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Langlois
Normandy Rouen Cathedral 19th Century Landscape

19th Century

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  • Normandy Rouen Cathedral 19th Century Landscape
    By Langlois
    Located in Paris, FR
    Charming impressionist oil on canvas from the late 19th century representing a view of a quay in Rouen on the Seine with a herd on pasture and Rouen Cathedral in the background. The ...
    Category

    19th Century Academic Landscape Paintings

    Materials

    Canvas, Oil

  • Rialto Bridge, Venice by Dellal, 1950
    Located in Paris, FR
    Beautiful oil on canvas of the 50’s figuring a peaceful view of the Rialto on the Grand Canal in Venezia. The oil is in good condition with some old réfections visible in the back. The painting is signed on the bottom right Delall and countersigned on the back. It comes with a charming old gilted and ornamented in Barocco style...
    Category

    20th Century Academic Landscape Paintings

    Materials

    Oil, Canvas

  • French Post Impressionist Marina Painting by Rossini
    Located in Paris, FR
    Beautiful Post Impressionist French Marina landscape, oil on canvas representing la Rochelle. It is signed. probably Rossini . In a very good general condition with its original ...
    Category

    1950s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Oh the nice red corset !
    By Richard Gosselin-Riege
    Located in Paris, FR
    One of a kind, big size, Oil on canvas black and white painting showing some surprisingly colorful details that makes a great contrast. The search of the light takes the artist outs...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Canvas, Oil

  • The 3 stripped t-shirts of Rouen
    By Richard Gosselin-Riege
    Located in Paris, FR
    One of a kind, big size Oil on canvas black and white painting showing some surprisingly colorful details that makes a great contrast. The search of the light takes the artist outsi...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Canvas, Oil

  • Lunch break
    By Richard Gosselin-Riege
    Located in Paris, FR
    One of a kind, big dimension Oil on canvas black and white painting showing some surprisingly colorful details that makes a great contrast. The search of the light takes the artist ...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Canvas, Oil

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  • Large oil paintings of Gulls at St. Ives bay, Cornwall by British artist Titcomb
    Located in Petworth, West Sussex
    William Holt Yates Titcomb (British, 1858 – 1930) Gulls at St. Ives bay Oil on canvas Signed ‘W. H. Y. TITCOMB’ (lower right) 34 x 44 in. (86.3 x 111.8 cm.) Frame measurements: 110.3 x 136 cm.) William Holt Yates Titcomb (1858 - 1930) was an English artist. He was a figurative oil painter, particularly known for his depictions of the Cornish fisherfolk. Titcomb was born in Cambridge, the eighth child and first son of the Rev. Jonathan Holt Titcomb and his wife Sarah. He was educated at Westminster School in London and began his art training at the South Kensington School. His father was appointed the first Bishop of Rangoon, Burma in 1877 and Titcomb joined him there in December 1880. In Burma he made a series of paintings and sketches of life in the local monasteries. Titcomb was taught in Paris by Gustave Boulanger and at the Royal College of Art in Antwerp by Charles Verlat. He married Jessie Ada Morison, in 1892. She was also an artist, living at the time in St. Ives, Cornwall. His painting Primitive Methodists at Prayer, was displayed at the Dudley Museum and Art Gallery in 1889. It won many international medals and was the first of three paintings that Titcomb completed of the Primitive Methodist congregation of Fore street, St. Ives. In 1909, Titcomb settled in Bristol, where he was already an elected Academician of the Bristol Academy...
    Category

    Early 20th Century Academic Animal Paintings

    Materials

    Canvas, Oil

  • La Vieille Ferme - Academic Landscape Oil by Marie-Francois Firmin-Girard
    By Marie-Francois Firmin-Girard
    Located in Marlow, Buckinghamshire
    Signed landscape oil on canvas circa 1890 by French Academic painter Marie-Francois Firmin-Girard. The work depicts a farmyard filled with animals - cows, horses, chickens and ducks. Signature: Signed lower left Dimensions: Framed: 29"x35" Unframed: 20"x26" Provenance: Private French collection As a very young man in 1854, Firmin Girard entered the studios of Charles Gleyre...
    Category

    Late 19th Century Academic Landscape Paintings

    Materials

    Canvas, Oil

  • Pasture with Cows
    By Rémy Cogghe
    Located in Atlanta, GA
    Born in Mouscron in the Belgian province of Hainaut, Cogghe attended the Academy of Roubaix where he studied under Constantin Mils. In 1876, Cogghe was admitted to the École Nation...
    Category

