Landscape with an obelisque and figures at a ruined fortre - Old ForteOil Panel
View Similar Items
1 of 17
Emanuel MurantLandscape with an obelisque and figures at a ruined fortre - Old ForteOil Panel Around 1660
Around 1660
About the Item
- Creator:Emanuel Murant (1622 - 1700)
- Creation Year:Around 1660
- Dimensions:Height: 20.28 in (51.5 cm)Width: 21.46 in (54.5 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Nuenen, NL
- Reference Number:Seller: VILLA 191111stDibs: LU120014479342
You May Also Like
- A wooded landscape with figures crossing a river by Gillis NeytsBy Gillis NeytsLocated in London, GBOil on panel 47.5 x 57.5 cm (18 11/16 x 22 5/8 inches) * This painting is attributed to the artist Gillis NeytsCategory
Mid-17th Century Old Masters Landscape Paintings
MaterialsOil, Panel
- Italian Landscape With Figures at a Waterfall by a Follower of Jan van HuysumBy Jan Van HuysumLocated in Stockholm, SEThere are so many details to fall in love with in this 18th-century painting depicting an Italianate landscape, for example, the delicately painted figures having a conversation and ...Category
Early 18th Century Old Masters Landscape Paintings
MaterialsOil, Wood Panel
$2,428 Sale Price20% OffFree Shipping - Antique English 19th century marine sceneBy William AndersonLocated in Woodbury, CTOutstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...Category
1810s Old Masters Figurative Paintings
MaterialsOil, Wood Panel
$6,360 Sale Price20% OffFree Shipping - Moses and the Pillar of Cloud by Lucas Cranach the Elder and StudioBy Lucas Cranach the ElderLocated in New Orleans, LALucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...Category
16th Century Old Masters Figurative Paintings
MaterialsOil, Panel
- A Peasant Removing a Plaster: The Sense of Touch. By a Follower of David TeniersBy David Teniers the YoungerLocated in Stockholm, SEDavid Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...Category
Early 18th Century Old Masters Figurative Paintings
MaterialsOil, Panel
- Flemish 17th c., Allegory of war and peace, circa 1630, by Adriaen van StalbemtLocated in PARIS, FRAdriaen van Stalbemt (Antwerp, 1580-1662) Allegory of Peace and War, circa 1620-1630 Oil on oak panel: h. 49.5 cm, l. 73.2cm (19.29 x 28.74 in) Giltwood frame with laurel leaves, Lo...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsOil, Panel
Recently Viewed
View AllMore Ways To Browse
Italianate Oil
Brick Bear
Philips Wouwerman
1700 Unknown French Painting
Van Der Heyden
Flower Sketching
Irish School
Vintage Oil Painting France
19th Century Street Scene
Dutch Impressionist Landscape
Contemporary London Impressionist Painting
Lake And Trees Painting
Seaside Paintings
Co Mountains
California Coastal Paintings
18th Century Dutch Art
Crown City
Vintage Cowboy Art