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Alfred Farnsworth
Grazing Cows

circa 1899

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  • Tamar Zinn “Untitled Landscape” Oil Pastel, 1997
    By Tamar Zinn
    Located in San Francisco, CA
    This autumnal landscape in oil pastel on paper is by New York City artist Tamar Zinn. Before turning to abstraction, Zinn’s artwork focused on Expressionist invented landscapes, of w...
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  • Guanajuato Window
    By Evelyne Brigeois
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    Artist: Evelyne Brigeois – French/American (1946-2016) Title: Guanajuato Year: ca. 1980 Medium: Watercolor Sight size: 20.5 x 14 inches. Matted size: 27.5 x 20 inches Signature: Signed lower right Condition: Very good Unframed This watercolor is by Evelyne Brigeois (1946-2016) a very well-known Boise, Idaho artist. It depicts a beautiful window with flowers in pots in Guanajuato, Mexico. As with many of her paintings, Brigeois pays particular attention to light and shadow. The painting is in very good condition with no flaws to note. The painting is signed in the lower right corner and dated underneath the mat, “80.”. It is custom matted with three hinges on the top edge of the art. Born in France in 1946, Evelyne Brigeois was an internationally acclaimed watercolor artist. Having grown up in a small town east of Paris, Brigeois was particularly drawn to places which seem to have preserved their timeless and peaceful aspect. Crisp precision, strong definition of light and shadow, and beautiful composition distinguish her images of the Greek Islands, Venice and France. Brigeois received many national awards, from the Louisiana Watercolor Society, the Detroit Institute of Arts, Michigan Watercolor...
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    1980s Realist Still-life Paintings

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  • Rural Relics
    Located in San Francisco, CA
    Artist: Miguel Dominguez – American (1941-) Title: Rural Relics Year: ca. 1990 Medium: Watercolor Sight size: 12 x 16 inches. Framed size: 20.5 x 24...
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    1990s American Realist Landscape Paintings

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  • Troyes III
    By Evelyne Brigeois
    Located in San Francisco, CA
    Artist: Evelyne Brigeois – French/American (1946-2016) Title: Troyes III Year: 1987 Medium: Watercolor Sight size: 16.5 x 20 inches. Matted size: 23.25 x 26.25 inches Signature: Signed lower right Condition: Very good Unframed This watercolor is by Evelyne Brigeois (1946-2016) a very well-known Boise, Idaho artist. It depicts a storefront in Troyes, France. As with many of her paintings, Brigeois pays particular attention to light and shadow. The painting is in very good condition with no flaws to note. The painting is signed in the lower right corner and signed and dated on the reverse. It is titled on a foamcore mount. It is custom matted with three hinges on the top edge of the art. Born in France in 1946, Evelyne Brigeois was an internationally acclaimed watercolor artist. Having grown up in a small town east of Paris, Brigeois was particularly drawn to places which seem to have preserved their timeless and peaceful aspect. Crisp precision, strong definition of light and shadow, and beautiful composition distinguish her images of the Greek Islands, Venice and France. Brigeois received many national awards, from the Louisiana Watercolor Society, the Detroit Institute of Arts, Michigan Watercolor...
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    1980s Realist Still-life Paintings

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    Paper, Watercolor

  • Pail, Boulders, Stream -American Realism
    By Gregory Sumida
    Located in San Francisco, CA
    This evocative watercolor painting is a landscape, but also a still life in the sense that the viewer is gazing at a scene, but also at the objects within the scene. There is a medit...
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    1970s American Realist Landscape Paintings

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    Watercolor

  • Into the Park
    Located in San Francisco, CA
    This watercolor is immediately recognizable as the work of Lori Slater (1954-), a Cambria, California artist. Her landscapes have a magical quality. The flowers in the tree at top ce...
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    Late 20th Century Other Art Style Landscape Paintings

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    Watercolor

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  • 1930's French Barbizon School Landscape
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  • First Communion - Barbizon Figurative Pastel Painting by Leon Augustin Lhermitte
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    Signed Barbizon figures in landscape pastel on paper circa 1885 by French painter Leon Augustin Lhermitte. The piece depicts a first communion ceremony, with girls in white dresses and headscarves walking through a village as elder women look on. A wonderful piece in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 27"x31" Unframed: 20"x24" Provenance: Arthur Tooth & Sons - London (label verso) Léon Augustin Lhermitte was the son of a school teacher. He painted from a very early age and settled in Paris in 1863, enrolling in the École Impériale de Dessin. His teacher was Lecocq de Boisboudran. In the early days of his career he earned a living doing illustrations for boxes of sweets and the catalogues of the cabinet-makers of the Faubourg St-Antoine, as well as publishing houses. In 1879 he went to Great Britain, to which he returned frequently. The same year he met the art dealer Paul Durant-Ruel who exhibited his works. He was one of the founders of the Société Nationale des Beaux-Arts, of which he became vice-president. Lhermitte initially produced charcoal drawings which revealed his deep feeling for nature. His first attempt, Banks of the Marne near Alfort, caused a sensation. Following this he executed canvases, showing himself to be a fine landscape artist and a skilful draughtsman. He painted scenes from rural life almost exclusively and benefited from exceptional interest generated by the prizes awarded to the works of J. F. Millet. But although he was very much affected by the work of the painter of Angelus, he himself sought only the pictorial element and not a synthetic translation. Many other French masters of the period share his completely objective vision, for example Bastien Lepage, Roll, J. C. Cazin and Rafaelli. Like them, he put into practice very early on the technique of 'clear painting' made fashionable by the pursuit of Impressionism. But this group of artists borrowed from this method only those elements which appealed to public taste, and ignored chromatic elements. Lhermitte also paid the price for the easy success of those early days. His peasants, which found general favour with the public at the time, nowadays seem rather feeble alongside Camille Pissarro's renderings of the same subject. However, in order to pass judgement on an artist such as Lhermitte, it is necessary to understand the era in which he worked, the era in which Realism was the only acceptable approach. It was in the atmosphere of the 'Théâtre Libre' of Antoine and the novels of Maupassant, Zola and their imitators that this type of art developed. In this context, Lhermitte is recognised as having painted the life of the peasants with great powers of objective observation and great insight into types and physiognomies. Nothing escaped his implacable eye and his bold and vigorous hand was guided by a lucid mind. The simplest elements of nature take on an air of true grandeur in his painting, despite their romantic and sentimental aspects. He is highly regarded both in France and in other countries by art lovers who look for nothing more than an attractive subject expertly painted. Among his most noteworthy works, outside those in museums, are: Les Halles, Washing the Sheep, Haymaking Time, and his large decorative panel...
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