Fredrick Stephens

Autumn, Tonalism 21 under 31 SW ART magazine artist

2019

The Road depicts the Texas Hill Country which is Garrett Middaugh's favorite painting locations. This is painted in the style of Realism. This is a 2...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Spring Shade 20 x 16 OIL ON CANVAS FRAMED $2500 PAINTED 2022. Frame photo is only to show frame. Artist Statement Throughout my ...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Spring Shade 20 x 16 OIL ON CANVAS FRAMED $2500 PAINTED 2022 Artist Statement Throughout my life I have had the benefit of livin...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Highland Grove 16 x 14 OIL ON CANVAS FRAMED $1700 PAINTED 2022 Artist Statement Throughout my life I have had the benefit of livi...

BEST VIEWED ON MOBILE DEVICE One Flock Listens is part of newly released small works from V....Vaughan's collection of recent travels in Italy and France. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. This was taken from a plein aire painting near the castle where V....Vaughan was giving a workshop in 2022. 18 x 22 framed. V....Vaughan is know for her animal, Texas missions Italy, France and Gulf Coast paintings. . Also shown in photos are other paintings by in the "Small Works" collection. Photos were taken to show the detail of each painting. Her paintings are part of the permanent collection of the Gadsen Museum of Art, the Bone Creek Museum of Agrarian Art and the Great Plains Art Museum as well as in countless private collections. In the fall 2023 she will teach a workshop at a castle in France, where artists will stay and enjoy the southern French food and scenes. I paint because it’s the best way I know to communicate, study, and observe creative work that’s how Texas painter V…. Vaughan (the first initial stands for Virginia) describes her drive to create fine art. “It’s a calling,” she says of her life’s work, which has taken several twists and turns but has, nevertheless, led her down the path toward fulfillment. A lifelong Texan, Vaughan grew up in the Austin area and today makes her home in Round Rock, a suburb of the capital city. As a child, she exhibited a love of making art and played the role of the creative one among the seven children in her family, eventually working for several of her siblings as a sign painter and designer. Her parents forever encouraged her to appreciate and mine her passion, instilling in her that it was not simply a passing fancy, but an innate gift. “It was always conveyed to me that this was a God-given talent,” she says. Somehow that made me feel like it was something I was supposed to do. It gave me permission to pursue it. Vaughan attended college on an athletic scholarship, though she filled her schedule with art classes and subsequently secured an internship at an advertising agency. That introduction to the corporate world set her off in a new direction—she left school to parlay the summer job into a full-time position. She continued to work as a commercial artist for many years after that, winning several prestigious ADDY Awards and working on high-profile accounts for Samsung, the Lady Bird Johnson...

October Mums is a 12 x 9 oil painting of assorted October Fall Mums. It is framed and ready to be shipped. One artists described October Mums as "Now that is a world class oil painting! Realistic casual brush work. The best I have seen. Delicious !! " Artist Statement: I simply love painting and my goal is to capture sunlight and color so that viewers can enjoy it as well. Eric Santoli is an artist based in the United States whose paintings have been exhibited nationally. Inspired by the beauty of nature, through his works he endeavors to capture fleeting moments in time. Santoli's artistic expression fuses impressionism with realism. He primarily creates with oils and almost entirely from direct observation, favoring the impasto technique. Residency 2022 The Versaille Foundation's Munn Fellowship Artist Residency Award - Giverny, France Eric Alexander Santoli (b. 1991) is a painter and teacher. He is a 2014 BFA graduate of the University of Pennsylvania and a 2013 certificate graduate of the Pennsylvania Academy of the Fine Arts. He has also taken classes at the Grand Central Atelier. His education extends into time learning as an apprentice in Anne Harris’s mural painting studio, a 2013 internship at Sotheby’s auction house and many other experiences. Santoli’s current work and style were initially inspired by a 2018 trip to Spain and a visit to the Museo Sorolla in Madrid. He returned from Spain with a desire to paint en plein air, directly from nature and under full sunlight. In May of 2021, he was awarded the Versailles Foundation’s prestigious Munn Fellowship Artist Residency Award which will allow him to live and work in Claude Monet’s house and gardens in Giverny, France for three months in 2023. Santoli is proud to be a brand ambassador for Natural Pigments and an affiliate artist with Rosemary & Co Artists’ Brushes. In addition to painting, he enjoys being outdoors, reading, writing, traveling, skateboarding, and riding his Triumph Bonneville...

