Ramon Enrich

Comon - Contemporary Geometric Landscape Painting, Large scale

2015

Red Houses No. 3 is a unique oil on wood painting from the Norway series by Spanish contemporary artist Calo Carratalá, dimensions are 46 × 74 cm (18.1 × 29.1 in). The artwork is sig...

Marinas n°9 is a unique oil on wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 35 cm (8.7 × 13.8 in). The artwork is signed, sold unframed and comes...

By the Waterside III is a unique oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 50 × 50 cm (19.7 × 19.7 in). It is part of the “Silhouettes” series....

Narvik No. 4 is a unique oil on wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 46 × 74 cm (18.1 × 29.1 in). The artwork is signed and comes with a certi...

Marinas n°38 is a unique oil on wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 35 cm (8.7 × 13.8 in). The artwork is signed, sold unframed and come...

Trees in Baqueira is a unique oil on laminated wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 29 × 50 cm (11.4 × 19.7 in). Framed dimensions are 34 x 55 ...

Acrylic on wooden panel

Looking toward Downtown Los Angeles Skyline

Kentaro Hiramatsu, Hope House (2005), Acrylic on wood panel, 18" x 33.5"

Born and raised in Houston, KRISTIN MOORE began attending art classes at the Glassell School at a young age. She moved to Austin in 2009 to obtain her BA in Art from St. Edward’s University. Soon after graduating, Moore moved to Los Angeles to pursue her MFA at Otis College of Art + Design. Moore’s first solo exhibition, Rear Window, was unveiled during the culmination of her participation in the MFA program in 2016. Upon moving back to Texas, Moore continued to explore contemporary landscapes through painting. The juxtaposed architecture of LA, the smoggy atmosphere, and unique characteristics of the city became source material for her work. Upon moving back to Texas in 2016, Moore viewed Austin through the same lens; the architecture is quickly changing, a new atmosphere is emerging, and the skyline is directly reflecting those elements. Oscillating between these two bustling cities of Austin & LA, lies the open space and peaceful landscape of Marfa. Texas. Often a favorite pit stop during the long road trips back and forth from Texas to California, Marfa holds space as a source of continued inspiration for Moore. Her Texas roots and California influence have culminated into her current body of work. Often inspired by Ed Ruscha’s work Every Building on the Sunset Strip and A Few Palm Trees, Moore sources the images that influence her paintings from her many car rides, walks, and hikes up to overlooks. A homage to Hollywood, Moore also finds visual influence for her work in the world of film; particularly from visionaries such as Stanley Kubrick, Ridley Scott, and Alfred Hitchcock. Her work has been featured in group exhibitions such as Turbulent Landscapes at Modified Arts in Phoenix, AZ, Excavations; Shindig at Mantle Art...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition...