Old Masters Landscape Paintings
OLD MASTERS
Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.
The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.
Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.
Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.
18
to
118
354
19
299
42
312
61
70
49
90
63
101
Overall Height
to
Overall Width
to
11,277
8,183
5,286
2,430
2,013
999
387
373
328
127
114
49
45
24
272
95
65
47
36
27
24
24
16
15
13
13
12
12
11
10
9
7
7
7
270
76
13
14
1
1
117
2
2
2
2
2
365
354
110
110
30
Style: Old Masters
Large Classical Oil Painting Figures Animals in Arcadiane Landscape, framed
Located in Cirencester, Gloucestershire
Classical Landscape
Continental School, late 20th century
signed oil on canvas, framed
framed: 34 x 43 inches
canvas: 27 x 34 inches
provenance: fr...
Category
20th Century Old Masters Landscape Paintings
Materials
Oil
Dutch shipping in a choppy sea
Located in Stoke, Hampshire
Charles Martin Powell (Chichester 1775-1824)
Dutch shipping in a choppy sea
Signed 'CPowell' lower right
Oil on canvas
Canvas Size - 16 x 19 in
Framed Size - 24 x 26 in
Provenance: The Parker Gallery...
Category
Early 19th Century Old Masters Landscape Paintings
Materials
Oil
Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
By Philips Wouwerman
Located in Stockholm, SE
Workshop / Circle of Philips Wouwerman (1619-1668)
Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
oil on oak panel
12.40 x 14.17 inches (31.5 x 36 cm)
wit...
Category
17th Century Old Masters Landscape Paintings
Materials
Oak, Oil, Wood Panel
17th century Flemish Italian Old Master - The baptism of Christ - Religious
Located in Antwerp, BE
17th century Flemish old Master painting
The present painting is truly a little jewel with its vibrant colours and skilful brushwork. It depicts the Baptism of Christ, a depiction of a tale filled with hope and positivity, it is a very fine example of Malo's talent.
We would like to thank Anna Orlando for her assistance in cataloguing this painting. A copy of her entry on this painting will be given to the buyer.
She writes about the present painting: The painting illustrated here, unpublished, refers to Vincenzo (Vincent) Malò, a Flemish artist active in Italy and in particular in Genoa in the first half of the seventeenth century, by now well known. The critics who started studying him in the sixties of the last century recognized the initial confusion of our painter with Vincenzo Alemanno (1595-1675); many documents subsequently traced both in the Genoese and Roman archives have partially specified his biographical details, but certainly his identity. Son of a certain Nicola, Vincent trained in Antwerp with David Teniers the Elder and then with Rubens, he was intermittently enrolled in the painters' guild, between 1623 and 1634. It is unlikely that he first arrived in Genoa in 1625 , when the city was at war against the Savoys, and it is entirely probable that his stay in Italy fell between 1634 and the year of his death, documented in Rome in 1644. It were about ten fertile years, also thanks to the lessons from Rubens who had taught him to paint speedily...
Category
17th Century Old Masters Landscape Paintings
Materials
Canvas, Oil
Woodland Landscape with Horses and Riders
Located in Genève, GE
Work on canvas
Category
20th Century Old Masters Landscape Paintings
Materials
Oil
19th Century Continental Oil Painting City River Busy Shipping Scene framed
Located in Cirencester, Gloucestershire
European School, 19th century
View of boats on water and buildings
oil on board, framed
framed: 16 x 22 inches
board: 11.5 x 17.5 inches
private collecti...
Category
Mid-19th Century Old Masters Landscape Paintings
Materials
Oil
Madonna Scarsella Paint Oil on canvas Old master 16/17th Century Raffaello Art
Located in Riva del Garda, IT
Ippolito Scarsella, known as Lo Scarsellino (Ferrara, around 1550 - 1620) workshop
Altarpiece depicting the Madonna and Child, St. James the Greater and the donor in armour
Technique: oil on panel
Measurements: 93 x 72 cm./with frame 109 x 86 cm.
Provenance: Prato, Farsetti, auction of 28.10.2016, lot 261 (link)
A majestic Madonna in Glory occupies the upper register of the canvas, seated on a blanket of iridescent clouds surrounded by angels, flanked by a cherub who scatters flowers contained in a cornucopia towards the infant Christ as a sign of abundance, naked and supported with both hands from the mother.
In the lower part of the composition stands the figure of San Giacomo Maggiore, one of the twelve apostles, standing on the right side of the altarpiece, represented dressed in a humble tunic; one arm holds the open Gospel book, while the other holds a cross pilgrimage staff.