    Early 1900s Academic Landscape Paintings

    Materials

    Canvas, Oil

  • Three Bucks in the Fontainebleu Forest
    By Rosa Bonheur
    Located in Miami, FL
    Rosa Bonheur was the most famous female artist of the 19th Century. We are grateful to Annie-Paule Quinsac for confirming the authenticity of this painting. The work is best viewed with top gallery light to bring out colors ____________________________________________ Rosa Bonheur: Three Bucks in the Fontainebleau Forest, erroneously Stags or Monarchs in the forest Oil on canvas, 29 x 24 inches [74 x 61cm], signed and dated lower left, Rosa Bonheur 1886 The discovery of this painting, a reinterpretation of Bonheur’s most iconic work Le roi de la Foret, [Monarch in the forest]is a significant event in the artist’s scholarship. In forty years of study, I was not aware of its existence and did not find any reproduction of it throughout my extensive reading. Bought by the present owner at the Stamford Winter Auction in 2008, it had been the property of a certain Captain [ name illegible] until January 29, 1920, or from that date {?}. The label on the back of the canvas reads: “Collection of Captain J.H.Gaucis Jan.29,1920”. [the handwriting on the label is extremely unusual; my deciphering of it induces me to propose this last name, Latvian in origin] […] This work could not have been offered among the 95 paintings that compose the catalog section titled “Stags, Hinds, Roebucks,” [ NN.320-415] in the catalog of the Rosa Bonheur Posthumous Sale organized by the Galerie Georges Petit in Paris, which included over two thousand pieces kept in the studio and not sold during her life time : it does not correspond to any of the description or measurements given in these catalog entries. The number 5527inscribed in red on the back of the canvas could refer to the painting having be handled by the Knoedler Galerie, Paris and New York, which after Bonheur’s death, that of Ernest Gambart (1814-1902and George Petit, (1856-1920) was instrumental in the continued diffusion of her work in the US, maintaining her prices that had crashed elsewhere in Europe. Despite difficulties in tracing the provenance history, the attribution to Rosa Bonheur, cannot be denied. Stylistic and iconographic characters are typical of her expressive means in the late 80’s. Also, it cannot be questioned that the calligraphy of signature and date is hers. The work depicts three male deers- or bucks- of different age, in a trail, deep in the forest at twilight, just after sunset toward the end of Fall. The two big ones, have stopped in their track, facing the beholder frontally; the small one, in profile, seems ready to move in another direction. The umbrella term deer, or the more specific one buck {male deer} could both be used as title to this painting, rather than stag, which implies an old majestic senior male deer, considered the King of the forest also called Monarch. In the Cervidae family, the number of points of a deer’s antler is one of the indicators of age, along with body mass and overall size. In our painting, the most prominent stag is massive and has a twelve points antler – qualifying as Monarch. The one immediately behind him exhibits an eight points antler and appears strong and imposing as well does not possess but not his companion’s poise. It is a mature stag. The last one, slender, shoulders not quite muscular yet, with barely six points to his antler, could not be more than two years old. The intensity of expression of the two older stags and their presence in the landscape which is rendered as their stage, are characteristic of Bonheur’s rapport to animals and nature. The painting’s varnish has deteriorated and forms a film that will need to be removed through a cautious cleaning. It is particularly important that the transparent haze that evokes the humidity of the forest at that crucial moment of the light be preserved. It contributes to the painting vibrance. Since 1860, when Rosa Bonheur moved to the Chateau of By, which she had bought with her companion Nathalie Micas, the Fontainebleau Forest which was at a stone through of her property, became ground of studies and the Cervidae a common subject. By then, she would already sketch en plein air, and months or years later, create paintings from start to finish in the studio using the visual material collected while walking through nature or observing animal in their milieu. Her first image of the Great Monarch in the forest, represented frontally and in a similar forest background is the 1868 painting Le cerf de Saint Hubert [Hubertus’ Stag], an illustration of the legend of Saint Hubertus in which she included a cross between the stag’s antlers. As the story as it, Hubertus was a passionate hunter and would often forget his religious duties to go hunting. On a certain Sunday in the depth of a forest, where he had ventured alone, he began to pursue a stag The animal faced him and while a cross appeared between his antlers, the voice of God was heard, directing him to repent ad respect all animals. Rosa Bonheur was herself a hunter but also a spiritualist, influenced by the Saint Simonian creeds and by spiritism. She believed that certain animals had a soul. I personally think that magnificent monarchs and the St Hubertus...
    Category

    1880s Academic Animal Paintings

    Materials

    Canvas, Oil

  • Painting 19th Century Fox Hunting Scene With Characters Horses and Dogs
    By Joseph August Knip
    Located in Saint-Ouen, FR
    KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...
    Category

    1830s Academic Animal Paintings

    Materials

    Oil

  • Painting 19th Century - Horses and Carriage - Charles de Luna (1812-1866)
    By Charles De Luna
    Located in Saint-Ouen, FR
    LUNA, Charles de (1812-1866) Horses and carriage hunting Oil on canvas signed low left and dated 1841 Old original frame gilded with leaves Dim canvas : 39 X 75 cm Dim frame : 89 X 52 cm Certificate of authenticity LUNA, Charles de (1812-1866) French Painter 19th century Born in 1812 in Châlon sur Saone Genre scenes, military subjects, Orientalism Pupil of Léon Cogniet...
    Category

    1840s Academic Animal Paintings

    Materials

    Oil

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