Gouache Landscape Paintings

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Country Landscape Medium: signed gouache on paper, loosely laid ov...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The French Landscape Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Canal Path Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 in...

Original hand-painted Neapolitan gouache entitled "Eruz de Gennajo 1839." An excellent example of the classic Neapolitan School view. Unsigned. Displayed in an archival mat with an o...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Flower Garden Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Boats at Sunset Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 i...

Charles Burchfield paints an eye-catching landscape with a butterfly flittering across the canvas beneath a peculiar moon in his artwork entitled, “The Moon and Queen Anne’s Lace.”

Vintage abstract composition by John W. Hatch (1919 - 1998, American). Exhibited work with a tag lower left. Gouache and watercolor on paper. Signed. Framed.

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board , unframed board: 24 x 19 inches inscribed verso condition: overall very good provenance: all the p...

Francis Hopkinson Smith paints a watercolor rendering of the famous canal in Venice in his artwork entitled, “Venetian Afternoon.”

Landscape signed by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 8.25 x 6 inches condition: overall very good inscribed verso provenance: all...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Pontoon Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 inche...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The River Path Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 in...

Brenda Horowitz’s continuing focus on the outer Cape landscape has allowed her to develop a deep understanding of the land, water, sky, and the relatio...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 7.25 x 12 inches inscribed verso condition: overall ...

Step into the captivating world of "Promenade in Red," an artwork that invites you on a mesmerizing journey through landscapes teeming with vibrancy and movement. Framed on gouache p...

Frank Duffield (British, 1908-1982) signed original gouache painting on board, unframed size: 10 x 15 inches condition: overall very good, minor wear to the edges as is normal for an...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 10.5 x 11.25 inches inscribed verso condition: overal...

Gouache on paper, signed in the bottom left corner His father was a lace designer and set him up to work in adecoration workshop. Later, he became heavily influenced by impressionis...

A spotted fawn, blue dragonfly, yellow butterflies and birds are surrounded by brightly colored flowers. The colorful birds and lush hues of the flowers are bright and lively against...

A fine large full-length portrait of an English Setter stud in a landscape. Painted by J C Wilson in 1921, this oil gouache oil on canvas is a beautiful depiction of the breed. The...

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 6.5 x 8 inches condition: overall very good inscribed verso provenance: all the pai...

LAPRADE Pierre. (1875-1931). « Le forum Romain ». Gouache sur papier signée vers 1910. H.24 L.39.

Landscape by Geza Somerset-Paddon (British 20th century) gouache painting on board, unframed size: 7.25 x 8.25 inches inscribed verso condition: overall very good provenance: all th...

Brightly colored autumn leaves float on the surface of a vibrant teal blue pond in this rich, highly detailed landscape. The many shades of golden, pink and yellow fall leaves are of...

Rich, warm earth-toned brown trees line the forest floor in March in this rich, highly detailed landscape. The many shades of brown are offset by shades of luminous verdant green and...

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...

Charles Sovek (1937-2007) was an American painter known for his contributions to the world of plein air painting and his expertise in teaching art. He wa...

Shizico spent three days painting this plein air in her sunlit garden. She applied 550 Ture Gold paint and Van Gogh Yellow creating a stunning backdrop which served as the canvas for...

A beautiful and soft feminine gouache painting by French artist Jean Pierre Guiot. With a soft dark color palette of dark green, yellow, red, and blue, this piece exudes an emotional...

Arabian Nights, Sea Monster - The Thousand and One Nights Gustaf Tenggren - Attributed - unsigned, unframed. Good condition with very slight toning.

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

A purple peacock and the silhouettes of three female figures in a garden surrounded by brightly colored flowers and a blue butterfly fluttering in the air. The palm tree in the backg...

Frank Duffield (British, 1908-1982) signed original gouache painting on paper stuck on board, unframed size: 12 x 16 inches condition: overall very good, minor wear to the edges as i...

"Second Spring" is an abstract landscape featuring hues of blue, green and purple. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson...

Commercial illustration depicting happy California framers for California Prunes. The work is rendered in a charming and highly stylized manner. Unfr...