A particular aspect of the table is the presence in the central part, to indicate its importance, of the figure of the donor, kneeling on a cushion, with his hands joined in prayer and his face observing the Virgin in an attitude of devotion, while on the opposite lectern is placed a prayer book; depicted with the features of a young leader in armor, with a sword and a rich iridescent red cloak, elements which, combined with his authoritarian composure, enhance his ennoblement.
Unlike the medieval altarpieces, the knight is here included in the space of the painting and has proportionate dimensions to those of the other characters, returning to all intents and purposes in the sacred scene, with a pose that cannot but evoke the detail of the 'Montefeltro altarpiece' made by Piero della Francesca for Federico da Montefeltro, kneeling in front of the sacred group in the guise of a leader.
On the right, the view recedes into depth highlighting the background of an urban landscape set on a hill behind which a mountain range stands out, with the peculiarity of the arched aqueduct that runs along the entire landscape. Presumably among these expanses were the donor's own possessions and his hometown.
It is a quality table, imbued with the late Mannerist style still resistant in the second half of the 16th century, characterized by a 'sweet and affable religiosity, rendered through a manner of studied simplicity and grace', which highlights the unmistakable stylistic and chromatic connotations of the produced...
Category
16th Century Old Masters Landscape Paintings
Materials
Oil
Dutch Fishing Vessels in Storm /// Francis Swaine Maritime Seascape Antique Ship
By Francis Swaine
Located in Saint Augustine, FL
Artist: Francis Swaine (English, 1725-1782)
Title: "Dutch Fishing Vessels in Storm"
*No signature found
Circa: 1770
Medium: Original Oil Painting on wood panel
Framing: Framed in a Louis XV style gold moulding
Framed size: 10.63" x 12.63"
Panel size (irregular margins): 6" x 7.75"
Condition: One small restored spot upper left. Cosmetic wear to frame. In otherwise very good condition
Notes:
Provenance: private collection - London, England; acquired from art dealer Ernest Alden, London, England retaining his original gallery label on verso. Metal plaque inscribed "F. Swaine 1740-1782", (active dates), attached to frame bottom center.
Ernest William Alden (1866-1947) was recorded in successive censuses, in 1881 as a picture mounter (card maker), age 14, living at 9 Bloomsbury St, with several other members of his family also given as picture mounters, including his father, James; in 1891 as a picture frame mounter with his father and family at 208 Shaftesbury Avenue; in 1901 as a photographer and picture dealer at 39 King’s Road, Chelsea; and in 1911 again at 39 King’s Road but the census form is damaged. His listing in trade directories, initially as picture mount cutter, changed to picture framemaker from 1904, soon after he set up in the King’s Road. He advertised his large stock of second-hand swept and other frames, claiming to have been established in 1893 (The Year’s Art 1913). Alden died in Chelsea in 1947, leaving effects worth £5,011, with probate granted to his widow Lily Alden and to Marjorie Frances Alden. Two of his younger brothers, Henry Cyril Alden (1871-1939) and James Preston Alden (1876-1960), were also active as picture framemakers. - National Portrait Gallery, London, England.
Biography:
Francis Swaine (1725–1782) was a British marine painter. He was born in 1725, and christened on 7 October of that year at St Dunstan's, Stepney, London. His parents were named Francis Swaine and Ann Joel. In 1735 the elder Francis Swaine, the marine painter's father, applied in writing to the Commissioners of His Majesty's Navy for employment as a Navy Messenger, in succession to Mr William Wyatt. He mentions that he had served "upwards of twenty eight years" in the Navy, and that his father had died Purser of the Royal Katherine. He mentions also that he had carried out "little labours in drawing", and that he at that time had five small children. The first-born of these children was the Francis Swaine who became the marine painter. The elder Swaine was duly employed as a Navy Messenger. He served for 20 years and died on 10 October 1755, aged 64.
Swaine is said to have been influenced by the style of Van de Velde. There is no clear evidence of this alleged influence. The suggestion that Swaine may have been a pupil of Charles Brooking...
Category
1770s Old Masters Landscape Paintings
Materials
Paint, Oil, Panel, Wood Panel, Board
Early oil depicting the Great Fire of London
Located in London, GB
The Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’
Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze.
The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil, Canvas
Landscape Paint Oil on canvas Italy 17th Century Quality Old master Holy family
By Antonio Travi
Located in Riva del Garda, IT
Antonio Travi, called Sestri
(Genoa, Sestri Ponente 1608 - Genoa 1665)
Landscape with ruins and biblical scene
First half of the seventeenth century
oil on canvas, 82 x 121 cm
The beautiful painting published, which presents a vast landscape with architectural ruins, fully reflects the pictorial poetics of Antonio Travi (Sestri Ponente 1608 - Genoa 1665), the first landscape painter of the Genoese pictorial school; A poetic that remains constant throughout his career: Bernardo Strozzi...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
River Landscape with a Windmill and Chapel
Located in Palm Desert, CA
"River Landscape with a Windmill and Chapel" is a painting by Dutch Old Master Painter, Jan van Goyen. There are traces of a signature on the bow of the boat...
