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Angel Ramiro Sanchez
Orange Umbrella

2016

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  • Venice, Italy
    By Nelson H. White
    Located in Sag Harbor, NY
    A small scale plein-air painting of Venice, Italy, painted from across a body of water. A small but charming landscape painting. Framed in a gold, handmade Italian frame. Framed dim...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Panel, Oil

  • "The Train Station at Night in Winter" contemporary oil plein-air painting
    By Marc Dalessio
    Located in Sag Harbor, NY
    An oil painting by Marc Dalessio. Painted en plein air at night. The setting appears to be a vast plaza lined with trees, and benches. A figurative statue centers the plaza. An illum...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Panel, Oil

  • "Fisherman on the Seine" - Oil painting, Impressionist in France, Fishing, green
    By Tina Orsolic Dalessio
    Located in Sag Harbor, NY
    Orsolic Dalessio composes a picturesque scene of a fisherman patiently waiting for his catch among the vast greenery of the French countryside. A plein air painting in France by Orso...
    Category

    21st Century and Contemporary Impressionist Landscape Paintings

    Materials

    Panel, Oil

  • Concert
    By Marc Dalessio
    Located in Sag Harbor, NY
    An oil painting, painted en plein air of a live concert performance. Musicians are seen on stage playing various instruments in front of a sizable audience. A wall and tower like str...
    Category

    2010s American Impressionist Figurative Paintings

    Materials

    Oil, Panel

  • Ditch Plains Lifeguard
    By Marc Dalessio
    Located in Sag Harbor, NY
    Painted en plein air, on the beach (Ditch Plains) in Montauk, New York. Dalessio captures this picturesque & popular Hamptons beach. A lifeguard stand is ...
    Category

    21st Century and Contemporary American Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Soccer Players in Central Park - NYC skyline looking Downtown - en plein air
    By Marc Dalessio
    Located in Sag Harbor, NY
    Painted en plein air in Central Park, in New York City. A large grassy field painted with a bright green, meets a tree lined horizon in autumnal colors. The skyline stands against a lavender sky. Figures scattered throughout the green expanse, playing soccer on the close right. Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was art. In 1989 he started at the University of California at Santa Cruz where he focused on both art and biology. During his time in Santa Cruz, Marc experimented with different schools of painting and spent much of his spare time studying the history and culture of the profession. He finished his outstanding academic career, graduating Phi Beta Kappa...
    Category

    2010s American Impressionist Landscape Paintings

    Materials

    Oil, Panel

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  • L’embarquement by Gaston La Touche
    By Gaston La Touche
    Located in New Orleans, LA
    Gaston La Touche 1854 - 1913 French L’embarquement The Embarkment Signed "Gaston La Touche" (lower right) Oil on panel A fashionable group of merrymakers boards a rowboat at sundown in this oil on panel by renowned French painter Gaston La Touche. Softly lit and lushly detailed, the work represents the artist’s talent for capturing the gaiety of the Belle Époque. With its luminous coloring and feathery brushwork, this oil evokes the style and joie de vivre of the era rendered in La Touche’s distinctive, mature style. Fresh and airy, the work is a beautiful example of the artist’s skill at capturing the subtle qualities of light and color. Set against the plein air backdrop of a wooded pond awash in the soft glow of the golden hour, the scene reflects the influence of the Impressionists. The subject also recalls works by Manet, Monet and Renoir, who delighted in depictions of modern leisure among the expanding middle class. The scene is an informal one, and its unconventional cropping suggests that the viewer is invited to take a seat in the boat and join the group on their outing. Such relaxed, inviting scenes were remarkably popular among contemporary, modern audiences. However, La Touche's style is singular, possessing an element of fantasy and romance that set him apart from the Impressionists. Gaston La Touche was born in St. Cloud, outside of Paris, in 1854, and he showed a keen interest in art from a young age. At ten years old, he began taking private art instruction, which lasted until 1870, when his family was forced to flee to Normandy amid the Franco-Prussian War. This was the only formal art training La Touche would ever receive. Despite his lack of Academy training, he made his debut at the Paris Salon of 1875 with a sculptural medallion and etchings, and he exhibited his first painting at the Salon of 1881. Although he began his career painting dark-toned realist compositions, by 1890, his style had shifted to what would become his signature — a lighter, brighter, idealistic society world. The artist was associated with practically all of the most influential artists and thinkers of late 19th century France, including Édouard Manet, Edgar Degas, Émile Zola, who frequently met at the legendary Cafe de la Nouvelle Athenes to share their thoughts on modern society. In 1900, he was named a Chevalier of the Legion d'Honneur and an Officer in 1909. Additionally, he was well-decorated at the grand...
    Category

