impressionist Landscape Paintings

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    Canvas, Oil

  • 'Field of Poppies', Paris Salon, Royal Danish Academy, Charlottenborg, Benezit
    By Viggo Rorup
    Located in Santa Cruz, CA
    Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1959. A substantial, Post-Impressionist oil showing a panoramic view of a summer landscape looking an expansive field with scarlet poppies in the foreground and a view towards a range of lilac-tinted hills with a terracotta-tiled farmhouse in the distance. A robust and charming work that exemplifies the artist's characteristically lyrical brushwork, elegantly expressed here in a harmonious palette of turquoise, lavender, peach and other gentle pastel shades. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a significant stylistic impact on his subsequent work. His palette grew brighter, and his earlier defined contours were subsumed into nuances of light. We are pleased to offer a dynamic painting from Rorup's mature period that exemplifies the qualities of his mature work, harmoniously capturing the warmth and color of a summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...
    Category

    1950s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

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