"Spring at Home" is an abstract landscape featuring hues of pink, purple, blue and yellow. This work is framed in a simple white frame behind Museum Glass measuring 41 by 60 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson...

Frank Duffield (British, 1908-1982) original gouache painting on board, unframed size: 13 x 12.75 inches condition: overall very good, minor wear to the edges as is normal for an unf...

Jean La Forgue (French 1901-1975) gouache on paper, unframed painting: 14.5 x 11 inches provenance: the artists estate, France condition: very good and sound condition; there are min...

This superb vibrant British Abstract painting is by noted artist John Piper. It was painted 27th October 1965 at Mendham and is a watercolour and gouache composition. The stunning palette and brushwork make this a really colourful and engaging painting. It is in excellent condition as it is behind glass. A lovely example of Piper's work with echoes from the sixties. Signed lower right. Inscribed lower middle 'Mendham 27 X 65'. Provenance. Illustrated in black and white on the back cover of Marlborough/Aldeburgh Festival show catalogue 'John Piper, Suffolk Churches and Landscapes', 1966. Condition. Watercolour and gouache, 21 inches by 14 inches and in good condition. Frame. Housed in a generous surround float mounted frame and behind glass, 28 inches by 21 inches and in good condition. John Egerton Christmas Piper CH (1903-1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career. Piper disliked the regime at the Royal College of Art and left in December 1929. Piper and his wife lived in Hammersmith and held a joint exhibition of their artworks at Heal's in London in 1931. Piper also wrote art and music reviews for several papers and magazines, notably The Nation and Athenaeum. One such review, of the artist Edward Wadsworth's work, led to an invitation from Ben Nicholson for Piper to join the Seven and Five Society of modern artists. In the following years Piper was involved in a wide variety of projects in several different media. As well as abstract paintings, he produced collages, often with the English landscape or seaside as the subject. He drew a series on Welsh nonconformist chapels, produced articles on English typography and made arts programmes for the BBC. He experimented with placing constructions of dowelling rods over the surface of his canvases and with using mixtures of sand and paint. With Myfanwy Evans, Piper founded the contemporary art journal Axis in January 1935. As the art critic for The Listener, through working on Axis and by his membership of the London Group and the Seven and Five Society, Piper was at the forefront of the modernist movement in Britain throughout the 1930s. In 1935 Piper and Evans began documenting Early English sculptures in British churches. Piper believed that Anglo-Saxon and Romanesque sculptures, as a popular art form, had parallels with contemporary art. Through Evans, Piper met John Betjeman in 1937 and Betjeman asked Piper to work on the Shell Guides he was editing. Piper wrote and illustrated the guide to Oxfordshire, focusing on rural churches. In March 1938 Stephen Spender asked Piper to design the sets for his production of Trial of a Judge. Piper's first one-man show in May 1938 included abstract paintings, collage landscapes and more conventional landscapes. His second in March 1940 at the Leicester Galleries, featuring several pictures of derelict ruins, was a sell-out. Piper had first met Myfanwy Evans in 1934 and early the next year, when his wife Eileen left him for another artist, Piper and Evans moved into an abandoned farmhouse at Fawley Bottom in the Chilterns near Henley-on-Thames. The farmhouse had no mains electricity, no mains water and no telephone connection. They married in 1937. They gradually converted the farm's outbuildings to studios for their artworks, but it was not until the 1960s that they could afford to modernise the property. Piper was an official war artist in World War II and his wartime depictions of bomb-damaged churches and landmarks, most notably those of Coventry Cathedral, made Piper a household name and led to his work being acquired by several public collections. Piper collaborated with many others, including the poets John Betjeman and Geoffrey Grigson on the Shell Guides, the potter Geoffrey Eastop...