Category
1640s Old Masters Landscape Paintings
Materials
Oil, Panel
Italian Landscape, a drawing by Louis-Jean Desprez (1743 - 1804)
Located in PARIS, FR
This landscape, masterfully executed in pen and wash by Louis-Jean Desprez around 1779, probably represents a view of the Roman countryside. The treatment of the trees is very similar to that of two engravings which Desprez executed in Rome, The Island of Cythera and The Temple of Love.
1. Louis-Jean Desprez, a cosmopolitan life between Italy and Sweden
Born in Auxerre in 1743, Louis-Jean Desprez probably began his apprenticeship with the engraver Charles-Nicolas Cochin...
Category
1770s Old Masters Landscape Paintings
Materials
Carbon Pencil, Ink
Landscape With Pan and Syrinx, Flemish School From the 1600s, Oil on Copper
Located in Stockholm, SE
Flemish School, 1600s
Landscape With Pan and Syrinx
painted around the 1600s
oil on copper
19 x 23.5 cm
frame 29 x 34 cm
Hand-made oak frame by Swedish frame maker Christer Björkma...
Category
17th Century Old Masters Landscape Paintings
Materials
Copper
Paint Oil on canvas Landscape Italy Art18th Century Capriccio Architectural
Located in Riva del Garda, IT
Nicola Viso
(active in Naples in the first half of the 18th century)
Architectural capriccio with temple in ruins and scene of the rest of the Holy Family
...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
Galante Scene Vermeer d'Utrecht Paint Oil on canvas 18th Century Flemish Old Art
Located in Riva del Garda, IT
Flemish painter of the 18th century - Follower of Jan van der Meer, called Vermeer d'Utrecht (Schoonhoven, verses 1630 - 1692)
Courtship scene at the entrance of an inn
oil on canvas, 70 x 62 cm. (with frame 80 x 72 cm.)
This pleasant genre scene, depicting a young innkeeper conversing amiably with a gentleman as she prepares to serve him wine in a glass goblet that she still holds in her hand, is inspired by the painting made in 1653 by the Dutch painter Jan van der Meer, known as Vermeer d'Utrecht, and today kept in Paris at the Louvre Museum.
Set outside an inn or a post station, the scene illustrates the theme of seduction, with the young waitress being courted by the client, a charming traveler with a changing red cloak, who tries to charm her.
Yes, it is a work that harmoniously combines the painter's Dutch origins, with the stylistic characters learned during his training in his homeland, with the Italian-like characters learned during his trip to Italy around 1655. In Rome, in particular, he met and collaborated with various authors of the Bamboccianti school, first of all Jan Miel...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
A large wooded river landscape with drovers
Located in Stoke, Hampshire
Benjamin Barker of Bath (Pontypool 1776-1838)
A wooded river landscape with drovers
Signed and dated 'B.Barker pinxt/ 1807' lower right
Oil on canvas
46 x 68 3/4 in (116.8 x 174.5 cm...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
Pavilion with waterfall, an ink wash attributed to Hubert Robert (1733 - 1808)
By Hubert Robert
Located in PARIS, FR
This large wash drawing is a slightly enlarged version of a composition executed by Hubert Robert in 1761, at the end of his stay in Rome. This composition is a marvellous synthesis of the painter's art: the clatter of the waterfall, in a grandiose setting inspired by antiquity, is opposed to the intimacy of a genre scene, made up of a few peasant women performing some agricultural work.
1. The stay in Italy, an important founding stage in Hubert Robert's carrier
Hubert Robert came from a privileged family of Lorraine origin, linked to the Choiseul-Stainville family, where his father was an intendant. The protection of this powerful aristocratic family enabled him to study classical art at the Collège de Navarre (between 1745 and 1751). After a first apprenticeship in the workshop of the sculptor Slodtz (1705 - 1764), he was invited by Etienne-François de Choiseul-Beaupré-Stainville (the future Duke of Choiseul, then Count of Stainville) to join him in Rome when the latter had just been appointed ambassador.
