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Kevin Weckbach
"The Grinder", Egg Tempera Painting

About the Item

Kevin Weckbach's (US based) "The Grinder" is an original, hand made egg tempera painting that depicts an industrial Gristmill made up of metal buildings, a elevator and a grain silo in an otherwise barren landscape. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to resemble a literal story of what it is; moreover, it is a quilt that explains my visual expression. What I find particularly interesting in human intervention in nature is how we are still intertwined with it. Roads, buildings, and farmlands bend with the natural curves of mountains, hills, and streams. City nights are lit up like lightning bugs with an array of colors and patterns. I want to push the viewer past the humdrum of everyday observation into a world of visual tapestry." -Kevin Weckbach
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    Rick Howell's "Untitled 2" is an original, handmade oil painting that depicts a snow lined stream reflecting the blue and rust colored shimmer of cold water melt flowing into the distance. About the Artist: Rick Howell's landscape paintings deftly fuse the influences of the Old Masters, the American Romantic Landscape movement, and the tonal colors, loose brushwork, and softness of form displayed in the Barbizon school. Howell’s art is notable for its poetic and atmospheric interpretation of the land, as derived from his direct on-site observations and impressions. A master of light, color, and shadow, Howell creates highly ordered scenes which consciously juxtapose hazy or blurred elements with sharp and refined details. A master of the tonalist landscape, Howell often utilizes the overall tone of colored atmosphere or mist to elicit an emotional response. Howell’s work demonstrates extraordinary sensitivity to time and place, to the endless variety of forms and colors of landscape in the Southwest, and to expressing the quiet contemplative beauty of nature, capturing the nuances of place through his use of subtle gradations of color and light. Howell often painted en plein air for weeks at a time, even in harsh winter months. While Howell was neither purely a realist nor an impressionist painter, his works convey both the earthly and the ethereal to capture the full essence of a locale as observed and felt on location. As a fourth-generation native of New Mexico, Howell had a deep connection with the Southwest; in particular, he drew considerable inspiration from the wilderness that surrounded his studio at the mouth of the Conejos Canyon in the Southern San Juan Mountains...
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