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17th C, Landscape, Flemish School, Countryside with Figures at a Small River

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  • 20th C, Louis François Decoeur (Namen 1884 – Namen 1960), Rue Animée
    Located in brussel, BE
    The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist's association provided a free studio for painters in Brussels, on the first floor of a building located at Quai au Bois à Brûler number 31. Here innovative artists who the official salons did not appreciate were given a forum. The members of "L'Effort" opposed academism. Some names of artists who have worked in the studio spaces of "L'Effort" are: Jean Brusselmans...
    Category

    20th Century Fauvist Figurative Paintings

    Materials

    Canvas, Oil

  • 17th C., Baroque, Genre Painting, Stop of the Travelers
    Located in brussel, BE
    As the Dutch painter Philips Wouwerman often did, this artist painted travellers stopping at an inn or a farm. One of the men got off his horse to urinate against the facade of the building. The motif of a peeing man was far from an exception in Dutch genre paintings...
    Category

    17th Century Baroque Figurative Paintings

    Materials

    Canvas, Oil

  • 18th C, Portrait of a Lady, Elisabeth Carter, Oil on Canvas, 92 x 71 cm, Framed.
    By Joshua Reynolds
    Located in brussel, BE
    Sir Joshua Reynolds (16 July 1723 - 23 February 1792) was a leading 18th-century English portrait painter and President of the Royal Academy from 1769 to 1792. He was born on 16 July...
    Category

    18th Century English School Figurative Paintings

    Materials

    Canvas, Oil

  • 16th C, Biblical, Manner of Joos van Cleve, Madonna with Child, Oil on Panel
    By Joos van Cleve
    Located in brussel, BE
    Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe. During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia. During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...
    Category

    16th Century Baroque Figurative Paintings

    Materials

    Canvas, Oil

  • Farming Family on a Sunday Morning, Oil on Canvas. Framed and Signed
    Located in brussel, BE
    The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist’s association provided a free studio for painters in Brussels, on the...
    Category

    20th Century Fauvist Figurative Paintings

    Materials

    Canvas, Oil

  • 18th C, In the Style of the Classicizing Baroque, Biblical, Rebekka and Eliëzer
    Located in brussel, BE
    Willem Muys was a Dutch, 18th-century painter of history pieces, portraits and cabinet pieces. Above all, he appears to have been active as a painter of ‘wallpaper’. Until the mid-18th century, ‘wallpaper’ was not painted on paper but on coarsely woven linen. Wealthy citizens had their mansions or country estates adorned with ‘wallpaper’ with landscapes, exotic birds or chinoiseries. Willem Muys mainly painted ‘wallpaper’, which means that few of his works have been preserved. They are hardly represented in public collections. The works of his sons, Nicolaas en Robbert, both painters, are a little less rare. The painting with Rebecca and Eliezer...
    Category

    18th Century Baroque Figurative Paintings

    Materials

    Canvas, Oil

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