Hubert Robert arrived in Rome on 4 November 1754, aged twenty-one, and remained there until 24 July 1765. Thanks to his patron, he obtained a place as a pensioneer at the Académie de France without having won the prestigious Prix de Rome. On his arrival in Rome, he frequented the studio of the painter Giovanni Paolo Panini (1691 - 1765), the inventor of the ruins painting, and also benefited from the proximity of Giovanni Battista Piranesi’s studio (1720 - 1778). During his eleven-year stay in Rome, Hubert Robert studied the great Italian masters and drew many of the great archaeological sites, multiplying the sketches which he would use throughout his career, becoming one of the masters of the "ruin landscape".
Back in Paris in 1765, he was very successful. He was accepted and admitted to the Royal Academy of Painting and Sculpture on the same day, July 26th 1766, which was very unusual. He was appointed draughtsman of the king's gardens in 1784, then guard of the Royal Museum from 1784 to 1792. Arrested in 1793 and detained in the prisons of Sainte Pélagie and Saint-Lazare, he was released in 1794 after the fall of Robespierre and undertook a second trip to Italy. In 1800, Hubert Robert was appointed curator of the new Central Museum and died at his home in Paris in 1808.
2. Description of the artwork
This composition, formerly called "La Cascade du Belvédère Pamphile" , is undoubtedly inspired by the water theatres of the Frascati villas. Hubert Robert presents a hemicycle of columns with rustic bossages at the foot of which is a cascade of water falls into a basin. The hemicycle is flanked by two high walls, pierced by window wells topped with antique masks...
Category
1760s Old Masters Landscape Paintings
Materials
Ink, Watercolor
Fine 18th Century British Marine Oil Painting Naval Shipping in Stormy Seas
By Charles Brooking
Located in Cirencester, Gloucestershire
Naval Shipping in Stormy Seas
English School, 18th century
circle of Charles Brooking, (1723-1759)
oil painting on canvas: 16.5 x 21.5 inches
Morland ...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil, Canvas
Escalade Festival in Geneva
Located in Genève, GE
Work on canvas
Category
Mid-19th Century Old Masters Landscape Paintings
Materials
Oil
Christ Angels Pietro Da Cortona Paint Oil on canvas Old master 17th Century Art
Located in Riva del Garda, IT
Christ surrounded by angels in the desert
Circle of Pietro da Cortona, born as Pietro Berrettini (Cortona 1597 - Rome 1669)
Oils on canvas (66 x 50 cm. - in frame 80 x 64 cm.)
The ...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
Fine 18th Century Italianate Landscape Garden Classical Ornaments and Figures
Located in Cirencester, Gloucestershire
Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond
Coplestone War...
Category
Mid-18th Century Old Masters Landscape Paintings
Materials
Oil
VENICE -In the Manner of Canaletto- Italian Landscape Oil on Canvas Painting
Located in Napoli, IT
Venice - Mario De Angeli - Italia 2009 - Oil on canvas cm. 80x120.
Gold leaf gilded wooden frame ext. mis. cm.100x140
Mario De Angeli's canvas is an extraordinary work of Italian l...
Category
Early 2000s Old Masters Landscape Paintings
Materials
Gold Leaf
Lake Annecy, the Tournette
Located in Genève, GE
Work on cardboard
Golden wooden frame
35.5 x 49 x 2 cm
Category
1870s Old Masters Landscape Paintings
Materials
Oil
River Landscape Village Paint oil on canvas 17th Century
Located in Riva del Garda, IT
River landscape with popular life scene
Oil painting on canvas
62 x 98
Framed 74 x 110 cm.
We present this vast and harmonious composition, where a characteristic river landscape acts as a stage for an exquisite extract of popular life, set in a small village on the edge of a lush stream.
The painting, which presents characters unequivocally linked to the Flemish culture of the second half of the 17th century, shows iconographic and stylistic correspondences, in particular, with the successful production of Adrien Frans Boudewijns (1644-1711) and Pieter Bout (1658- 1719).
Aside from the figure of duck hunter...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil, Canvas
Huge 19th Century Italian Classical Still Life Ornamental Birds Fruit & Flowers
Located in Cirencester, Gloucestershire
Ornamental Still Life with fruit, flowers and birds
Italian School, 19th century
oil painting on canvas, unframed
size: 31.5 x 47 inches
condition: relined canvas and in very good and presentable condition
provenance: from a collection here in England.
A very beautiful and decorative oil painting on a huge scale, depicting this classical landscape scene, with ornamental birds...
Category
19th Century Old Masters Landscape Paintings
Materials
Oil, Canvas
NAPLES - Posillipo School - Italian Landscape Oil on Canvas Painting
Located in Napoli, IT
NAPLES - Oil on oval canvas cm.30x50 by Ettore Ferrante, Italy 2003.
Gold leaf gilded wooden frame cm.48x68 available on request
Ettore Ferrante is a refined and excellent landscape ...
