Les Bouquiniste, Paris by Jean Salabet
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Jean SalabetLes Bouquiniste, Paris by Jean Salabet1954
1954
About the Item
- Creator:Jean Salabet (French)
- Creation Year:1954
- Dimensions:Height: 16.5 in (41.91 cm)Width: 19.5 in (49.53 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sheffield, MA
- Reference Number:Seller: Art S1891stDibs: LU70035692481
About the Seller
3.7
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2017
Typical response time: Several days
More From This SellerView All
- VUE DU SACRE COEUR - MONTMARTRE, PARISBy Jean SalabetLocated in Sheffield, MAJean Salabet French, 20th Century Vue du Sacre Coeur, Paris Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of ...Category
1950s Post-Impressionist Landscape Paintings
MaterialsOil
- Scene de PARIS apres La LiberationBy Lucien AdrionLocated in Sheffield, MALucien Adrion French, 1889-1953 Scene De PARIS apres la Liberation Oil on canvas 21 ¼ in. by 25 ½ in. W/frame 31 ¼ in. by 35 ½ in. Signed & dated 1949 lower right Lucien Adrion w...Category
1940s Post-Impressionist Landscape Paintings
MaterialsOil
- Flower Seller, ParisLocated in Sheffield, MACesar Villacres Ecuador, 1880–1941 Flower Seller, Paris Cesar Villacres was an Ecuadorean artsit that worked in South America & Paris. He exhibited i...Category
1930s Post-Impressionist Landscape Paintings
MaterialsOil
- AntibesBy Jacqueline Caroline Marie CerranoLocated in Sheffield, MAJacqueline Caroline Marie Cerrano French, 1920-2007 Antibes Oil on canvas Signed & dated “1967” on reverse 32 by 39 ½ in. W/frame 40 by 47 ½ in. Jacqueline made her debut at the S...Category
1960s Post-Impressionist Landscape Paintings
MaterialsOil
- BathersBy John Edward CostiganLocated in Sheffield, MAJohn Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...Category
1950s Post-Impressionist Figurative Paintings
MaterialsOil
- Septembre, La Meuse a DordrechtBy Marie Joseph Léon ClavelLocated in Sheffield, MA“I Will”, Marie-Joseph-Leon-Clavel French, 1850-1923 Septembre, La Meuse a Dordrecht Oil on canvas, Signed 13 ¼ by 19 ½ in. W/frame 23 ¼ by 29 ½ in. Marie-Joseph-Leon-Clavel took ...Category
1890s Post-Impressionist Landscape Paintings
MaterialsOil
You May Also Like
- The Libertine Girls of Rue Saint DenisBy Jan KeldermanLocated in Paris, FRCharming Dutch 1950's oil on canvas painting signed by J. KELDERMAN In a very good general condition . It représents the libertine courtesan working ...Category
20th Century Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Cattle in a Landscape North Africa - British 20s Post Impressionist oil paintingBy Gerald Spencer PryseLocated in London, GBThis superb vibrant Post Impressionist African landscape oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and N...Category
1920s Post-Impressionist Animal Paintings
MaterialsOil
- La Voile Rose (Cognac) by H. Claude Pissarro - Post-Impressionist style paintingBy Hughes Claude PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Voile Rose (Cognac) by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower...Category
21st Century and Contemporary Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Rother Valley Landscape Kent - British 1950's art harvest oil paintingBy Laurence Henry IrvingLocated in London, GBThis interesting British landscape oil painting is by noted artist Laurence Henry Irving. Painted circa 1940 it is a Kent harvest landscape of the Rother Valley from Prospect Hill, W...Category
1940s Post-Impressionist Landscape Paintings
MaterialsOil
- Post Impressionist/ Modernist; 'Hilly Landscape with Ruins' oil circa 1952Located in Frome, SomersetA fine mid 20thCentury Modernist/Post Impressionist Landscape circa 1952 oil on canvas 46cmx54cm Good quality silver gilt gallery frame 59cmx68cm Painted by Thure Wahlstrom (1908- ? ...Category
1950s Post-Impressionist Landscape Paintings
MaterialsOil
$760 Sale Price20% OffFree Shipping - Sylvette Chanel (fl 1953-1994) French Landscape/Town oil circa 1960'sLocated in Frome, SomersetSylvette Ammann Chanel (fl 1953-1994) French. Le pont de Bois. oil on board 37cmx46cm original french frame 50cmx58cm Viewi of a French town showing the old wooden bridge and clock T...Category
1960s Post-Impressionist Landscape Paintings
MaterialsOil
$557 Sale Price20% OffFree Shipping