Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Mogens Erik Christien Vantore
'Italy, Sunny Afternoon', Charlottenborg Gallery, Paris

1914

About the Item

Signed lower left, 'Vantore' for Erik Mogens Christian Vantore (Danish, 1895-1977) and dated 1914. A lyrical early twentieth-century, Post-Impressionist landscape showing a panoramic view of a tree-lined road with a figure of a woman wearing a coral skirt and a white blouse in the distance. Powerful and painterly brushwork in all areas by this noted Danish Modernist. Born in Copenhagen in 1895, Mogens Vantore first studied with his father, the pioneering Impressionist, Hans Christian Hansen. He continued his studies at the Charlottenborg Art Academy, to which he was admitted at the unusually young age of 14. Vantore subsequently studied in Paris (1923-25) where he came under the influence of the Post-Impressionists, particularly Derain, Gauguin and the Nabis. Returning to Denmark, he continued to exhibit successfully in Paris while commencing to exhibit annually from 1922 to 1947 at Copenhagen’s Charlottenborg Museum. In 1930, he was awarded the Akademie scholarship which enabled him to live and paint while traveling throughout Europe for two years. Over the course of a long career, Vantore exhibited widely and with success and was the recipient of numerous medals, prizes and juried awards. His paintings may be found in the permanent collections of museums worldwide. His style is characterized by bravura brushwork, a saturated palette, innovative perspective and a compositional structure that imparts vivacity to his carefully-observed subjects. Reference: Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 34, p. 102; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 14, p. 45; Weilbach, Dansk Kunstnerleksikon; Davenport’s Art Reference Guide, 2003/4 Edition, p. 2070; et al.
  • Creator:
    Mogens Erik Christien Vantore (1895 - 1977, Danish)
  • Creation Year:
    1914
  • Dimensions:
    Height: 18.25 in (46.36 cm)Width: 21.5 in (54.61 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    minor restoration, minor losses, minor age-toning; unframed. shows well.
  • Gallery Location:
    Santa Cruz, CA
  • Reference Number:
    1stDibs: LU3444391372
More From This SellerView All
  • 'Laguna Hills Sunset', Post-Impressionist California Landscape, Cypress Trees
    By Juan Guzman-Maldonado
    Located in Santa Cruz, CA
    Signed lower right 'Guzman' (Juan Guzman-Maldonado, born 1948) further signed on canvas verso and titled 'Laguna Hills' on attached label. An oil landsca...
    Category

    Early 2000s Post-Impressionist Landscape Paintings

    Materials

    Oil, Canvas

  • 'Pacific Surf', California Plein Air Woman Artist, Santa Cruz, Carmel
    By Jane McCullough
    Located in Santa Cruz, CA
    Signed lower left, 'McCullough' for Jane McCullough (American, 20th century) and painted circa 1985. Jane McCullough was an avid California plein air painter, exhibiting and took ar...
    Category

    1980s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • 'Mediterranean Orange Grove', Paris Modernist, Royal Danish Academy of Fine Arts
    By Viggo Rorup
    Located in Santa Cruz, CA
    Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1967. A substantial, Post-Impressionist oil landscape showing a view of the Mediterranean with an orange tree and blossoming apple trees in the foreground, framing a view across cultivated fields towards the azure ocean beneath a clouded lilac and ivory sky. A charming and robust work that exemplifies the artist's characteristically lyrical and painterly brushwork, elegantly expressing it here in a gentle palette of moss, teal, lavender and soft pastels. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. His palette grew brighter, and his earlier defined contours were subsumed into the nuances of light. We are pleased to offer a dazzling work from the artist's late period, that exemplifies these later qualities of his mature work, harmoniously capturing the warmth and color of a southern summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...
    Category

    1950s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • 'The Basque Harbor at Bermeo, Spain', Munich Art Academy, Karl Caspar
    By August Philipp Henneberger
    Located in Santa Cruz, CA
    Signed lower right 'A. P. Henneberger' for August Philip Henneberger (German, 1902-1980) and dated 1951. Framed in a period, gilt-gesso and carved wood, Louis XVI style frame. A pan...
    Category