Category
21st Century and Contemporary Old Masters Landscape Paintings
Materials
Canvas, Oil
Lord Derby's Foxhounds, A English Hunting Scene by James Barenger
Located in Lincoln, GB
James Barenger the younger (1780-1831) ‘Lord Derby's foxhounds’
signed and dated 'J. Barenger. 1809-' (lower right)
oil on canvas 25 x 30 in. (63.5 x 76.2 cm.)
Barenger was born in Kentish Town, London, the son of James Barenger Snr., a metal chaser and artist who exhibited paintings of insects...
Category
19th Century Old Masters Landscape Paintings
Materials
Oil
Universal Deluge Flemish Paint Oil on canvas Old master 17th Century Landscape
Located in Riva del Garda, IT
The Great Flood
Flemish painter active in the 17th century
Oil painting on canvas
52 x 70 cm. - In frame 76 x 95 cm
This interesting seventeenth-century Flemish painting illustrate...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
COUNTRY LANDSCAPE - Italian School - Italian Oil on Canvas Painting
Located in Napoli, IT
Country Landscape - Emilio Pergola Italia 2005 - Oil on canvas cm.80x120.
Gold leaf gilded wooden frame available on request
This oil on canvas painting depicts a pastoral scene. T...
Category
Early 2000s Old Masters Landscape Paintings
Materials
Oil, Canvas
Very Large Antique French Classical Romantic Oil Painting Ancient Ruin Landscape
Located in Cirencester, Gloucestershire
Artist/ School: French School, 19th century
Title: Classical Landscape with figures amongst ancient ruins.
Medium: oil painting on canvas, unframed.
canvas: 24.5 x 36 inches
P...
Category
19th Century Old Masters Landscape Paintings
Materials
Oil
Fine Antique Italian Oil Cannaregio Canal Venice Busy Figurative Scene
Located in Cirencester, Gloucestershire
View on the Cannaregio Canal, Venice
Italian School, 19th century, after Francesco Guardi, Italian 1712-1793
oil on panel
Painting: 8 x 10 inches
condition: overall very sound, with ...
Category
19th Century Old Masters Landscape Paintings
Materials
Oil
Martyrdom of Saint Stephen- Painting attr. to Vincent Adriaenssen- 17th Century
Located in Roma, IT
Landscape with martyrdom of Saint Stephen is an old master artwork realized in 17th century.
Mixed colored oil painting on canvas.
Includes coeval gilded frame cm. 148x196.
The artwork is attributed to Vincent Adriaenssen called il Manciola (Antwerp, 1595 - Roma, 1675)
Among the painters who worked in the first half of the seventeenth century it is possible to indicate only the Neapolitan Scipione Compagno (1624-1680) as the author of scenes of martyrs set within a landscape or a view such as, for example, the Martyrdom of Saint Stefano recently hesitated at the Ansorena in Madrid on June 16, 2021. It should be noted, however, that the landscape represented in the painting examined here, characterized by luxuriant vegetation, meticulously represented "in the Flemish style", shows differences with the typical settings of the paintings di Compagno, characterized above all by urban views, visionary architectures or rather arid vegetation. Even the refined figures, so elongated and lanky, represented in our painting, in particular the group of knights in the foreground on the right, are not reflected in the production of the Neapolitan painter. These elements, to which we add the depiction of the Eternal Father amidst the clouds and the detail of the dog in profile in the foreground, instead recall a painter mainly known as a battle soldier, but who was also the author of many works depicting episodes from ancient Rome set within luxuriant landscapes, or rather Vincent Adriaenssen known as Manciola, a painter from Antwerp whose figure has been shed light thanks to recent studies. The group of horsemen represented to the right of the examined painting is, in fact, comparable with other groups on horseback present in numerous works by Manciola such as, for example, in the Triumph of Caesar (Rome, Babuino, 23-03-2010; formerly Florence, Collection Privata, 2006), while similar elongated and somewhat lanky figures, dressed in red, yellow, blue and white, can be found in the three paintings conserved at the Cassa di Risparmio di Pesaro, which in the past were erroneously attributed to the Umbrian painter Francesco Allegrini...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
Ruins Landscape Codazzi Paint Oil on canvas Old master 18th Century Roma Italy
By Niccolò Codazzi (Naples, 1642 - Genoa, 1693)
Located in Riva del Garda, IT
Roman school late 17th - early 18th century - Follower of Niccolò Codazzi (Naples, 1642 - Genoa, 1693)
Pair of fantastic architectural whims with class...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
A dark bay racehorse held by his trainer at Newmarket Heath
Located in Stoke, Hampshire
Benjamin Killingbeck (act. 1769-1783)
A dark bay racehorse held by his trainer on a racecourse
Oil on canvas
Canvas Size - 40 x 50 in
Framed Size ...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
VENICE - Gianluca Gorini - Italian Landscape Oil on Canvas Painting
Located in Napoli, IT
VENICE - Italian landscape oil on canvas oval painting cm.30x60 by Giancarlo Gorini, Italy 2002.
