Joseph Antonio Hekking

Chapel by the Wayside, Italian Scenery by Joseph Antonio Hekking (1830-1903)

Signed lower right: L.W.Prentice.

“Punting on the River Cam, England” by Thomas Moran is a serene shoreline scene of fishermen setting out into the river.

Historic woman artist Kate W. Newhall's painting "In the Sierras" is oil on panel, measures 7 x 11 inches, and is signed at the lower left. The work is framed in an elegant, period a...

Modern Luminist, Hudson River School landscape painting on canvas of a creek and river meeting around a forest bend with mountains in the distance "Where Creek Meets River" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left This modern Hudson...

Painted by Hudson River School artist Alfred Thompson Bricher (1837-1908) , "Scene in the White Mountains" is oil on panel, measures 5.5 x 9.75 inches, and is signed and dated 1864 a...

John Ferguson Weir West Point, 1873 Signed and dated lower left Oil on panel 12 1/8 x 20 1/8 inches Provenance: Sotheby's Arcade, American Paintings, December 19, 2003, Lot 1091 Spanierman Gallery, New York Private Collection, New York (acquired directly from the above) Exhibited: Roslyn, Nassau County Museum of Fine Art, William Cullen Bryant, The Weirs and American Impressionism, April 24, 1983-July 31, 1983. A painter, sculptor, writer, and teacher, John Weir was a highly talented man whose painting was overshadowed by his father, Robert Weir, the long-time West Point Academy drawing teacher, and his brother, J Alden Weir, well-known impressionist painter. His distinguished reputation was primarily based on his accomplishments as a teacher and administrator. For many years, from 1869 to 1913, John Weir was the Director of the Yale University School of Fine Arts. He was also a commissioner of the art exhibition at the Centennial Exposition in Philadelphia. Weir was born at West Point, New York, and by age 20, had a studio in New York City in the Tenth Street Studio Building, the first building in America dedicated to art studios, and there he associated with many leading painters of the day. He earned attention early in his career for paintings of industrial scenes...