Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

John Bingham
'Port of Sark' Channel Islands, California, Laguna Beach Art Association, Carmel

1962

About the Item

A substantial and painterly watercolor on Arches paper showing the sole port of the island of Sark in the Channel Islands with fishermen standing and conversing on the mole. Signed lower right, 'John Bingham'; additionally signed on old backing, titled 'Island Ramparts', and dated 1962. This listed California artist exhibited widely and with success including at the Laguna Beach Art Association and the Art Guild of America in Carmel, and also worked for Disney in the the 1950's.
  • Creator:
    John Bingham
  • Creation Year:
    1962
  • Dimensions:
    Height: 21.75 in (55.25 cm)Width: 29.25 in (74.3 cm)Depth: 0.01 in (0.26 mm)
  • Medium:
  • Period:
  • Condition:
    minor age-toning; unframed.
  • Gallery Location:
    Santa Cruz, CA
  • Reference Number:
    1stDibs: LU344905753
More From This SellerView All
  • 'In the Shade of La Casa Cordova, Tucson', Meyer Street, Arizona
    By Marian Stahl
    Located in Santa Cruz, CA
    Signed lower right, 'Marian Stahl' (American, 20th century) and painted circa 1960. Inscribed verso, 'Meyer St, Tucson AZ' with artist address. A finely drawn, mid-century view of ...
    Category

    1960s Impressionist Landscape Paintings

    Materials

    Paper, Gouache

  • 'Any Day in America', Social Realist, Beat Generation, Allen Ginsberg,
    By Ron Croci
    Located in Santa Cruz, CA
    Signed lower right, "Croci" for Ron Croci (American, born 1945), and painted circa 1970. A substantial, Social Realist watercolor showing a view of a ramshackle rust-belt landscape ...
    Category

    1970s Realist Figurative Paintings

    Materials

    Watercolor, Handmade Paper

  • 'Broad Street, Winchester', Medieval Cityscape, Heatherly School of Fine Art
    By Frank Sherwin
    Located in Santa Cruz, CA
    A delicate watercolor view of the medieval rectory of Winchester, in the English county of Hampshire, showing figures and a horse-drawn cart in Broad Street. Signed lower right, "Frank Sherwin...
    Category

    1950s Realist Landscape Paintings

    Materials

    Paper, Watercolor

  • 'Monterey Pier', California Modernist, Woman Artist, Santa Cruz Art League
    By Muriel Backman
    Located in Santa Cruz, CA
    Signed lower left "Muriel Backman" for Muriel Durgin Backman and dated 1955. An elegant, Cubist-derived, mid-century view of the old Fisherman's Wha...
    Category

    1950s American Modern Landscape Paintings

    Materials

    Watercolor, Gouache, Handmade Paper

  • 'Fort Bragg Lumber Mill', Woman Artist, California Post-Impressionist
    By Muriel Backman
    Located in Santa Cruz, CA
    Signed lower left "M. Backman" for Muriel Durgin Backman. Titled verso "Union Lumber Co., Fort Bragg- Mendocino, Ca" and painted circa 1955. A moody, mid-c...
    Category

    1950s Modern Landscape Paintings

    Materials

    Gouache, Handmade Paper, Watercolor

  • 'Gorges of the Tarn', New York Armory Show, Ashcan School Artist
    By Arthur B. Davies
    Located in Santa Cruz, CA
    Titled lower right, 'Gorges of the Tarn' and painted circa 1905. American Master's Gallery label, verso, with artist's name, 'A. B. Davies' for Arthur Bowen Davies (American, 1862-1928). Formerly with Christie's Auction House. A delicate watercolor and wash landscape showing a view of the Gorges of the river Tarn in Languedoc-Roussillon. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He was an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...
    Category

    Early 1900s Modern Landscape Paintings

    Materials

    Paper, Watercolor

You May Also Like

Recently Viewed

View All