Gold gilded wooden frame available o...
Category
Early 2000s Old Masters Landscape Paintings
Materials
Canvas, Oil
Claude Vignon (towers 1593 - Paris 1670), The Fortune Teller
Located in Riva del Garda, IT
Claude Vignon (Tours, 1593 - Paris, 1670)
The Fortune Teller
Oil painting on canvas (65 x 84 cm. - In frame 94 x 113 cm.)
The work is accompanied by a critical study drawn up by prof. Emilio Negro (Bologna)
The subject immortalized in this intriguing painting, called 'Good luck', is a scene of everyday life that we would have seen frequently in the crowded streets of central Rome at the time.
The protagonists of the canvas are a young fortune teller and a well-dressed nobleman who lets himself be predicted by reading the hand. The gentleman, who listens curiously to the response and with a hint of malice holds his gold necklace in his hands, is in the meantime robbed by an accomplice of the woman, intent on taking the purse out of his pocket.
Although this type of paintings were intended for the decoration of the residences of the Roman aristocrats, who with a hint of self-irony saw themselves in the figure of the unfortunate grullo, were actually harbingers of moralizing messages. Among the many proposals there was certainly the warning towards the desire to know one's destiny without respecting the priority of the divine will that determines it, relying for this on cunning charlatans.
It must be said that, although more than four centuries have passed and certain dynamics have naturally changed, this subject appears extremely current.
Clearly inspired by the Buona Ventura painted by Caravaggio, the painting is part of that line of scenes taken from the painter's favorite street life and which, given the collector's fortune already at the time, were often reworked by many artists, considered a stimulating theme and full of psychological implications.
In particular, the work in question is attributed to the French painter Claude Vignon (Tours 1593 - Paris 1670), presumably to be placed during his years spent in Rome, before his return to Paris, showing the artist's masterful interpretation of the work conceived by Caravaggio.
After his training in Paris by Jacob Bunel, one of the most famous masters of the reign of Henry IV, he moved to Rome around 1609-1610, being part of that large community of French painters, including Simon Vouet and Valentin de Boulogne...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
Landscape with Trees and a Fisherman walking, a drawing by Jan Van Goyen
Located in PARIS, FR
No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied.
1. Jan van Goyen...
Category
1650s Old Masters Landscape Paintings
Materials
Chalk, Ink, Laid Paper
Poussin Moses Landscape Old master Oil on canvas Paint 17th Century Italy Art
By Nicolas Poussin (Les Andelys 1594 - Rome 1665)
Located in Riva del Garda, IT
Nicolas Poussin (Les Andelys 1594 - Rome 1665) Workshop of
Little Moses found by Pharaoh's daughter
Oil painting on canvas
Measurements: canvas 45 x 59 cm.,
in frame 57 x 71 cm.
We present this splendid work representing the episode, taken from the Old Testament, of the finding of little Moses by the daughter of the Pharaoh (Exodus 2, 1-10), and which reveals from the first glance the unequivocal pictorial style of the painter. Nicolas Poussin (Les Andelys 1594 - Rome 1665).
Poussin spent most of his life in Rome giving life to works capable of fusing the ideal of French classicism...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
HUGE 17thC ITALIAN OLD MASTER OIL PAINTING - KING & COURT FIGURES ROMAN BUILDING
Located in Cirencester, Gloucestershire
Artist/ School: Italian School, 17th century.
Title: A King and Queen before court figures, amidst a classical landscape with Roman columns.
Medium: oil painting on canvas, framed
...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil, Canvas
VIEW OF CAPRI -Posillipo School - Italain Landscape Oil on Canvas Painting
By Francesco D'Angiolo
Located in Napoli, IT
View of Capri - Francesco D'Angiolo Italia 2004 - Oil on canvas cm. 60x80
Gold leaf gilded wooden frame available on request.
Category
Early 2000s Old Masters Landscape Paintings
Materials
Canvas, Oil
Landscape Village Market Paint Oil on canvas Old master 18th Century Flemish Art
By Circle of Pieter van Bredael (Antwerp 1629 - 1719)
Located in Riva del Garda, IT
18th century Dutch school (circa 1700.) - Circle of Pieter van Bredael (Antwerp 1629 - 1719)
A village square with a market scene
oil on canvas, 78 x 108 cm., Framed 94 x 121 cm.
