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Samuel Bolton Colburn
Hatton Ranch, California

1970

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  • Society of Six Street Scene - Figurative Abstract
    By Bernard Von Eichman
    Located in Soquel, CA
    Stunning New York City urban modernist watercolor titled "Summer Afternoon Stroll" by Society of Six artist Bernard Von Eichman (American, 1899-1990), 1...
    Category

    1930s American Modern Landscape Paintings

    Materials

    Archival Paper, Watercolor

  • Early 20th Century California Industrial Scene Landscape
    By Erle Loran
    Located in Soquel, CA
    Vibrant California modernist industrial landscape by Erle Loran (American, 1905-1999). Signed and dated lower left "Erle Loran '37." Presented in a gilt wood frame, with faux suede liner, giltwood fillet and off white archival mat. Image, 15”H x 19”L. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...
    Category

    1930s American Modern Landscape Paintings

    Materials

    Watercolor, Gouache, Archival Paper

  • Carriage Outside the St Charles Saloon - Columbia CA - Monochrome Watercolor
    Located in Soquel, CA
    Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...
    Category

    Late 20th Century American Impressionist Landscape Paintings

    Materials

    Watercolor, Archival Paper

  • "Challenge at Dawn" - Landscape with Elk in Watercolor on Paper
    By Gregory McHuron
    Located in Soquel, CA
    "Challenge at Dawn" - Landscape with Elk in Watercolor on Paper Serene landscape with an elk by Greg McHuron (American, 1945-2012). An elk stand to the right side of the composition, looking back over it's shoulder towards the viewer. To the left of the elk, a calm river winds away from the viewer in to the distance, where mist and clouds partially obscure a rocky mountain. The sky is bright blue with streaks of yellow sunlight illuminating the clouds. Signed in the lower right corner. Artist's tag (with signature, date and title) and gallery tag on verso, Presented in a wood frame with a double mat. Frame size: 20.75"H x 17"W Image size: 14"H x 10"W Gregory Ivan McHuron (American, 1945-2012) was a plein-air painter working in oil and watercolor/gouache. He was born in Syracuse NY but was raised in Colorado, Wyoming, Alaska and California. His education included 4 years of extensive high school training by a teacher who graduated from the Berlin Art Academy. He also attended Oregon State University where he took classes in forestry, fisheries and wildlife and graduated with a Bachelor's Degree in Art from Oregon State University. Introduced to plein-air painting in oil in 1973 by Conrad "Connie" Schwiering, he quickly found that he enjoyed painting the rapidly changing scenes. It allowed him to put in his paintings the feelings and excitement that he felt while watching the scene unfold which created more drama and excitement than he would have been able to do in a studio environment. He has traveled widely including much of Alaska; in wilderness areas in WY and CO; down the Colorado River through Grand Canyon NP; to British Columbia and Alberta, Canada; and on extended boat trips along the west coast from Port Ludlow, Washington to Glacier Bay, AK going in and out of the fjords. He honed his understanding and knowledge of animals not only from college classes he took but also from the everyday study and observation of the wildlife in the Jackson, Grand Teton NP and Yellowstone NP areas. In addition for many years, he drew and studied wild animals at the Okanagan Game Farm in Penticton, British Columbia, Canada. Every summer and fall a group of artists would go to the Game Farm kibitzing, painting and drawing the wildlife. He taught workshops, gave demonstrations and participated in quick-draws for a variety of organizations including Wyoming Artists Association, Wind River Artist Association, Scottsdale School of the Arts, The Lodge at Palisades, National Museum of Wildlife Art, CM Russell Show, Grand Teton National Park and Isle Royale...
    Category

    1970s American Impressionist Landscape Paintings

    Materials

    Watercolor, Archival Paper

  • Home and Garden Landscape
    By Diane Baldwin
    Located in Soquel, CA
    A vintage home and garden in bloom is beautifully captured in this watercolor by Monterey Bay Artist artist Diane Baldwin (American, 20th century). Signe...
    Category

    1970s American Impressionist Landscape Paintings

    Materials

    Watercolor, Archival Paper

  • Woodside Barn with Multicolor Trees Landscape
    By C. Romero
    Located in Soquel, CA
    Beautiful colorful impressionist landscape of Bay Area rural hills of Woodside, California barn by artist C. Romero (American, 20th Century), c.1990. Signed lower right corner. Pres...
    Category

    1990s American Impressionist Landscape Paintings

    Materials

    Gouache, Archival Paper

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  • Church in Leadville, Colorado, 1930s Framed Landscape Watercolor Ink Painting
    By Jenne Magafan
    Located in Denver, CO
    Rare WPA era original painting by Colorado/Woodstock modernist, Jenne Magafan (1916-1952). Church in Leadville, 1938 is presented in a custom frame with all archival materials, oute...
    Category

    1930s American Modern Landscape Paintings

    Materials

    Archival Ink, Watercolor, Archival Paper

  • 1940s Colorado Mountain Landscape Gouache Painting with Snow, Trees, and Train
    Located in Denver, CO
    American modern 1945 winter landscape painting by Edgar Britton (1901-1982) with a tree driving among snowy mountains and trees (likely Colorado). Signed and dated by the artist in t...
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    1940s American Modern Landscape Paintings

