Gershon Benjamin"From the Studio, Manhattan"Circa 1940
Circa 1940
About the Item
- Creator:Gershon Benjamin (1899, American)
- Creation Year:Circa 1940
- Dimensions:Height: 17 in (43.18 cm)Width: 19 in (48.26 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lambertville, NJ
- Reference Number:
Gershon Benjamin
In a body of work that spans seven decades, obscure American modernist artist Gershon Benjamin explored a varied range of tone, style and subject matter in watercolor, oil and charcoal. Not one to resign himself to a single trademark theme, Benjamin focused on an eclectic array of subjects. His paintings included landscapes, portraits, still lifes and urban scenes.
Benjamin was born in Romania just before the turn of the 20th century. His family moved to Montreal in 1901 to escape ethnic persecution. At 10, Benjamin began studying art at the Canadian Council of Arts and Manufacturers, in Quebec. When he was 12, the Royal Canadian Academy admitted Benjamin.
In 1923, Benjamin moved to New York City, where he secured a night job in the art department of The Sun newspaper. He also enrolled in the Art Students League, where he learned engraving from the notable lithographer Joseph Pennell and drawing from illustrator John Sloan.
Benjamin found inspiration in the work of Pablo Picasso and Paul Cézanne. He depicted urban life in meditative Expressionist paintings that later drew comparisons to the Ashcan School — Benjamin painted scenes of New York City’s blocky skyline, elevated subway trains, empty streets at dawn and the Brooklyn Bridge as he saw them on his way home from his night shift at the newspaper.
In New York, Benjamin forged friendships with creative people who were as in love with art as he was and painted with them in Gloucester, Massachusetts, during the city’s hot summers. A number of his acquaintances found a fair amount of fame — including artists Mark Rothko, Raphael Soyer and Milton Avery — whereas Benjamin sought none. And when artists of the era in Manhattan and elsewhere began to work in the style that would become known as Abstract Expressionism, Benjamin continued to create representational art. He remained largely obscure throughout his career, declining to promote or market his still lifes, landscapes and portraiture.
Benjamin's works are held in a number of private and public collections including the Pennsylvania Academy of Fine Arts and the Ulrich Museum of Art.
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- "New York"By Gershon BenjaminLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...Category
1940s Modern Landscape Paintings
MaterialsOil, Gouache
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1930s Modern Landscape Paintings
MaterialsOil, Board
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1920s Modern Landscape Paintings
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1920s Modern Landscape Paintings
MaterialsOil, Board
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1930s Modern Landscape Paintings
MaterialsOil, Board
- Simka Simkhovitch WPA Artist Oil Painting Gouache American Modernist PowerlineBy Simka SimkhovitchLocated in Surfside, FLSimka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...Category
1930s American Modern Landscape Paintings
MaterialsGouache, Oil, Board
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