Questa affascinante scena popolare con un brulicante mercato nella main piazza è un opera di un artist fiammingo attivo intorno al 1700: si tratta di un interesting spaccato di vita dailyiana di un piccolo villaggio dell’Olanda del Secolo d´Oro.
Nella piazza brulicante di gente con sullo sfondo delle tipiche case ed una grande fontana zampillante, possiamo assistere al trambusto che ruota attorno al giorno di mercato, con figure di ogni estrazione sociale indaffarate nelle proprie attività.
Anche is difficult to ricondurre la tela alla mano di un autore in particolare, data la predilezione di molti autori a questo genere di ricche composizioni, possiamo però avvicinarne l'esecuzione alla cerchia del pittore di Anversa Pieter van Bredael (Anversa 1629–1719).
Van Bredael, che faceva parte di una grande famiglia di pittori, è registrato come allievo nella bottega di David Ryckaert III nel 1640. Dopo viaggi di studio nei Paesi Bassi e in Spagna divenne maestro della Gilda di San Luca ad Anversa nel 1651. Lavorò anche in Italia, soprattutto in Roma, dove venne strongly influenzato dallo stile compositivo del gruppo dei Bamboccianti.
Era ben noto per le sue scene di mercato altamente fantasiose che illustravano lo spettro diversificato della vita dailyiana della città. I suoi dipinti di paesaggi sono caratterizzati da accenti di colori vivaci, spesso popolati da molte figure che non possono che evocare lo stile di Jan Brueghel il Vecchio.
Vi mostriamo di seguito alcune operates dell’autore, con cui è agevole ravvisare stilistiche analogy e compositiva con il nostro dipinto.
- Dorotheum, Vienne, Alte Meister...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
Pair of Italian 18' century Paintings with Gardens
Located in Rome, IT
Pair of Italian 18' century paintings , oil on canvas with Venetian Palace gardens , antiques sculptures and various figures .
Measurements with f...
Category
Mid-18th Century Old Masters Landscape Paintings
Materials
Oil
Late 18th century Antique English Moonlight over a lake and church landscape
By Henry Pether
Located in Woodbury, CT
Henry Pether, late 18th-century Moonlight lake Landscape.
Born into a family of artists, Henry was the son of Abraham Pether (1756-1812), a talented la...
Category
1790s Old Masters Landscape Paintings
Materials
Canvas, Oil
LANDSCAPE - Mario Locatelli -Posillipo School Oil on Canvas Painting
Located in Napoli, IT
Landscape - Mario Locatelli Italia 2004 - Oil on canvas cm.60x90
Gold leaf gilded wooden frame available on request
Mario Locatelli’s painting depicts a rural scene, of an authentic ...
Category
Early 2000s Old Masters Landscape Paintings
Materials
Canvas, Oil
Place in bustling Italy
Located in Genève, GE
Work on canvas
Molded frame in plaster and gilded wood
49 x 39 x 6 cm
Category
Mid-19th Century Old Masters Landscape Paintings
Materials
Oil
Early 1800's English Oil Painting Figure in Rural Woodland Landscape, original
By circle of John Constable
Located in Cirencester, Gloucestershire
Artist: English School, early 1800's, circle of John Constable (British 1776-1837)
Title: The Woodland Path
Medium: oil on canvas, framed
Size: 12 x 22 inches
Picture: 9 x 18 inches
Provence: from a private collection in East Anglia...
Category
Early 19th Century Old Masters Landscape Paintings
Materials
Canvas, Oil
Washerwoman and boat at the water's edge
By Samuel Bough
Located in Genève, GE
Work on wood
Molded frame in plaster and gilded wood
37 x 46.5 x 5.5 cm
Category
1850s Old Masters Landscape Paintings
Materials
Oil
Landscape Marina See Van Der Velde Paint Oil on canvas Old master 17th Century
Located in Riva del Garda, IT
Quality work attributed to the painter Peter Van Der Velde (Antwerp 1634 - c.1714)
Coastal view with fortified city and boats (city of Antwerp?)
Oil pa...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
Antique English 19th century marine scene
Located in Woodbury, CT
Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters.
William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school.
Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours.
He based his style on that of well-known Dutch maritime...
