Unknown

Christ lynched

1680

Early 17th-century copper painting depicting a religious scene, School Annunciation, Oil on Copper attributed to Cornelis SCHUT, painter of Antwerp (159...

"The Phenomenon" by Karo Mkrtchryan, Oil On Canvas 64cm X 75cm, Framed, Signed and dated,, 1978 Provenance : Estate and Family of the Artist, Glendale, California. Sold with COA ...

Amazing Portrait of an Anonymous Countess by Karo Mkrtchryan, 64cmx75cm Framed, Signed and dated,, 1986 Provenance : Estate and Family of the Artist, Glendale, California. Sold w...

Oil on canvas probably representing a finding of adultery at the end of the 19th century. The scene is painted with many details in a camaieux of gray colors . The edges of the paint...

Nicholas Saleem Macsoud (1884-1972) The Brooklyn Daily Eagle (Brooklyn, New York) 5 July, 1936 B'klyn Artist's Work Featured At Pocono Show Nicholas S. Macsoud's Work Part of Mano...

Milton Gershgoren The following biography is based on information sent by Estelle Gershgoren Novak, daughter of the artist: Milton Gershgoren was ...

Procaccini was born in Bologna, but his family moved to Milan when the artist was eleven years old. His artistic education was evidently familial— from his father Ercole and his elder brothers Camillo and Carlo Antonio, all painters—but his career began as a sculptor, and at an early age: his first known commission, a sculpted saint for the Duomo of Milan, came when he was only seventeen years old. Procaccini’s earliest documented painting, the Pietà for the Church of Santa Maria presso San Celso in Milan, was completed by 1604. By this time the artist had made the trip to Parma recorded by his biographers, where he studied Correggio, Mazzola Bedoli, and especially Parmigianino; reflections of their work are apparent throughout Procaccini's career. As Dr. Hugh Brigstocke has recently indicated, the present oil sketch is preparatory for the figure of the angel seen between the heads of the Virgin and St. Charles Borrommeo in Procaccini's altarpiece in the Church of Santa Afra in Brescia (ill. in Il Seicento Lombardo; Catalogo dei dipinti e delle sculture, exh. cat. Milan 1973, no. 98, pl. 113). As such it is the only known oil sketch of Procaccini's that can be directly connected with an extant altarpiece. The finished canvas, The Virgin and Child with Saints Charles Borrommeo and Latino with Angels, remains in the church for which it was painted; it is one of the most significant works of Procaccini's maturity and is generally dated after the artist's trip to Genoa in 1618. The Head of an Angel is an immediate study, no doubt taken from life, but one stylistically suffused with strong echoes of Correggio and Leonardo. Luigi Lanzi, writing of the completed altarpiece in 1796, specifically commented on Procaccini's indebtedness to Correggio (as well as the expressions of the angels) here: “Di Giulio Cesare...

Portrait Of A Man,head and shoulders in profile by Italian School, early 19th century oil painting on papier mache forming the lid of a snuffbox, stuck down on panel, tondo framed: ...

The Madonna & Child French School, 19th century presented in carved wood scrolled frame oil on canvas, framed frame: 27 x 20 inches canvas: 15.5 x 13 inches provenance: private colle...

Italian School, early 19th century 'Portrait of a Bearded Man' - possibly Saint Peter? oil on board, framed framed: 16 x 13.5 inches board: 12.5 x 9.5 inches provenance: private col...

Artist/ School: 17th Century Dutch School Title: Ladies Collecting Flowers Medium: oil painting on panel, framed Oval : 6.75 x 9.25 inches, frame...

Work on canvas