    1950s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • 'Field of Poppies', Paris Salon, Royal Danish Academy, Charlottenborg, Benezit
    By Viggo Rorup
    Located in Santa Cruz, CA
    Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1959. A substantial, Post-Impressionist oil showing a panoramic view of a summer landscape looking an expansive field with scarlet poppies in the foreground and a view towards a range of lilac-tinted hills with a terracotta-tiled farmhouse in the distance. A robust and charming work that exemplifies the artist's characteristically lyrical brushwork, elegantly expressed here in a harmonious palette of turquoise, lavender, peach and other gentle pastel shades. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a significant stylistic impact on his subsequent work. His palette grew brighter, and his earlier defined contours were subsumed into nuances of light. We are pleased to offer a dynamic painting from Rorup's mature period that exemplifies the qualities of his mature work, harmoniously capturing the warmth and color of a summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...
    Category

    1950s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • 'Field of Wild Poppies', American Impressionist, Woman Artist, Horticultural Oil
    By Jane Chenoweth
    Located in Santa Cruz, CA
    Signed lower right, 'Jane Chenoweth' for Jane Chenoweth (American, 20th century). Oil botanical showing a field of vermilion poppies with white and gold daisies contrasted against ...
    Category

    1950s Post-Impressionist Landscape Paintings

    Materials

    Oil, Canvas

You May Also Like
  • India Oil on Canvas South Jungle 1920's Signed Listed Artist Green Blue Rainbow
    Located in Norfolk, GB
    Jaroslav Hněvkovský (1884-1956) Czechoslovakian India oil on canvas framed 71.5 X 62cm, image 58.5 x 48.5 cm c 1920 Signed and titled India, bottom left Provenance private UK c...
    Category

    Early 20th Century Post-Impressionist Landscape Paintings

    Materials

    Oil, Canvas

  • "Serene Sail"
    By Warren W. Sheppard
    Located in Southampton, NY
    This oil on canvas painting was done by the American artist, Warren Sheppard. Signed twice lower left. One signature over another. See signatures photo's. Circa 1920 to 1930. Recentl...
    Category

    1920s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • "Fleurs sur la Plage"
    By Charles Levier
    Located in Southampton, NY
    Oil on canvas painting by the well known American artist, Charles Levier. Signed lower left. Titled and signed verso. Circa 1970. This painting shows Levier at his best combining t...
    Category

    1970s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • "Church in New England"
    By Jean Leason Hitch
    Located in Southampton, NY
    Oil on canvas painting on artist board by the American artist, Jean Leason Hitch. Signed lower right. Condition: good; no restorations. The painting is housed in a massive gold reproduction frame 24 by 22 inches. Jean Leasin Hitch began her artistic career in Melbourne, Australia, under the tutelage of her father, Percy Leason, a professional painter, well-known cartoonist and illustrator. After coming to the United States in 1943, she was appointed curator of art at the Staten Island Institute of Arts and Sciences, New York. While at the museum, she also began her restoration career and restored paintings from the museum's collection and other notable historic collections. Jean Leason Hitch was an active member in the Allied Artists of America, American Artist Professional League, Hudson Valley Art Association, served as vice president for the Catharine Lorillard Wolfe Art Club in New York, and in 1953, was listed in "Who's Who in American Art." Her work merited numerous awards; including the Kathleen Grumbacher Award, Council of American Artists Society Award, Anna Hyatt Huntington...
    Category

    1940s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil, Board

  • Fauvist Big Sur Coast Landscape
    By Virginia Rogers
    Located in Soquel, CA
    Vibrant oil on canvas abstracted coastline landscape by California artist Virginia Sevier Rogers (American, 1917-2015), 1995. Signed, dated, and titled "Coast V.R. 5/95" upper right....
    Category

    1990s Fauvist Landscape Paintings

    Materials

    Canvas, Oil

  • Provencal Maison - Large Mid 20th-Century French Post-Impressionist Oil Painting
    Located in Cirencester, Gloucestershire
    Large original oil painting on canvas depicting this Provencal house in a landscape. French in authorship, the painting dates to the mid 20th century and is initialled by the artist ...
    Category

    Mid-20th Century Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

Recently Viewed

View All