Category
1810s Old Masters Landscape Paintings
Materials
Oil, Wood Panel
Village in the Geneva countryside
Located in Genève, GE
Work on wood
Golden wooden frame
57 x 44.5 x 5 cm
Category
1870s Old Masters Landscape Paintings
Materials
Oil
Landscape See Paint Oil on canvas Flemish Old master 18th Century Italian Art
Located in Riva del Garda, IT
Flemish painter active in Italy in the eighteenth century
Coastal landscape of the Mediterranean with architectures and figures
Oil painting on canvas (69 x 88 cm., in frame 80 x 100...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
MARINE - Posillipo School - Italian Landscape Oil on Board Painting
By Enrico Capuano
Located in Napoli, IT
Marine - Enrico Capuano Italia 2009 - Oil on board cm. 20x33
Category
Early 2000s Old Masters Landscape Paintings
Materials
Oil, Board
18th Century by Gaspare Diziani Venus With Cupid Oil on Canvas
By Gaspare Diziani
Located in Milano, Lombardia
Gaspare Diziani
(Belluno, 1689 - Venice, 17 August 1767)
Gilded, carved and sculpted wooden cassetta frame
Expertise: Ugo Ruggeri
The narration of our...
Category
Early 18th Century Old Masters Landscape Paintings
Materials
Canvas, Cotton Canvas, Oil
Roos Landscape Myth Mercury Horse Paint Oil on canvas Old master 17th Century
Located in Riva del Garda, IT
Johann Heinrich Roos (Otterberg 1631 - Frankfurt 1685)
Landscape with the myth of Mercury and Batto (from Ovid's Metamorphoses)
Oil painting on canvas
101 x 159 cm.
With frame 115 x 174 cm.
The work represents the mythological episode, taken from Ovid's Metamorphoses (Ovid, Metamorphoses, II, 676-707), and precisely when the god Mercury, taking advantage of a moment in which Apollo leaves his herd alone, steals some heifers and then hides them in a ravine.
The only witness to the theft is the old Batto, a shepherd in charge of looking after the purebred horses of the rich Neleus, king of Pilo and who, in exchange for a heifer, guarantees the God not to be a spy, swearing to him that he will remain silent as a stone. .
Immediately distrusting of his words, Mercury decides to test his honesty: he presents himself in front of him with another aspect, asking him if he had seen a herd pass by, and offering him in exchange for this information a bull and a heifer. Batto, who is immediately tempted by this new and more convenient offer, indicates without hesitation where the animals were hidden.
As Ovid well illustrates in his poem 'the Metamorphoses', whoever betrays the trust or benevolence of a God is forced to a bitter fate, and so Batto is transformed by Mercury into a stone, remaining silent for eternity just as he had promised.
The scene represents the moment when Mercury is offering Batto a heifer, which he indicates with his hand, in exchange for his loyalty. The divinity is perfectly recognizable due to his classical attributes, the winged helmet and shoes and above all the caduceus, the winged staff with two twisted snakes, which he will use to transform the shepherd into a stone.
The figurative and exhibition peculiarities of this valuable painting...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
Village by the Lake
Located in Wiscasett, ME
Old master painting featuring a busy port city in the 17th century. Most likely Dutch and very close in style to the work of Thomas Heeremans. This is...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
Lively square
Located in Genève, GE
Work on canvas
Molded frame in plaster and gilded wood
49 x 39 x 6.5 cm
Category
Mid-19th Century Old Masters Landscape Paintings
Materials
Oil
Landscape Marina Van Der Velde Old master 17th Century Signed Flemish Paint
Located in Riva del Garda, IT
Quality work attributed to the painter Peter Van Der Velde (Antwerp 1634 - c.1714) - Monogrammed
Coastal view with vessels and perched castle
Oil painti...
Category
17th Century Old Masters Landscape Paintings
Materials
Oil
Arcadian Landscape Van Bloemen Paint Oil on canvas old master 17/18th Century
Located in Riva del Garda, IT
Valuable painting depicting 'Arcadian landscape with figures along a stream and villages in the distance', attributed to Jan Frans Van Bloemen, L'Or...
Category
18th Century Old Masters Landscape Paintings
Materials
Oil
Old Masters landscape paintings for sale on 1stDibs.
Find a wide variety of authentic Old Masters landscape paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Jan Josefsz Van Goyen, William Anderson, Benjamin Barker of Bath, and Mario De Angeli. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters landscape paintings, so small editions measuring 5 inches across are also available. Prices for landscape paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $386 and tops out at $345,000, while the average work sells for $6,725.
Recently Viewed
View AllMore Ways To Browse
Richard Smith Contemporary Artist
Richards Oil
Sunset Oil Hudson
Emile Breton
Edward Warmly
Luxembourg Gardens
Impressionist Painting Bedroom
D H Lawrence
Corot Jean
Rain In The Mountains
Oil Painting Large Scenery
Paintings Honfleur
Forever 21
Antique Gloucester
Antique Hudson River
Fire Coast
Windmill Oil
Coastal Maine Paintings