Jean Marchand

French Fauve fauvist early large colourful modernist painting Shakespeare scene

circa 1908

It is fascinating how a painting with so many round shapes can appear so cubist. To my mind, it's because the artist is much more interested in the forms and volumes he sees than in ...

A very atmospheric and idyllic view of a Southern fishing port, painted most likely in Italy or France. Resolutely post-impressionist, the landscape is imbued with the light of the M...

An exuberant impressionist floral still life by Marie Lucie Nessi-Valtat (1910-1992). Marie Lucie studied with André Lhote, at the Ecole des Beaux art and at the Académie de la Grande Chaumière from the age of 18. She was part of the circle of Montparnasse artists Léonard Foujita, Jean Hélion, Moïse Kisling. In 1932 Marie Lucie Nessi married Jean Valtat, the son of Post Impressionist master Louis Valtat, whose work influenced on his daughter-in-law's art. After acclaimed one man shows in renowned European galleries galleries such as the Parisian Galerie Bernheim-Jeune, Marie Lucie Nessi-Valtat signed a contract of exclusivity with Wally Findlay Galleries...

It is probably those irises in the foreground that always make me think of Monet's garden when I look at this landscape! Just like he Master's late work, it is so impressionist that ...

A major, mid century modern work by French artist Claude Dechezelle (1928-2003). Having studied with the art deco painter and designer Jean Dupas at ...

A sweet and intimate family scene by the rarest of artists: French early 19th Century child prodigy Henri-Louis-Hippolyte Poterlet (1804-1835). Poterlet was a close friend and confi...

Jean-Pierre Cassigneul is arguably France’s most popular and revered contemporary figurative painter. Since his birth, the artist has been immersed in the world of feminine beauty an...

Jean-Pierre Cassigneul is arguably France’s most popular and revered contemporary figurative painter. Since his birth, the artist has been immersed in the world of feminine beauty an...

A beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.

Adriana Pincherle, (1905, Rome - 1996, Florence). A lady with a turban and green shadows in a landscape. Italian female painter, active in Rome and from 1943 in Florence. Painting signed and dated lower right: Adriana Pincherle. 1973. Oil painting on canvas. The simple composition, which represents a woman from behind, bears the influence of Matisse's avant-garde style, with bold and refined color combinations. The shape is created with color, creating an almost surreal and highly expressive effect. The painter once said: "My painting has always been figurative, not realistic. In this sense I felt very similar to the Informal movement, which, fundamentally, pushed my passion for color to the extreme." FREE SHIPPING in Italy and Europe Artist Biography: Pincherle Adriana Rome 25 December 1905 - Florence 8 January 1996 Adriana was born in Rome on 25 December 1905, into a family in which two cultures were intertwined: the Jewish one of her father, the engineer Carlo Pincherle, of Venetian origins and in love with painting, and the Catholic one of her mother, Isa di she. De Marsanich, a noble but decayed Hungarian. Adriana is the eldest child and two years older than her brother Alberto, known to the literary world under the pseudonym Alberto Moravia As Pincherle herself says about her, as a child she spent hours admiring her father who painted watercolours, and it was perhaps then that her interest in drawing and above all her particular sensitivity towards color was born. Thus, having completed her classical studies, she began to attend the "ladies" atelier of the engraver Alfredo Petrucci and the free nude courses at the Academy, where she met Mimmo Spadini and Scipione, and came into contact with Roman art. In 1931 she made her debut at the collective "First Roman exhibition of female art" at the "Galleria di Roma", while the following year, at the same gallery, she exhibited a solo show together with Corrado Cagli, already attracting the attention of critics, famous comment by Longhi, cited several times by Pincherle herself, who prefers the "sissy" between the two artists. As evidence of the results achieved by Adriana since her first works, we remember that among her works presented in 1932 there was also the famous "Standing Self-Portrait", now in the Uffizi Pincherle's growth passes through places and periods common to both the Roman School and the school of painters of the via Cavour group (Mafai, Raphaël, Scipione), with tangents and deviations, but his pictorial research arrives at original solutions independent of any label . Fundamental to the maturation of her art was her stay in Paris in 1933, in which Pincherle admired and studied closely the Fauves, Renoir and in particular Matisse. In the same year she exhibited for the first time in Florence at the Sala d'arte delle Nazioni with Milena Barilli...

Frame size 98x117 cm. Ramon Aguilar i Moré (Barcelona, ​​1924-Barcelona, ​​September 23, 2015) was a Spanish painter. His work was influenced by the expressionist movement, although...

Oil on canvas