Scott Prior

Yard in Provincetown, 1977

1977

SCOTT PRIOR (born 1949) Woman and Rock, 1975 Oil on masonite 11 x 13 3/8 inches Signed and dated verso: Prior 1975 Framed PROVENANCE The artist Ann and Graham Gund, Cambridge, Mas...

MABEL E. DICKINSON POND (1869-1960) Frances and Ruth Jennings in a Field of Flowers, 1909 Oil on canvas on paperboard 7 x 5 inches Signed at lower right: M. E. Dickinson Inscribed v...

JOHN ADAMS PARKER Oil on canvas 6 x 10 inches Monogrammed at lower right with conjoined initials: JAP Gifford style frame PROVENANCE Harbor Gallery, Cold Spring Harbor, New York

BENJAMIN HARTLEY (1838-1912) On the Marmaton River, Kansas, 1880 Oil on board on canvas 6 x 9 ¾ inches Signed and dated at lower right: B. Hartley / 1880 Titled and dated in artist’s...

CHARLES HENRY GIFFORD (1839-1904) Frenchman Bay, Mount Desert Island, Maine, 1874 Oil on canvas 12 x 20 inches Signed and dated at lower right:...

EMILY NICHOLS HATCH (1871-1959) Coastal View, 1920 Oil on panel 8 3/8 x 5 5/8 inches Signed at lower right: Emily Nichols Hatch / 1920 Emily Nic...

This painting is a 20th century realist landscape depiction of a shipyard by Robert Lavin. The piece is executed in oil on board and measures 10" x 24". Robert Lavin was born in New York City. His education included Townsend Harris, a prep school in New York followed by college at City College of New York. He also attended the National Academy of Art, where he studied as a painter. Studying the social realists of the 1930’s, Lavin, a former Marine pilot, portrayed steelworkers, roughnecks and trainmen. Lavin often painted his “proletarian ballets”- as one critic called them – to illustrate magazine advertisements. The Smithsonian Institution and other museums collected Lavin’s original paintings, which portrayed the laboring subjects with dignity and integrity. Lavin also illustrated stock certificates and books. Paper Money magazine praised him as “one of the greatest vignette artists of the 20th century.” In addition to this, Lavin was for a number of years an Associate Professor of Art at City College of New York, a position he left in the mid ‘60’s in order to devote himself full time to his painting. His commissions took him around the world, from the North Sea to the coast of Africa, from the slopes of Alaska to the Sea of Japan. As part of a series for Gulf Oil, he painted the royal family of England for the opening of a new refinery in Wales. Another portrait of one of the early Americanastronauts, appeared on the cover of Time Magazine. Other major commissions during these years included Readers Digest books...

George Kovach (b. 1942) Medium: Oil on Canvas Dimensions: 24" x 36" Markings: Signed lower right Frame size - 32.5 x 44.5"

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Willard Dixon (American, born 1942) Near San Quentin, 1976 Oil on Canvas Signed lower left Dated lower right 41in H x 62in W In a natural float frame: 42....

Kevin Weckbach's (US based) "Double Shadow" is an original, hand made oil painting that depicts a busy city avenue filled with throngs of bundled walkers casting long shadows on the ...

Kevin Weckbach's (US based) "Urban Stream" is an original, hand made oil painting that depicts an aerial view of an urban waterway, lined with concrete, cutting through a dense urban...