George Inness

"A Cloudy Day, " View of Montclair, New Jersey, Tonalist, Barbizon Scene

1886

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...

Lower Manhattan American Modernism NYC Cityscape Social Realism WPA 20th Century Jo Cain (1904 - 2003) Lower Manhattan 34 1/4 x 42 ½ inches Oil on canvas c. 1...

1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair is available for sale. This sculpture, "Riders of the Elements," is the original 7' plaster maquette from the NYC 1939 World's Fair by Chester Beach...

"Cellar with Horseshoe" WPA American Scene Modernism 20th Century NYC Industrial Joseph Solman (1909-2008) "Cellar with Horseshoe," 16 x 20 inches, oil on canvas circa 1938, initial...

WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural James McCracken (1875 – 1967) WPA Landscape 28 x 36 inches Oil on canvas, c. 1930s Signed lower right ...

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...

A rare depiction of Lake Mohonk, this painting by Hudson River School artist Nelson Augustus Moore (1824-1902) features Sky Top Tower and the serene natural surroundings of the historic Mohonk Mountain House. This 19th century oil painting on canvas measures 12 x 17.75 inches. The painting is signed and dated at the lower right, signed again and titled "Lake Mohonk" on the verso. The painting is framed is ready to hang. Nelson Augustus Moore was born on August 2, 1824, in Kensington, CT. His artistic studies began under the tutelage of Thomas Cummings and Daniel Huntington in New York City. After returning home to Connecticut, Moore taught drawing classes and also opened a photography business. He and his brother operated this daguerreotype studio in Hartford, CT until 1864 when Moore chose to return to landscape painting. His landscapes consisted mostly of New England subjects. He kept a studio in New York, painting in the same building as Arthur Fitzwilliam Tait, James Hart and William Hart. Nelson Augustus Moore, while sharing in many ideologies with his contemporaries, felt no need to travel vast distances in search of grandiose and spectacular landscapes. He held a particular delight in the peaceful harmony of the local American countryside...

Hudson River School artist Worthington Whittredge's (1820-1910) Landscape in the Hudson Valley is oil on canvas and measures 11 x 19 inches. The work is signed by the artist at the l...

Hudson River Inlet, 1885 by Hudson River School artist Frank Anderson (1844-1891) is oil on canvas. The work measures 15.13 x 24.25 inches ...

Hudson River School painter Andrew Melrose's (1836-1901) "Meadow and Mountain at Sunset" is oil on canvas and measures 12 x 18 inches. The painting is signed by Melrose at the lower left. The work is framed in and ready to hang. Little is known about the early life of Scottish-born artist Andrew Melrose, though available literature often notes that he was largely self-taught. He is thought to have come to America in 1856, stopping in New York before moving on to Toronto. Within ten years, Melrose, along with his wife, had relocated to the New York area. His first great success came in 1867 when he was commissioned by the Chicago and Northwestern...

JOHN FREDERICK KENSETT (1816-1872) Woodland Waterfall Oil on canvas 14 x 12 inches Signed lower right

Painted by Hudson River School artist Ida H. Stebbins (b. 1851), "View of South Pond, New York," 1879 is oil on canvas, measures 23 x 33 1/2 inches, and is signed and dated 1879 at t...