Henri Joseph Harpignies

Original Harpignies oil painting "Landscape at Twilight

John Powell has worked in the arts throughout his life. Born in Hollywood, California, he began to paint at the age of 16. Over the past 45 years he has melded his life experiences i...

John Powell has worked in the arts throughout his life. Born in Hollywood, California, he began to paint at the age of 16. Over the past 45 years he has melded his life experiences i...

Donald K. Sultan (b. 1951) Untitled, from Wallflowers Screenprint in colors on wove paper, 2008 24-1/4 x 21-5/8 inches (61.6 x 54.9 cm) (sheet) Ed. 53/190 Initialed, numbered, date...

STEINLEN, THEOPHILE ALEXANDRE (1859 -1923) "Trois Portraits" (Three Portraits) Original ink drawings, c. 1900 Initialed in ink by the artist Bears artist monogram stamp in black in...

DUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"

DE MONVEL, BOUTET (1859 - 1927) "La Petite Poucette" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #27, 1898. Plate #106 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. Boutet de Monvel...

The Barbizon Forest circle of Jean-Baptiste Camille Corot (French 19th century bears signature, oil on wood panel (cradled), unframed panel: 30 x 19 inches provenance: private collec...

Sunset on the river by French artist, Leon Richet. Oil on wood panel. Circa 1885. Signed lower left. Framed size 13.5 by 16.5 inches. Born in Solesme, France in 1847, Léon Richet was of the generation of painters raised during the height of the Barbizon school. He was a student of Narcisse Virgile Diaz de la Pena...

Oil on heavy card stock laid down on masonite by the French artist, Raymond Jean Verdun. Signed lower right. Circa 1895. Condition: Good. Overall framed 7 by 11 inches. The frame has been restored. Born 1873, in Nogent-le-Rotrou; died 1954...

Beautiful oil painting on board of a sunset in Epsom, England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold painted over original gilding. Overall framed measurements are 14 by 20 inches. Condition is very good. Epsom is a market town in Surrey, England, 13.7 miles (22.0 km) southwest of London, between Ashtead and Ewell. The town straddles chalk downland (Epsom Downs...

Beautiful oil painting on board of a sunset Dorking in England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold...

19th century French Barbizon School Painting, oil on canvas signed "Marin", Circa 1840. A very attractive bucolic, pastoral landsacpe scene with sheep grazing on the banks of a lake ...