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    Gouache, Archival Paper

  • Modernist Trees, 1940s Framed Modernist Landscape Watercolor Painting, Red Green
    By Richard Sorby
    Located in Denver, CO
    Modernist painting of trees, interior forest scene by Colorado artist, Richard Sorby (1911-2001). Painted in dark colors of green, blue and black with brown, orange and white. Water...
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    1940s American Modern Landscape Drawings and Watercolors

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  • Mill Near Plainfield, New Hampshire, Landscape Painting, Charles Partridge Adams
    By Charles Partridge Adams
    Located in Denver, CO
    "Mill Near Plainfield, New Hampshire" is an original, signed watercolor painting by artist Charles Partridge Adams (1858-1942), circa 1900. Singed by the artist in the lower left corner. Portrays a mill along a river with trees and clouds, painted in shades of brown, green, gray, and blue. Presented in a custom frame, outer dimensions measure 13 ¾ x 12 ¼ x 1 ¼ inches. Image size is 7 x 5 inches. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born Massachusetts, 1858 Died 1942 Born in Franklin, Massachusetts, Charles Partridge Adams moved with his mother and two sisters to Denver, Colorado, in 1876 in an effort to cure the two girls who suffered from tuberculosis. In Denver, Adams found work at the Chain and Hardy Bookstore. He received his first, and only, art training from the owner's wife, Helen Chain. Mrs. Chain, a former pupil of George Inness, provided instruction and encouragement to the young artist and introduced him to other artists in the area including Alexander Phimister Proctor...
    Category

    20th Century American Modern Landscape Drawings and Watercolors

    Materials

    Watercolor, Archival Paper

  • Cripple Creek Colorado, 1950s American Modern Landscape Painting, Green Brown
    Located in Denver, CO
    1950s gouache on paper painting signed by artist Mildred Welsh Hammond (1900-1980) portraying a modernist view of Cripple Creek, Colorado with the town ...
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    1950s American Modern Landscape Paintings

    Materials

    Gouache, Archival Paper

  • Colorado Mountain Winter Landscape Watercolor Painting, Blue, Orange, Purple
    Located in Denver, CO
    Colorado mountain landscape watercolor painting signed by artist Rita Derjue (1934-2020) depicts Cabins in the Snow in bright tones of blue, yellow, green and red/brown. Signed by the artist in the lower right corner. Presented in a custom frame with archival materials, outer dimensions measure 24 ⅛ x 31 ½ x 1 ¼ inches. Image sight size is 14 ½ x 21 ½ inches. About the Artist: Born Rhode Island, 1934 Artist, educator, mentor and community activist, Derjue is the daughter of European parents whose family members had previous connections with New York and New England. Her drawing talent as a youngster in Rhode Island caught the attention of family friend Johann Groen, a Dutch-born painter and photographer, who encouraged her to spend time touring and studying in Europe to further her art education. In 1956 she earned her Bachelor of Fine Arts degree at the Rhode Island School of Design that emphasized the fundamentals of drawing and design. Her most memorable teacher was Richard Hamilton, whose work was influenced by German Expressionist Max Beckmann and the jazz greats. Her studies from nature and Cubist compositions done at that time reflect her interest in early twentieth-century European modernist painting. She had the opportunity to experience it firsthand during a year of post-graduate work at the renowned Akademie den Bildenden Kunste in Munich, Germany, in 1956-57. She studied with Ernest Geitlinger (1895-1972) whom the Nazi government classified as a “degenerate” artist in the 1930s, preventing him from exhibiting in Germany. After World War II he was one of the co-founders of the Munich artists’ association, Neue Gruppe, in 1946 and played an important role in abstract painting. While studying with him in Munich she produced a number of canvases in a referential abstract style. She also became acquainted with the Blaue Reiter group that flourished in the early twentieth century and whose expressionism strongly influenced her color palette and painting style. She particularly admired the work of Blaue Reiter co-founder and Wassily Kandinsky’s long-time partner, Gabriele Münter, whose work she studied at the Lenbachhaus in Munich and at the Gabriele Münter Haus and the Schlossmuseum in Murnau south of Munich. Derjue’s immersion in German Expressionism imparted a bold, simplified style to her work. In 1958 with a friend from Munich she went to Mexico for a year, studying with artist Frank Gonzalez in his studio in San Angel, Mexico City, and with Canadian artist, Toni Onley, in San Miguel de Allende. Onley had recently won a scholarship to the Instituto Allende to study mural and fresco painting with David Siqueiros, one of the three greats of Mexican muralism. At the Instituto Onley began painting large black-and-white canvases in an abstract impressionistic style which he imparted to Derjue, who thereafter began exploring color and space in the dimensions of her own large compositions. With writer Gregory Strong, he subsequently published Onley’s Arctic and his autobiography, The Tony Onley Story. After returning to the United States, she worked as a graphic designer for Little, Brown and Company, publishers in Boston. She began dating her future husband, Carle Zimmerman, whom she met earlier in Europe and whom she married in 1960. Joining him at Cornell University where he was completing his Ph.D degree, she earned her Master of Arts degree at the same institution and participated in group shows at the Herbert F. Johnson Museum and the Munson-Williams-Proctor Arts Institute in upstate New York. In 1963 Derjue and her husband relocated to Littleton, Colorado, where he spent his entire career, first as a research engineer and later as a departmental manager for the Marathon Oil...
    Category

    20th Century American Modern Landscape Paintings

    Materials

    Watercolor, Archival Paper

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