William Henry Dethlef Koerner

Man Running with Dog - No Thorough Fare, Golden Age of Illustration

Circa 1930 - 1940

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Trailblazing Gay Female illustrator of the Golden Age Ida Waugh paints and powerful narrative of a woman cowering in a tree while a hungry pack of wolves wait beneath her for dinner feast. Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes and marshmello clouds set against a rich blue saturated sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

George Giusti is in the Art Directors Hall of Fame. George Giusti’s graphic designs and illustrations have graced the covers of Time, Fortune, Holiday. He collaborated with Herbert ...

Cover illustration for mid-century children's book publisher Merril Publishers. Signed lower right. Unframed. Retta Scott or Retta Worcester was (February 23, 1916 – August 26, 1990) was an pioneering Female Illustrator / American artist. She was the first woman to receive screen credit as an animator at the Walt Disney Animation Studios. Scott worked on storyboards to develop scenes of Bambi, his mother, and the film’s hunting dogs, on which she spent weeks to develop them into “vicious, snarling, really mean beasts.” Male artists in the company were stunned who initially assumed that only a man could create drawings with such intensity and technical skill. Her sketches caught the eye of Disney, so when the film went into production, she was assigned to animate scenes of hunting dogs chasing Faline. She worked under the film's supervising director, David D. Hand,and was tutored by Disney animator Eric Larson. This was a significant coup for the young woman, since at the 1930s-era Disney studio, women were considered only for routine tasks: "Ink and paint art was a laborious part of the animation process, and was solely the domain of women..." Her promotion to animator was in part thanks to the success of herself and other women such as Bianca Majolie, Sylvia Holland, and Mary Blair as storyboard artists. Even after receiving a promotion to animator, she and her animations continued being under appreciated in the industry. Though the most recognized Walt Disney female artist is Mary Blair, it is Retta Scott who opened up the doors for women in the animation industry. She became the first woman to receive screen credit as an animator. By the spring of 1941, Scott was also considered a "specialist in animal sketches." Scott helped produce Fantasia and Dumbo, as well as an adaptation of The Wind in the Willows that was later cancelled. She also made an appearance in The Reluctant Dragon...

Elegantly painted in a charmingly warm style - Alfred Lord Tennyson's Charge of the Light Brigade (Golden; Paul Hamlyn, 1964) Signed by th...

This artwork "Young Girl with Her Cat" c.1990 is an oil painting on panel by noted American artist Gunnar Donald Anderson, b.1927 It is signed at the lower right corner by the artist. The panel size is 20 x 16 inches, framed size is 24 x 20 inches. Framed in a wooden gold frame, with fabric liner. It is in excellent condition. About the artist: A painter and illustrator, Gunnar Anderson...

Scott Conary's "Mallard Study" is an original, handmade oil painting that depicts a yellow billed duck floating peacefully in tranquil blue waters. About the Artist: Raised where the East Coast suburbs filtered into the woods and farms, Scott Conary (Rhode Island School of Design, BFA ’93) creates expressive oil paintings with rich surfaces of everyday objects and places, often those with which we have complicated and ambiguous relationships. Pulled from their context, these objects say something about how we interact with the world and one another. These are stories of the arbitrary nature of beauty, of melancholy, of fleeting triumph, and the camouflage of time: the mess and splendor of the broken egg, the weed that fights to survive in the gaps of our attention, the weathered door used for generations but now forgotten, and so on. Fueling and inspiring this work is his young daughter’s battle with complicated heart defects, her experiences with disability, and the impact this has had on those around her. This has directed his focus toward the narratives and tensions in the familiar, and is why he wanders deeper into the thicket of representational work.  Conary's work is in collections nationally and internationally, and has been exhibited widely including Salmagundi’s American Masters shows. Conary is represented by the Principle Gallery (Alexandria, VA), Bowersock Gallery (Provincetown, MA), Turner Fine Art (Jackson...

Horse portrait by Marilyn Mairs Saunders (American, 20th Century). Unframed. Signed "Marliyn Mairs" lower right. Image size, 18"H x 24"W. Born in San Francisco, Marilyn Saunders wa...

Crow Skull with bright colors

Homage to baroque allegory, symbolic figurative realism. About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphas...

Harry P Jr Sutton (1897 - 1984) was active/lived in Massachusetts. Harry Sutton is known for figures, interiors, and still life painting. This is a uniq...