Georges Charles Robin

Benodet - Brittany - 20th Century Oil, River in Town Landscape by G C Robin

c.1958

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

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Signed oil on panel seascape circa 1920 by French post impressionist painter Adolphe Louis Gaussen. The work depicts a view of waves cascading against a rocky shore. A sail boat is s...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

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CELSO LAGAR Spanish, 1891 - 1966 LES ROULOTTES signed "Lagar" (lower left) oil on wood panel 9-1/2 x 13 inches (24 x 33 cm.) framed: 17-1/8 x 21-1/2 inches (43.5 x 54.5 cm.) PROVEN...

CELSO LAGAR Spanish, 1891 - 1966 PORT DE HONFLEUR signed "Lagar" (lower right) oil on wood panel 21-3/8 x 16-1/8 inches (31.5 x 41 cm.) framed: 18-1/2 x 22-1/2 inches (47 x 57 cm.) ...

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Landscape #10 is an oil painting on cradled wood panel with chalk and graphite, and measures 24" high by 18" wide by 2" deep. It is finished with a clear resin across the surface, lending Landscape #10 a particular warmth and liquidity that is lovely to behold. It is framed in a black wood shadowbox frame. Will’s new landscapes are inspired by the shorelines of Lake Erie and the farmland of Norfolk County, Ontario. His true project – to explore and capture sudden bursts of cloud light, a disintegrating horizon, the ephemeral nature of shifting shores and lands. From Will Hudson: “From one day to the next it seemed nothing was the same. There was no permanence to a particular view or setting. That’s what I painted.” Recognized for seductive, enigmatic works in oil on wood panel, Will's picture surfaces are fascinating – he favors oil paint with chalk and graphite – and often allows the wood grain to emerge as a natural texture. He finishes each painting with a clear resin that operates as a lens. Admitting light and transmitting light, lending a palpable warmth and liquidity to the experience. Will Hudson is a formally trained architect originally from the UK, now practicing in Toronto, Canada. With an eclectic career in the art world, Will has shown and performed chalk street painting and murals in across North America and Europe. His installations have been exhibited at Nuit Blanche in Toronto in 2009, 2010, 2011 and 2014. His paintings were featured in a solo show, "Things You Think You've Seen" at Artists' Network Gallery in 2018. His most recent solo exhibitions were here at Gagné Contemporary...