Ken Elliott

"Big Pond and Sky, " Abstract Landscape Painting

2014

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

This abstracted, impressionistic landscape painting by Ken Elliott is made with oil paint on canvas. It captures a hill beneath a saturated pink sky, with varying shades of green and...

Cape Cod, seascape, summer, sail, boat, waves, water, ocean, white, aqua, blue, coastal, nautical, refresh, marine, marine art, sailboat, serene, tranquil, water scene, scenic, landscape, traditional, contemporary art, calm, dark blue, oceanic, sea, framed, gold framed, impressionist, impressionist art, impressionism, American impressionism. Canvas size is 30”x40”. Professionally Framed In A Classic Wood Antiqued Gold-Hued Frame. Ready To Hang. (27.25” x 37.25” Framed) Please note that the frame is free and has some wear and areas where the gold paint has rubbed off. Ronald J. Tinney was born in 1958 in Pottstown, Pennsylvania. Ron now lives on Cape Cod in Massachusetts and is a full-time artist focusing on Coastal Landscapes and Marine scenes in oils. He paints on location “en plein air” year round, studying nature and creating source material for his larger studio paintings. Ron is a “Signature Member” of the American Society of Marine Artists, a Professional Member of the International Society of Marine Painters, a Juried Member of the Copley Society and a Past President of the Cape Cod Art...

This contemporary abstract landscape painting by Ken Elliott is made with oil paint on canvas. Multi-colored tree trunks and foliage extend from the bottom of the canvas up to the to...

This contemporary abstract landscape painting by Ken Elliott is made with oil paint on canvas. It features a cool violet-blue palette, capturing an abstracted scene of a forest in th...

This contemporary abstract landscape painting by Ken Elliott is made with oil paint on canvas. It captures a scene with cool blue and violet trees in front of rolling hills under a p...

Charles Caryl Coleman (Buffalo 1840 – Capri 1928), Peasant woman at work in the fields of Capri (1901) Oil painting on canvas 35 x 49 cm, signed, located and dated Capri 1901 lower ...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

Signed lower right Lillian Genth was an important American figurative painter. She studied in the U.S. and in Paris, under James McNeil Whistler. Genth ...

The Harbor at Camden, Maine (c.1907) Oil on canvas 24" x 27" 32 ½" x 35 ½" x 3 ½" framed Signed "Irvine" lower right. Provenance: Private collection, Beverly Hills California until 1944 Private collection, Glendale, California 1944-1987 By descent About this artist: American Impressionist painter Wilson Henry Irvine was born just outside of Byron, Illinois in 1869. Though raised in the Midwest, Irvine was captivated by the scenic coast and landscape of New England and spent most of his adult life there. Painting in the American Barbizon tradition, modeled after the nineteenth century French Barbizon School, Irvine sketched and painted directly from nature preferring to work en plein air. His impressionistic style and choice of subjects are often compared to painters of the American Barbizon School, particularly Irvine’s contemporary, Childe Hassam. Irvine stands out from other American Impressionists of his time, for his willingness to push the traditional techniques of impressionism with his aquaprints and prismatic paintings of the late 1920s. Shortly after graduating from Rockford’s Central High School, Irvine moved from the suburbs to Chicago in order to attend business school. He worked at the Chicago Portrait Company starting in 1893, and began evening classes at The Art Institute of Chicago two years later. Irvine continued taking courses at the Art Institute for eight years. His classes included life drawing and illustration with a heavy focus on human anatomy. In 1895, Irvine founded the Palette and Chisel Club of Chicago with his classmates, and served as both treasurer and president. It was with this group that he began exploring landscape painting, and soon he began showing his landscapes at group shows at The Art Institute of Chicago. Initially Irvine’s work is reminiscent of early impressionism, with the artist’s use of lively, visible brush strokes and his emphasis on the contrasts of color and texture to create a sense of depth in his paintings. Though he spent a brief amount of time sketching in Brown County with Indiana based “Hoosier” school...

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

I Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...