Jackie Battenfield

Tickled Pink, Horizontal Botanical Tree Painting on Mylar in Bright Pink, Blue

2018

The complex of tree branches in dramatic hues of dark blue is striking against the pristine white background of this painting on mylar. *This painting on Mylar requires mounting and...

In this embroidery painting, a poinsettia pattern in red, yellow, purple and green is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this painted embroidery, an ornate french tapestry in brick red, gold and ivory with royal blue details on is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this pointillist landscape, a forest scene with trees in woods is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery...

In this painted wallpaper pattern, an ornate botanical pattern with roses against a powder blue background is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this pointillist interior scene, an artist's studio is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

Large Abstract Painting "Springtide" by Alex K Mason. Unframed, Acrylic, Gouache on Yupo Mylar, 60"H 50.25"W. Blues, Greens, Browns, White, 2022 This is a painting on Yupo paper, w...

Anonymous Self Portrait Collage 4 2019 Signed and dated on label, verso Ink, graphite, acrylic, and Mylar on 300 lb. hot-pressed watercolor paper mo...

This abstract composition in blue and brown black earthtones is created with a unique perspective which gives a feeling of looking up at a sky or looking down into merging paths of water. Cyphers use of silver leaf gives the central forms a reflective glow, which balances well with her masterful brushwork and mark making. This painting has a meditative quality that draws the viewer in and allows for introspective thought. Peggy Cyphers, “Silver Spider Spirit”acrylic and silver leaf on mylar ($2750 USD framed in shadowbox frame with museum glass) Peggy Cyphers has had over 30 solo exhibitions throughout the United States and Europe since 1984. Cyphers received numerous awards for her work, including NEA, Elizabeth Foundation, Peter S...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...