John Dolph

River Landscape

Signed lower left. Along with Martin Johnson Heade, William Mason Brown was among a very elite group of artists equally adept at landscape painting as well as still-life painting. H...

Signed & dated, lower left, 1869 Herman Ottomar Herzog was born in Bremen, Germany, on November 15, 1831. He studied art at the Dusseldorf Academy, starting in 1848, under several classical landscape painters. In 1855, Herzog made his first visit to Norway. The trip was a milestone in Herzog's career as it exposed him to the rugged landscape of the Norwegian wilderness and instilled in him a lifelong sense of nature that was to show in all his work. During the late 1850's and early 1860's, Herzog's fame spread throughout Europe. His paintings were collected for their dynamic realism and strong atmospheric effects. Among his patrons were several of Europe's royal families, including Queen Victoria of England and Grand Duke Alexander of Russia. He exhibited in the Paris Salon in 1863 and 1864, winning an Honorable Mention. While in Paris, it is thought that Herzog came into contact with the popular Barbizon School, whose adherents painted the grandeur and beauty of Nature in a romantic and realistic style. The effect of the Barbizon painters can also be seen in Herzog's poetic handling of mood and color. Although he was still in Europe, Herzog sent several paintings for exhibition at the Pennsylvania Academy from 1863 to 1869. He had several friends in the United States and they were developing a rather good demand for his work. It is not known exactly when Herzog decided to come to America. Sometime in the late 1860's he settled in Philadelphia. Besides wanting a developing market for his work, Herzog left Bremen due to rising political agitation by Prussia, which had just absorbed Bremen into its domain. In America, Herzog continued to paint his romantic landscapes, finding the American wilderness well suited to his style. In 1871, he traveled up the Hudson River on a painting tour. In 1873, he took his first trip west, going to Yosemite, then to Wyoming, Oregon, and along the West Coast to the Coronado Island, near the Mexican border. Herzog made several journeys west, finding each trip more fruitful than the last. He became known for his depictions of Yosemite, receiving great acclaim for a fine El Capitan, much in the style of his fellow countryman and painter Albert Bierstadt. His last trip west was in 1905, at the age of 74. In 1876, Herzog participated in the Centennial Exhibition in Philadelphia, showing a Norwegian scene and a Yosemite landscape...

Signed lower left A 19th-century marine painter, William Bradford is famous for his seascapes that reflect his background of being raised in an area known for whaling and other marine activities. During much of his career, his work focused on the Arctic region, which he depicted with strong color and spectacular lighting. Bradford was born and raised in New Bedford, Massachusetts to Quaker parents who disapproved of his desire for a painting career. He became a clerk in his father's dry goods shop in New Bedford but devoted his spare time to sketching, a diversion that caused him and his wife to lose a farm that had been given to them by his father-in- law. In the early 1850s, living in Fairhaven, he launched his professional career by selling portraits of ships for twenty-five dollars a piece. In 1854, he opened a studio and about this same time attracted the interest of Albert Van Beest, a Dutch painter who had come to America in 1845. He became Bradford's teacher and collaborator, and until his death in 1860, they painted together local scenes including seascapes and whaling pictures. In 1861, Bradford began a series of trips to Nova Scotia, Labrador, and Greenland, and painting and photographing the Arctic region became a consuming interest. He also published a book in London titled The Arctic Region, which he vividly illustrated with photographs pasted onto the page and he gave lectures accompanied by lantern slides...

Signed lower right

Signed lower left J. A. Hekking was a versatile and talented landscape painter who lived in New York and Connecticut and was active from the early 1850's to the later 1870's. Hekking was a frequent participant at major exhibitions. His paintings were inspired by the Adirondack and White Mountains, Connecticut, New York views, and the Jersey shore. He worked with Frederick Rondeland. His paintings were actively acquired by important collectors including J.S. Farrand, Sarah Holderby, N.L. Lindsey, T. Foster, and George Watter Vincent Smith. Hekking exhibited at the National Academy of Design (eight paintings between 1859 and 1875); the 1865 Michigan State Fair; the Crystal Palace in New York, 1853; Cosmopolitan Art Association, 1858; Utica Art Association, 1868; Buffalo Fine Arts Academy, 1869; Boston;1869; the Buffalo YMCA, 1861 and the Chicago Industrial...

Signed lower right. A landscape and marine painter, William Ongley was born in England in 1836 and came to America with his family and settled in New York. His art studies took him ...

Signed and dated right of center: J.F. Cropsey / 1852

Signed lower right: F.A. SILVA.

Signed lower left in arrowhead: RA Blakelock.

Monogramed and dated lower right: JF.K. / ‘64.

Signed and dated lower left: J. F. Cropsey / 1885

Rawstorne was active/lived in New York.