Johann Berthelsen, 1883-1972

"5th Avenue in Winter" Impressionist NYC Winter Street Scene Oil on Canvas

Circa 1950

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

A stunning and pertinent example of Berthelsen's charming New York City winter scenes depicting Saint Paul's Chapel in the snow. It was built in 1766 as the chapel building of Trinit...

A masterful oil painting depicting a Mediterranean harbor scene of Trouville-sur-Mer, commonly referred to as Trouville with the town buildings in the background and sailboats by Bri...

An impressionistic depiction of people walking about near the Metropolitan Museum on a rainy day. A man walks quickly holding a briefcase, a group of woman huddled together under one umbrella; this painting goes back in time as the artist captures the style and trend of the early 20th Century with old cars parked in the distance and fashion of the people. A wonderful piece evoking an emotion bringing us into the past with this whimsical scene. This painting is signed lower left and it comes framed in gold tone frame with hanging wire on verso ready to be displayed. Art measures 16 x 20 inches Frame measures 19.5 x 23.5 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

A masterful oil painting depicting a countryside village scene with figures by British American artist John Clymer. As an Impressionist painter, he was known for his pastoral landscapes depicting scenes from daily life; notably provincial French towns. He also created numerous views of city life during his stays in Paris. This piece is an excellent example of the works produced during the 1950's with use of a rich color pallet and layers of paint giving this work such a stunning representation of country life. The way he uses flecks of light dashed onto the canvas creates a joy for the viewer to experience. This painting is signed by the artist lower right and it comes comes housed in a beautiful gold tone wood carved frame with linen liner and hanging wire on verso ready to be displayed. Art measures 12 x 16 inches Frame measures 17.5 x 21.5 inches John Clymer was born near Brighton, England in 1932. At a very early age, he exhibited definite artistic talents. His father immediately recognized his son's gift and enrolled him at the royal art academy. John was soon swept by the serenity and tranquility of the impressionists. His favorites ranged from Monet to Pissaro and Sisley; eventually leading to an awakening interest in the magnificent Turners at Tate galleries. Clymer's serene yet colorful canvasses ably depict his love for the southern english coastline. Demand for his canvasses is very high in the United States and the European continent while still relatively dormant in his home country. PROVENANCE: Private collection Westville, New Jersey; Lilac Gallery...

A truly stunning jewel and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come...

"Plowing the Fields" is an early 20th Century American Impressionist landscape by Pennsylvania Academy graduate and teacher Henry McCarter. The 20" x 24...

Charles Chambers (American, 1880-1964) Young Lady Picking Wildflowers Signed Lower Right 10 x 13 inches 16.5 x 16.5 inches with frame C. Bosseron Chambers was known for figurative works in an illustrative manner, with many of them being either portraits or works with religious themes. An illustrator and teacher as well as painter, Chambers was born in St. Louis, Missouri on May 1882. His father, a young Irish captain in the British Army, was a convert to the Catholic Church, and his mother was the daughter of a French family long established in St. Louis. Charles, the youngest of several children, was sent to the Preparatory and Grammar Schools connected with St. Louis University in his earliest years, and his education in his chosen art was begun under Louis Schultz of the Berlin Royal Academy, with whom he spent six years. His next master was Aleis Hrdliczka of the Royal Academy of Vienna, and he later studied with Johannes Schumacher of Dresden for six years. After matriculating at St. Louis University, Chambers began his professional career at Palm Beach, Florida, a place chosen because of his mother's failing health. From this period in his artistic productions date the fantastic figure compositions exhibited at the St. Louis Exposition, together with portraits of Colonel Mitchell for the Missouri Historical Society; Joseph Jefferson, the great American actor; young Master Haven; Henry Phipps; Henry M. Flagler; Mrs. Voorhis and others. In 1916, he moved to New York City, and established himself in the Carnegie Studios, Carnegie Hall, where he occupied a splendid atelier. Here he produced the Light of the World, the most popular religious painting of the early 1900s in the USA. He was a member of the Society of Illustrators, established in 1901 in New York City, and the Salmagundi Club, an early important art club in New York City. He illustrated Sir Walter Scott's, Quentin Durward, in the Scribner Classics for Young People. His work was exhibited at the well-known John Levy Galleries in New York City in the 1930s, and his work is now in several public collections in St. Louis and Chicago, including Chicago's St. Ignatius's Church, Missouri Historical Society in St. Louis, and the Osceola Club in St. Augustine, Florida. Chambers is listed on p. 145 of Currier's Price Guide to American Artists at Auction, 6th ed. 1994, written & compiled by William T. Currier, Currier Publication, Stoneham, MA. Reviews of his artwork have appeared in various publications, including the following: "Chambers' Seven Dolors criticized by Emily Genauer" Art Digest v. 13 March 15, 1939, p. 58. "From Angels to men: Recent portraits, John Levy Galleries" Art Digest v. 10 Nov. 15, 1935, p. 12. "Exhibition, John Levy Galleries" Art News...

Edward Cucuel (American, 1875-1954) Summer Idle, 1918 Signed Lower Right 35 x 43 inches 43 x 51 inches with frame Born in San Francisco, Edward Cucuel was an Impressionist painter o...

Roy Andersen (b. 1930) "Old High Country Woman" Oil on Canvas 12 x 16 inches 21.5 x 25 inches framed Known as a western painter, Roy Andersen did paintings of Crow, Cheyenne, and Apache Indians. He began his career living in Chicago and New York and working as an illustrator. He did numerous covers for Time Magazine including portraits of Albert Einstein and Prince Fahd. He also did illustrations for National Geographic magazine, and did a stamp series on Dogs and American Horses, and in 1984 and 1985, won Stamp of the Year Award. As a muralist, he has filled commissions for the National Park Service, the Royal Saudi Naval Headquarters, and the E.E. Fogelson Vistor Center at Pecos National Monument in New Mexico. To pursue his talent for painting, Roy Anderson went West, living in Arizona and settling in Cave Creek. In 1990, he was voted official artist for Scottsdale's Parada del Sol, the "world's largest" horse-drawn parade commemorating the Old West. Andersen grew up on an apple farm in New Hampshire and learned about Indian customs from his many hours spent at the Chicago Museum of Natural History. He is meticulous about being historically accurate in his paintings. Of him it was written: "There are no 'happy accidents' in an Andersen painting. He has a knowledge of his subject that is attained only through extensive research. You will not find an Apache medicine bag...

The Avenue Lights (5th Avenue, New York City) By. Gerald Harvey Jones (American, 1933-2017) Signed Lower Left 20 x 16 inches without frame 30.5 x 26.5 inches with frame G. Harvey (G...

Charming vintage oil painting of the iconic La Canada Building on the corner of North Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by ...