"August Wildflowers II" is a colorful naturalist landscape featuring hues of purple, pink, orange, blue and green. This work is framed in a simple white frame behind Museum Glass measuring 60 by 41 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany. This piece is part of a collaborative series by Carlyle and her husband Thad Lee. This body of work was made in tandem, through painting and photography, that explores their mutual delight in the natural world and within their own marriage. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natural world—becoming progressively, cyclically more present to its rhythms, gaining deeper understanding of its design, & acquiring direct experiential knowledge of its mysterious beauty. For the last 15 years, Wolfe has been making contour line drawings of plants form observation. From her drawings, she isolates silhouettes into paper stencils which she uses to create oil paintings & works on paper – or cut out of metal to make sculptures. Her work is cumulative in nature – gradually marking time & seasonal change, unity & variety, individual & collective beauty. Wolfe grew up in Canton, Mississippi, & earned a BFA in painting from the University of Mississippi & an MFA in painting & drawing from Louisiana State University. She has also studied in Cortona, Italy, & at the University of Georgia. Wolfe has exhibited work throughout the South, including Spalding Nix...

The fame, notoriety, and monetary value of an artist's work in today's market are not based on one's talent and vision. Factors such as marketing and media momentum play a defining r...

"Spring Beauties" is an abstract landscape featuring hues of green, purple and blue. This work is framed in a simple white frame behind Museum Glass measuring 28 by 36 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany. This piece is part of a collaborative series by Carlyle and her husband Thad Lee. This body of work was made in tandem, through painting and photography, that explores their mutual delight in the natural world and within their own marriage. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natural world—becoming progressively, cyclically more present to its rhythms, gaining deeper understanding of its design, & acquiring direct experiential knowledge of its mysterious beauty. For the last 15 years, Wolfe has been making contour line drawings of plants form observation. From her drawings, she isolates silhouettes into paper stencils which she uses to create oil paintings & works on paper – or cut out of metal to make sculptures. Her work is cumulative in nature – gradually marking time & seasonal change, unity & variety, individual & collective beauty. Wolfe grew up in Canton, Mississippi, & earned a BFA in painting from the University of Mississippi & an MFA in painting & drawing from Louisiana State University. She has also studied in Cortona, Italy, & at the University of Georgia. Wolfe has exhibited work throughout the South, including Spalding...

This piece titled "Peek A Boo" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measure...

A beautiful c.1950 French abstract gouache on canvas depicting a desert landscape. Excellent quality work in vibrant colours. Presented in its original painted pine frame. Artist: French School, mid 20th century...

Frank Duffield (British, 1908-1982) original gouache painting on board, unframed size: 11 x 18 inches condition: overall very good, minor wear to the edges as is normal for an unfram...

Here I’m selling a very interesting work by an Important female American impressionist painter Lee Lufkin Kaula (1865-1957). Painting has Four Different EXHIBITION Labels: 1. Boston Art Club Exhibition 2. Pennsylvania Academy Fine Arts 1907 Exhibition 3. Poland Spring Gallery Exhibition 1908 4. The Arts Student League Of New York I Purchased this painting a few weeks ago as an unsigned impressionist...

"Anniversary Wildflowers II" is a colorful naturalist landscape featuring hues of purple, pink, orange and green. This work is framed in a simple white frame behind Museum Glass meas...

Signed gouache on board figures in landscape circa 1920 by French impressionist painter Eduoard Cortes. The work depicts a view of Paris, France in winter. The streets are filled wit...

One of my favorite French Fauvist painters, Henri Grenier (1882 - 1940), masterfully captures the energy of the turn-of-the-century Boulevard Saint-Germain in this exciting work on p...

This piece titled "Third Wheel" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measur...

This piece titled "Double Hooded" is an original piece by Branche Coverdale and is made from acrylic gouache on wood panel. This piece measures 20"h ...

"Light on Water II" is a soothing naturalist landscape featuring hues of blue, green and yellow. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 in...

"Light on Water I" is a soothing naturalist landscape featuring hues of blue, green and yellow. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 inc...

This piece titled "Street Bike" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measur...

This piece titled "Fuzzy Slippers" is an original piece by Branche Coverdale and is made from acrylic gouache on wood panel. This piece measures 36"h...

This piece titled "Finger Wave" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measur...

This piece titled "Finger Wave" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measur...