(After) Jan Both

Old Master Landscape by a Follower of Jan Both

Ba'al Shem Tov Leading Prayer On A Top of a Mountain. Israel Doskow was a Russian - American artist born in 1881. This fine art is oil on canvas and signed by Israel Doskow circa 1...

This is an excellent Allegorical work in pleasant pastel colors by Charles E. Mills an American artist who lived between 1856 and 1956. The painting depicts two musicians dancing a...

16" x 20" oil on canvas, signed lower right. Thought to be a view in Western North Carolina but could just have easily have been painted in Connecticut. John Winthrop Andrews (1879-1964) John Winthrop Andrews was born on August 31, 1879 in Newtonville, Massachusetts. He studied at the Massachusetts School of Art with Frank Vincent DuMond, Edward Hamilton, and Joseph DeCamp. "DuMond was an influential teacher, counting among his students J. Winthrop Andrews and Gifford Beal. Along with Andrews, DuMond exhibited a painting called October in the first exhibit of the Yonkers Art Association (1916)." Source: The Hudson River Museum provided source material to Resource Library for the aforementioned article on Paintbox Leaves (2010 Exhibition at the Hudson River Museum): Autumnal Inspiration from Cole to Wyeth. J. Winthrop Andrews was best known as a painter of colorful landscapes and seascapes. The artist visited Bermuda from about 1910, the same year as his marriage to Alice G. Blaisdell. Andrews' Bermuda paintings...

Now in a period frame, carved italian and gold leaf ask for images please In frame Little is know about George Frank Higgins, but his work sugge...

Oil on mahogany panel with perfectly good signature that I cannot quite decipher. It is Belgian and has a flag that references the country of origin. I just bought this work and ...

Large Post-impressionist landscape of the South of France by this American ex-patriot. Root studied at the Academy of Julian with JP Laurens ...

Ruisdael is regarded as the principal figure among Dutch landscape painters of the second half of the 17th century. His naturalistic compositions and style representing massive forms...

Attributed to William Marlow (English, 1740-1813) Elegant Figures alongside the River Wye 1790 131 x 152 cm, inc. frame This quiet bucolic scene shows figur...

Provenance: The Marchesi Strozzi, Palazzo Strozzi, Florence Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...

River landscape with popular life scene Oil painting on canvas 62 x 98 Framed 74 x 110 cm. We present this vast and harmonious composition, where a characteristic river landscape acts as a stage for an exquisite extract of popular life, set in a small village on the edge of a lush stream. The painting, which presents characters unequivocally linked to the Flemish culture of the second half of the 17th century, shows iconographic and stylistic correspondences, in particular, with the successful production of Adrien Frans Boudewijns (1644-1711) and Pieter Bout (1658- 1719). Aside from the figure of duck hunter...

The Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’ Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze. The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...

Claude-Joseph Vernet (French, 1714 – 1789) Fisherman by a cascade in a gorge Oil on canvas 22.1/4 x 25.1/2 in. (56.5 x 64.7 cm.) Provenance: The estate of the late Betty, Lady Grantchester Du Catalogue Collection #39 Christie's London, 3 Dec 1997, Lot 52 (£41,000) Claude-Joseph Vernet was the leading French landscape painter (with Hubert Robert) of the later 18th century. He achieved great celebrity with his topographical paintings and serene landscapes. He was also one of the century's most accomplished painters of tempests and moonlight scenes...