Signed lower right: G. Inness

Yellow Landscape/Wood Interior/Birch Forest 3 different titles on 3 labels DESCRIPTION Yellow Landscape oil /panel bears Florence G. Carlsen Estate stamp on Brett Mitchell Collecti...

Signed lower right: Gustave Wolff

Signed lower right: Gustave Wolff

Charles Warren Eaton (1857 – 1937) The Shadow of Mount Rockwell, Glacier National Park, Montana, 1921 Oil on canvas 20 x 24 inches Signed lower right: CHAS WARREN EATON. Provenance: The artist The Macbeth Gallery, New York Private Collection Sotheby's New York, American Art, April 14, 1989 ConocoPhillips, Houston Simpson Galleries, Houston, Fine Art & Antiques, May 18, 2019, Lot 447 Exhibited: New York, The Macbeth Gallery, Paintings of Glacier National Park by Charles Warren Eaton, December 13, 1921 - January 2, 1922, no. 2. Literature: "Two Exhibitions at Macbeth's," American Art News, New York, Vol. XX, No. 10, December 17, 1921. A contemporary critic wrote that the paintings of Charles Warren Eaton appeal to “the dreamers who find in them the undiscovered scenes in which their fancy long has dwelt.” Eaton’s contemplative landscapes exude a spiritual quality that moves the observer into a similar frame of mind. He loved to depict the ethereal light of dawn and dusk in late autumn or winter, usually without any reference to human or animal figures or buildings. These Tonalist paintings, with their subdued palette and relatively intimate scale, marked a definite break with the fading popularity of the panoramic and romantic views of the Hudson River School painters. Charles Warren Eaton was born in Albany, New York to a family of limited means. He began painting while working in a dry-goods store. At age 22, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League. By 1886, he was successful enough to quit his day job and make a living as a landscape painter. That year, he traveled to Europe with fellow Tonalist painters Leonard Ochtman and Ben Foster. In France, Eaton visited popular artist’s spots such as Paris, Fontainebleau and Grez-sur-Loing, and fell in love with the loose brushwork and moody style of French Barbizon painting. Returning to the United States, Eaton fell under the spell of George Inness, the foremost exponent of Barbizon style in the United States. In 1888, Eaton settled near Inness in Bloomfield, New Jersey, where Eaton lived until his death in 1937. In this period, he painted shadowy and ambiguous landscapes inspired by rural scenery in the northeastern United States. His signature theme was a cropped view of the branches, trunks, and foliage of a pine grove silhouetted against a delicately illuminated sunset or moonlit sky. He painted this vision so often between 1900 and 1910 that he picked up the sobriquet ‘‘The Pine Tree Painter.” After 1910, Eaton responded to the popularity of Impressionism by using brighter colors and painting sunlit daytime scenes. In 1921, he was hired to paint Glacier Lake, in Glacier National Park by the Great Northern Railroad Company as part of their ‘See America First’ campaign. He produced more than 20 paintings, among the artist's last works, that now poignantly remind viewers of the vast disappearing glaciers. Eaton tended to approach this mountain scenery from an oblique vantage point; he liked to capture small episodes, showing mountaintops nearly obscured by dramatically attenuated screens of fir trees. Eaton, like many Tonalist artists of his generation such as Henry Ward Ranger, John Francis Murphy, and Charles Melville Dewey...

George Henry Smillie (1840 - 1921) Stone Wall, Autumn, 1879 Oil on canvas 9 1/2 x 15 inches Signed and dated lower right Provenance: Skinner, Boston, September 19, 2014, Lot 389 The career of George Smillie (1840-1921) followed the arc of nineteenth-century U.S. landscape painting. Trained in the Hudson River School tradition, Smillie successfully adapted to changing U.S. tastes and growing interest in European trends. In the late 1800s, he moved to tonalist paintings full of brushwork and influenced by French Barbizon painting. By the end of his career, he had lightened his palette to produce works similar to those of the U.S. impressionists. Yet in all styles, he was never less than competent, and his tonalist work is among the best produced in the United States. Like many nineteenth-century painters, George Smillie’s artistic training began with the study of printing. His father, James Smillie...