Skip to main content
1 of 17

Emanuel Murant
Landscape with an obelisque and figures at a ruined fortre - Old ForteOil Panel

Around 1660

You May Also Like
  • A wooded landscape with figures crossing a river by Gillis Neyts
    By Gillis Neyts
    Located in London, GB
    Oil on panel 47.5 x 57.5 cm (18 11/16 x 22 5/8 inches) * This painting is attributed to the artist Gillis Neyts
    Category

    Mid-17th Century Old Masters Landscape Paintings

    Materials

    Oil, Panel

  • Italian Landscape With Figures at a Waterfall by a Follower of Jan van Huysum
    By Jan Van Huysum
    Located in Stockholm, SE
    There are so many details to fall in love with in this 18th-century painting depicting an Italianate landscape, for example, the delicately painted figures having a conversation and ...
    Category

    Early 18th Century Old Masters Landscape Paintings

    Materials

    Oil, Wood Panel

  • Antique English 19th century marine scene
    By William Anderson
    Located in Woodbury, CT
    Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...
    Category

    1810s Old Masters Figurative Paintings

    Materials

    Oil, Wood Panel

  • Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
    By Lucas Cranach the Elder
    Located in New Orleans, LA
    Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
    Category

    16th Century Old Masters Figurative Paintings

    Materials

    Oil, Panel

  • A Peasant Removing a Plaster: The Sense of Touch. By a Follower of David Teniers
    By David Teniers the Younger
    Located in Stockholm, SE
    David Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...
    Category

    Early 18th Century Old Masters Figurative Paintings

    Materials

    Oil, Panel

  • Flemish 17th c., Allegory of war and peace, circa 1630, by Adriaen van Stalbemt
    Located in PARIS, FR
    Adriaen van Stalbemt (Antwerp, 1580-1662) Allegory of Peace and War, circa 1620-1630 Oil on oak panel: h. 49.5 cm, l. 73.2cm (19.29 x 28.74 in) Giltwood frame with laurel leaves, Lo...
    Category

    Early 17th Century Old Masters Figurative Paintings

    Materials

    Oil, Panel

Recently Viewed

View All