    Late 19th Century Impressionist Figurative Paintings

    Materials

    Oil, Panel

  • The Sailor is a 11 x 8" oil Cuban-American Water Impressionism
    By Reynier Llanes
    Located in Houston, TX
    REDUCED FROM $3000 The Sailor is a 11 x 8" oil painting by Cuban-American artist Reynier Llanes who lives in Miami. It is framed. It is oil painted on a wood panel . The Sailor floats in the frame. The background of Reynier Llanes is unique in style , subject matter, and medium. The artist says this about Field of Flight The characters in my paintings emerge from stories and their journeys are inspired by my own experiences and daily routines. My inspiration comes from literature, music, cinema, and daily life. My daily routine enables me to meditate and use my creativity to serve these stories and inspirations. I begin my mornings with sketches and watercolors. This is the time I use to keep inventory of my ideas and to allow them to further inspire me. Many of these characters have been depicted in my work before, whether in a different geographical location or in a different state of their physical evolution. I use a variety of mediums in my work including oils, watercolors, coffee, and charcoal. They are all equally important to me as they allow me full expression, each in its’ own sector. I use a great deal of symbolism in my art to give depth to the subjects that I wish to express. I want my art to tell a story in a manner that stimulates the imaginations of others, especially of things never seen or expressed directly. As an observer it is clear to see that we are all in pursuit of life’s mission of working, loving, and belonging. I begin my paintings by building layers of textures and color values, and then subtly add dimension and depth. Through the use of colors and highlighting I am able to enhance the atmosphere with mood, character, depth and mystery, and bring special attention to my subjects. It is the creative process of using these materials and methods that feed my soul, life, and being. I believe it is our mission as intellectuals to have a voice in our society, for our work to have a footprint in history, and to be a reference for future generations. BIO: Reynier Llanes was born in Pinar del Rio, Cuba in 1985. He attended the city’s school of art (Instructores de Arte) for four years and completed his studies in 2004. Llanes was tutored by one of the country’s most recognized realist artists, Juan Miguel Suárez. In 2005 he moved to Havana where he continued his studies and collaborated with various artists. The capital was a thriving mecca of art and culture and the museums the grounds for inspiration. In 2007 LIanes availed himself of an opportunity to emigrate from Cuba and moved to the United States, first settling in Naples, FL. In Naples he began to introduce his work in a major exhibition entitled “Strange Visitor” at the Kapo Maestro Gallery. In 2009 he relocated to Charleston, SC where he had the honor of being granted an artist in residency at the Jonathan Green Studios. Llanes was awarded a "first purchase award" for a piece now in the art collection of the city of Charleston 2011 at Moja Art Festival Juried Exhibition Award. In 2012 Oxford America recognized him as one of the "New Superstars of Southern Art." The art of Reynier was nourished by the rich southern culture and he began to collaborate with various museums and art centers. His work was featured in a traveling exhibition The Vibrant Vision Collection at the Morris Museum in Augusta, GA and the Gibbes Museum of Art in Charleston, SC. Llanes is also an avid art collector in his own right, focusing on works by artists from Cuba, and particularly those from his native province of Pinar del Río. A selection of works from his collection was exhibited at City Gallery in Charleston in 2013 and in the Art Museum in Myrtle Beach in 2015. In 2015 Llanes relocated with his family to Miami in order to take advantage of the city’s international art market and vibrant cultural life and to be closer to his home country. South Florida is, of course, home to a large community of intellectuals, collectors, and fellow artists who have welcomed Llanes into their cosmopolitan scene. His first solo exhibition in Miami took place at Miami Dade College West, this exhibition was entitled “Preserving Cultural Heritage” and it featured a large collection of coffee paintings. In 2017 he met Bill Meek...
    Category

    2010s American Impressionist Landscape Paintings

    Materials

    Wood Panel, Oil

  • Crepuscule - French Impressionist Oil, Night Landscape by Henri Duhem
    By Henri Duhem
    Located in Marlow, Buckinghamshire
    Signed and dated impressionist landscape oil on panel by French painter Henri Duhem. This work depicts a view of buildings and a statue of Jesus on the cross in a rural French villag...
    Category

    Early 1900s Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Bergues - Impressionist Oil, Figures in Landscape by Henri Duhem
    By Henri Duhem
    Located in Marlow, Buckinghamshire
    Signed and dated figures in landscape oil on panel by French impressionist painter Henri Duhem. The work depicts a view of a mother and child walking along a path in a French village in Bergues, Northern France. The buildings of the village can be seen and a church just behind them. Thick cloud envelopes the blue sky. Signature: Signed lower right and dated 1914 and titled verso Dimensions: Unframed: 5.5"x7" This painting is not currently framed but a suitable frame can be sourced if required. Provenance: The artist's estate Descendant of an old Flemish family, Henri Duhem was born in Douai on April 7, 1860. He worked as a lawyer at the Bar of the Court of Douai from 1883, he practiced at the same time his passion for drawing and watercolor. In 1887, he enrolled in Henri Harpignies' drawing course in Paris and, at the same time, befriended the painter Émile Breton...
    Category

    1910s Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Canal à Douai - Hiver - 19th Century Oil, Barges in Winter Landscape by H Duhem
    By Henri Duhem
    Located in Marlow, Buckinghamshire
    A lovely oil on panel by Henri Duhem depicting barges on the canal in Douai - the colouring beautifully represents the cold of winter. Signed lower left and dated 1903 verso. This pa...
    Category

    Early 1900s Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Tending the Garden - 19th Century Oil, Figure by Cottage Landscape - Henri Duhem
    By Henri Duhem
    Located in Marlow, Buckinghamshire
    Oil on panel by Henri Duhem depicting a man digging in a garden beside a cottage. Signed lower left and dated 1928 verso. This painting is not currently framed but a suitable frame c...
    Category

    1920s Impressionist Landscape Paintings

    Materials

    Oil, Panel

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