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Edmund Lewandowski
Mykonos Church Landscape

1965

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  • Mykonos Church Landscape
    By Edmund Lewandowski
    Located in Miami, FL
    A vibrant example of the artist's precisionist style where a tight semi-abstract geometric composition is inspired by architecture and is reduced to simplified geometric shapes with...
    Category

    1960s Abstract Geometric Landscape Paintings

    Materials

    Gouache, Board

  • Thought Provoking Rock Quarry - Mid Century Abstract
    Located in Miami, FL
    This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then ou...
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    1950s Abstract Expressionist Abstract Paintings

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    Mixed Media, Gouache, Board

  • Landscape in Winter
    Located in Miami, FL
    At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...
    Category

    1950s Abstract Geometric Landscape Paintings

    Materials

    Oil

  • City Scape Abstract Expressionist Composition -Jackson Pollack Friend
    By Joseph Meert
    Located in Miami, FL
    The fame, notoriety, and monetary value of an artist's work in today's market are not based on one's talent and vision. Factors such as marketing and media momentum play a defining r...
    Category

    1940s Abstract Expressionist Abstract Paintings

    Materials

    Gouache

  • Snowstorm, Morningside Heights, New York City - Monochromatic
    Located in Miami, FL
    Eugene Camille Fitsch Am./Fr., 1892-1972 - Signed lower right. Framed dimensions 20 3/4" x 34 7/8" framed Provenance: Studio of the Artist to Private Collection Boston, Massachuse...
    Category

    1940s Abstract Expressionist Landscape Paintings

    Materials

    Casein

  • Landscape Abstraction - Mid-Century - Twenty Paintings in One
    Located in Miami, FL
    At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Oil

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